Sometimes it's safer not to know your neighbors' secrets. Where are Niko and Zora Norman? Crime writer Augusta Hawke puts her sleuthing skills to the test to solve the mystery of her disappearing neighbors in the first entry in a new series. While Augusta Hawke is a successful author of eighteen crime novels, since her husband's death she's been living vicariously through her Jules Maigret-like detective Claude and his assistant Caroline. Then a handsome police detective appears investigating a real-life mystery. Where are her neighbors, the Normans? No one has a clue what's happened - except Augusta. Although she isn't nosy, spending all day staring out the windows for inspiration means she does notice things. Like the Normans arguing. And that they've been missing a week. Once the Normans' car is found abandoned, Augusta senses material for a bestseller and calls on the investigatory skills she's developed as a crime writer. But she soon uncovers long-hidden secrets and finds herself facing real-life dangers her characters never faced . . . ones she can't write her way out of.
A celebration in Oxford for university tutor and bestselling author Jason Verdoot, attended by DCI St. Just and his fiancée Portia, is a night to remember . . . for all the wrong reasons. University of Oxford tutor and bestselling author Jason Verdoodt has it all: acclaim, women, money . . . and an enemy or two. When he's found dead at the bottom of the stairs during a celebratory reception at St Rumwold's College, many wonder if seething jealousy of his literary success has turned someone's mind to murder. Detective Chief Inspector Arthur St. Just becomes inescapably drawn into an investigation that takes him down the historic streets of Oxford and into the hallowed halls of its university. Alongside his fiancée, crime fiction writer Portia De'Ath, he uncovers several motives for murdering the celebrated but insufferable Jason - whose next novel may be a threat to many in his orbit - and no shortage of suspects who are nursing a grudge from the first novel. Has someone decided to write revenge into the plot?
Crime writer turned sleuth, Augusta Hawke finds herself drawn into her second mystery when a celebrity doctor is found dead at a party she is attending! Callie Moore is no ordinary aspiring writer. Notorious wife of a Washington lobbyist, Callie believes no publicity is bad publicity and that publishing her scandalous memoirs will help her achieve her heart's desire: a diplomatic posting. She just needs crime novelist Augusta Hawke to be her ghostwriter. It's hard to say no to Callie, but Augusta does agree to attend her dinner party. The guest list is impressive, and it's Augusta's chance to meet celebrity doctor Doc Burke. But before Augusta really gets a chance to chat with the famous humanitarian, the evening ends in his untimely death. Signs point to a heart attack, but Augusta isn't convinced. Especially when his niece tells Augusta about the mystery woman who claimed the doctor's remains. Augusta decides to host a writers' retreat and invite all the suspects, most of whom are connected in some way with writing. Isn't that what Agatha Christie would do? But the remote lodge soon becomes snowed in and the group starts to crack when it becomes clear the killer may not be finished killing. Can Augusta flush out the culprit before anyone else gets hurt?
Cambridge University master Sir Flyte Rascallian has little interest in the innocent-looking set of old paintings he inherits from his aunt Beatrice, until he takes a closer look . . . and ends up dead. Something is bothering Sir Flyte Rascallian, renowned art expert and Master of Hardwick College at the University of Cambridge. Are the grimy paintings he recently inherited from his aunt as worthless as he claims? Curator Ambrose Nussknacker believes one of the paintings could be a genuine Rembrandt. Why is Sir Flyte so reluctant to get it authenticated, and so determined to avoid the tributes due to the discovery of one of the world’s great lost treasures? When Sir Flyte is found murdered in the Master’s Lodge, Detective Chief Inspector Arthur St. Just must unravel his unusual actions to solve the death of the old master. College fellows, staff, and students all agree something was amiss. But as St. Just investigates, he quickly becomes entangled in a web of deception following the trail of priceless artwork people would kill to possess. Fans of M.C. Beaton and Dorothy Sayers will love this entertaining mystery featuring delightfully eccentric characters.
