Plays by Augustin Daly
Plays by Augustin Daly

Author: Don M. B. Wilmeth

Publisher: Cambridge University Press

Published: 1984-04-26

Total Pages: 232

ISBN-13: 9780521240901

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The American playwright and manager-director Augustin Daly dominated the theatrical scene in the United States during the last half of the nineteenth century. His plays and productions set a new standard for American theatre and exerted a strong influence in England, beginning with a first European tour in 1884 and culminating in the opening of Daly's own theatre in London in 1893. Daly, with the assistance of his brother Joseph, had over ninety of his plays or adaptations performed. This unique collection brings together three disparate examples from his prolific output: A Flash of Lightning (1868), Horizon (1871) and Love on Crutches (1884). Daly, an exceptional contriver of theatrical effects, offered the theatre of the 1870s and 1880s melodramas and comedies greatly superior to those of his competitors. These three plays represent the range and energy of his talent.

Sensation Drama, 1860-1880
Sensation Drama, 1860-1880

Author: Joanna Hofer-Robinson

Publisher: Edinburgh University Press

Published: 2019-04-03

Total Pages: 424

ISBN-13: 1474439551

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This pioneering edition provides access to some of the most popular plays of the nineteenth century.

A Companion to Sensation Fiction
A Companion to Sensation Fiction

Author: Pamela K. Gilbert

Publisher: John Wiley & Sons

Published: 2011-06-20

Total Pages: 878

ISBN-13: 1444342215

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This comprehensive collection offers a complete introduction to one of the most popular literary forms of the Victorian period, its key authors and works, its major themes, and its lasting legacy. Places key authors and novels in their cultural and historical context Includes studies of major topics such as race, gender, melodrama, theatre, poetry, realism in fiction, and connections to other art forms Contributions from top international scholars approach an important literary genre from a range of perspectives Offers both a pre and post-history of the genre to situate it in the larger tradition of Victorian publishing and literature Incorporates coverage of traditional research and cutting-edge contemporary scholarship

Victorian Sensation
Victorian Sensation

Author: Michael Diamond

Publisher: Anthem Press

Published: 2004

Total Pages: 337

ISBN-13: 184331150X

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A captivating look at the origins of our own tabloid culture in the salacious and titillating media of the Victorian era.

The Cambridge Companion to English Melodrama
The Cambridge Companion to English Melodrama

Author: Carolyn Williams

Publisher: Cambridge University Press

Published: 2018-10-04

Total Pages: 353

ISBN-13: 110709593X

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A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.

The Business of American Theatre
The Business of American Theatre

Author: William Grange

Publisher: Routledge

Published: 2020-06-02

Total Pages: 545

ISBN-13: 1000074714

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The Business of American Theatre is a research guide to the history of producing theatre in the United States. Covering a wide range of subjects, the book explores how traditions of investment, marketing, labor union contracts, advertising, leasing arrangements, ticket scalping, zoning ordinances, royalties, and numerous other financial transactions have influenced the art of theatre for the past three centuries. Yet the book is not a dry reiteration of hits and flops, bankruptcies and bamboozles. Nor does it cover "everything about it that's appealing, everything the traffic will allow" (as Irving Berlin did in the song "There's No Business Like Show Business"). It is instead a highly readable resource for anyone interested in how money, and how much money, is critical to the art and artists of theatre. Many of those artists make appearances in the book: Richard Rodgers and his keen eye for investment, Jacob Shubert and his construction of "the bridge of thighs" for his showgirls at the Winter Garden, the significance of the Disney Souvenir Shop near the Lyceum Theatre on Broadway, and the difference between a Broadway show losing millions of dollars or making billions in one night. Consider this book a go-to resource for readers, students, and scholars of the theatre business.

Science Fact and Science Fiction
Science Fact and Science Fiction

Author: Brian Stableford

Publisher: Routledge

Published: 2006-09-06

Total Pages: 758

ISBN-13: 1135923736

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Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

The American Theatrical Film
The American Theatrical Film

Author: John C. Tibbetts

Publisher: Popular Press

Published: 1985

Total Pages: 300

ISBN-13: 9780879722890

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This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.