In the early 1900s, America was swept up in the postcard craze. All over the country, people seized on these charming snapshots of life as a means of keeping in touch with friends and family, as well as seeing strange and exciting parts of the world.
From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this "golden age" can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in America's history. This fascinating new history of East Central Georgia showcases more than two hundred of the best vintage postcards available.
In the early 1900s, America was swept up in the postcard craze. All over the country, people seized on these charming snapshots of life as a means of keeping in touch with friends and family, as well as seeing strange and exciting parts of the world.
Augusta and Summerville showcases rare nineteenth-century stereoviews and photographs from the extensive collection of Joseph M. Lee III and the Augusta Museum of History, spanning a 41-year period from 1859 to 1900. The engaging images within these pages were captured on film by some of Augusta's earliest photographers, including J.W. Perkins, John Usher Jr., J.A. Palmer, and H.C. Hall, among others. Most of the images have never been published and provide an unusually valuable source of information about Augusta and its environs. Known the world round for its pristine landscapes and "Garden City" charm, Augusta has always been a photographer's dream. Lush, verdant scenes recall a city yet unmarked by the scars of expansion, still enjoying the tranquility of life in the Old South. Views of early businesses and homes on Broad and Greene Streets, the flood of 1888, local monuments, historic churches and cemeteries, pioneering schools, the early cotton crop, and area waterways all contribute to this visual journey. The reader will delight in scenes of yesteryear, diving deep into the annals of one of Georgia's most beloved cities.
Located in the heart of Mississippi's piney woods, Hattiesburg was named by William H. Hardy in honor of his second wife, Hattie Lott Hardy. Incorporated in 1884, the town quickly established itself as a regional center of the yellow pine lumber industry, and by 1910 it was the fifth largest city in the state. During the 20th century higher education became an important part of the city's persona, with the establishment of William Carey College and The University of Southern Mississippi. Camp Shelby, established in 1917 to train soldiers for World War I, also trained soldiers for World War II, the Vietnam Conflict, the Persian Gulf War, and the War on Terror. Today, Hattiesburg is the center of a metropolitan area of over 110,000 people that encompasses Forrest and Lamar Counties.
From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this "golden age" can today be considered works of art.
This is a biography of John Wesley Gilbert, a man famous as 'the first black archaeologist.' The text uses previously unstudied sources to reveal the triumphs and challenges of an overlooked pioneer in American archaeology.
From the Great Depression through the early postwar years, any postcard sent in America was more than likely a “linen” card. Colorized in vivid, often exaggerated hues and printed on card stock embossed with a linen-like texture, linen postcards celebrated the American scene with views of majestic landscapes, modern cityscapes, roadside attractions, and other notable features. These colorful images portrayed the United States as shimmering with promise, quite unlike the black-and-white worlds of documentary photography or Life magazine. Linen postcards were enormously popular, with close to a billion printed and sold. Postcard America offers the first comprehensive study of these cards and their cultural significance. Drawing on the production files of Curt Teich & Co. of Chicago, the originator of linen postcards, Jeffrey L. Meikle reveals how photographic views were transformed into colorized postcard images, often by means of manipulation—adding and deleting details or collaging bits and pieces from several photos. He presents two extensive portfolios of postcards—landscapes and cityscapes—that comprise a representative iconography of linen postcard views. For each image, Meikle explains the postcard’s subject, describes aspects of its production, and places it in social and cultural contexts. In the concluding chapter, he shifts from historical interpretation to a contemporary viewpoint, considering nostalgia as a motive for collectors and others who are fascinated today by these striking images.
Although he was a native of Bullock County, Alabama, Wade Hall -- teacher, writer, poet, critic, interviewer, folklorist, and documentarian -- spent most of his fifty-year career in Kentucky. But he was never emotionally far from his home as evidenced by his passion for collecting vintage Alabama postcards. In his lifetime he amassed 10,000, which he then graciously gave to the University of Alabama Libraries and Troy University in a large joint bequest that also included rare books, quilts, folk art, letters and more. These postcards date from the late 1800s to the mid-20th century and offer a fascinating and diverse picture of the state. The meaning of postcards that could be purchased as a travel souvenir is largely forgotten today when cameras are commonplace. But the value of Hall's stunning collection cannot be missed. The some 400 cards featured in Greetings from Alabama are revealing of scenes familiar and rare. From Birmingham's Vulcan to Mobile's Bellingrath Gardens, from Enterprise's boll weevil monument to Huntsville's rockets, from Helen Keller's home to William Rufus King's resting place, the scenes offer captivating glimpses of Alabama history.
A sawmill town that has become the crossroads of South Georgia, Tifton was founded by Henry Harding Tift, a "Connecticut Yankee," in 1872. He built a sawmill in what was first known as "Slab Town," but the name eventually changed when sawmill worker George Badger, resolving to be the first to honor village's founder, climbed a pine tree and nailed a placard with TIFTON on it, a condensed version of "Tift's Town." Today, this thriving community is a meeting place for Interstate 75/U.S. 41, U.S. 319, and U.S. 82, and boasts a long and proud history. Tifton, Georgia in Vintage Postcards reveals the early beginnings of the town and its story to the present day, with picturesque street scenes; local schools, including Abraham Baldwin Agricultural College; Georgia Coastal Plains Experiment Station; people and sports; and industry and agriculture. Also highlighted in this engaging volume is the nearby community of Ty Ty.