In this new mystery for Max Tudor, he is forced to revisit the past to solve a very recent case of murder... Max Tudor thought he'd left the world of deceit when he resigned from MI5 to become an Anglican priest. Then his bishop asks him to return to his Oxford college, St Luke's, to investigate the death of its chaplain, and Max realizes there's no leaving the past behind. At first, Max agrees with the official police verdict of death by natural causes. The Rev. Ace Graybill was as harmless a man as ever lived. It's difficult to see how he managed to cross anyone capable of murder. And the suspects are all above reproach: the celebrated Principal, the cautious bursar, the wise librarian, and a raft of benign students and academics. But someone in the college wanted the kindly chaplain dead... and looks can be very deceiving. Praise for G M Malliet 'A superb novel, a wonderful read.' Louise Penny 'G M Malliet has brought the village cosy into the twenty first century... Wicked Autumn is a refreshing read for everyone who loves a really good murder.' Charles Todd 'There are certain things you want in a village mystery: a pretty setting, a tasteful murder, an appealing sleuth... Malliet delivers all that.' New York Times Book Review 'For readers who relish a traditional mystery with a satiric edge, perfect for a cozy fireside read' - The Boston Globe From the series named "Best Mystery of the Year" by Library Journal and The Boston Globe
A humorous cozy set in the picturesque surroundings of Cornwall starring Cambridge DCI Arthur St. Just and his fiancée Portia De’Ath. To celebrate their engagement, DCI Arthur St. Just and Portia De’Ath visit the quiet village of Maidsfell in Cornwall. Upon arriving they find the villagers in an uproar over plans to redevelop the local seafront. The fishermen want to build a new slipway to aid their business, but many residents worry it will spoil the view for the tourists who help drive the economy. After a heated village meeting on the issue, St. Just overhears an argument involving Lord Bodwally – an unpopular aristocrat staunchly opposed to the plans. Later, Bodwally’s lifeless body is discovered. It’s murder. Although Bodwally was disliked, who’d go so far as to kill him? St. Just, although an outsider from Cambridge, feels compelled to help local authorities investigate. Is Bodwally’s death linked to the seafront, his suspect business dealings, or a secret from the past? One thing is certain, the fallout threatens to change Maidsfell forever . . .
Winner of the 2008 Agatha Award for Best First Novel From deep in the heart of his eighteenth century English manor, millionaire Sir Adrian Beauclerk-Fisk writes mystery novels and torments his four spoiled children with threats of disinheritance. Tiring of this device, the portly patriarch decides to weave a malicious twist into his well-worn plot. Gathering them all together for a family dinner, he announces his latest blow—a secret elopement with the beautiful Violet...who was once suspected of murdering her husband. Within hours, eldest son and appointed heir Ruthven is found cleaved to death by a medieval mace. Since Ruthven is generally hated, no one seems too surprised or upset—least of all his cold-blooded wife Lillian. When Detective Chief Inspector St. Just is brought in to investigate, he meets with a deadly calm that goes beyond the usual English reserve. And soon Sir Adrian himself is found slumped over his writing desk—an ornate knife thrust into his heart. Trapped amid leering gargoyles and stone walls, every member of the family is a likely suspect. Using a little Cornish brusqueness and brawn, can St. Just find the killer before the next-in-line to the family fortune ends up dead? Death of a Cozy Writer was chosen by Kirkus Reviews as a Best Book of 2008, nominated for a Left Coast Crime award (the Hawaii Five-O for best police procedural), short-listed for the Macavity Award for Best First Mystery, nominated for the Anthony Award for Best First Novel and was a finalist for the David G. Sasher, Sr. Award for Best Mystery Novel. Praise: "Fans of English detective work will welcome Malliet's droll debut, the first in a new series."—Publishers Weekly "Malliet's debut combines devices from Christie and Clue to keep you guessing until the dramatic denouement."—Kirkus Reviews "Malliet's skillful debut demonstrates the sophistication one would expect of a much more established writer. I'm looking forward to her next genre-bender, Death and the Lit Chick."—Mystery Scene "Almost every sentence is a polished, malicious gem, reminiscent of Robert Barnard...the book is perfect for the lover of the classical detective story or the fan of great sentences."—Deadly Pleasures "In her series debut, Malliet, who won a Malice Domestic Grant to write this novel, lays the foundation for an Agatha Christie—like murder mystery."—Library Journal "An affectionate homage to the Golden Age of British crime fiction by a skilled writer rapidly attracting attention."—The Sherbrook Record "This tale cleverly adds modern touches to an Agatha Christie style classic house mystery."—Mystery Women Magazine "Wicked, witty and full of treats!"—Peter Lovesey, recipient of Lifetime Achievement Awards from the Crime Writer's Association and Malice Domestic "The traditional British cozy is alive and well. Delicious. I was hooked from the first paragraph."—Rhys Bowen, award-winning author of Her Royal Spyness "Death of a Cozy Writer is a romp, a classic tale of family dysfunction in a moody and often humourous English country house setting."—Louise Penny, author of the award-winning Armand Gamache series of murder mysteries "The connections made by St. Just are nothing short of Sherlock Holmes at his most coherent. A most excellent first mystery!"—Midwest Book Review
