Eriksson explores our perception in relation to movement and our ability to find meaning through repetition. What Happens When Nothing Happens is Erikssons third book with walking as its starting point.
This shattering memoir by a journalist about his father’s attempt to survive the aftermath of Auschwitz in a small industrial town in Sweden won the prestigious August Prize On August 2, 1947 a young man gets off a train in a small Swedish town to begin his life anew. Having endured the ghetto of Lodz, the death camp at Auschwitz-Birkenau, the slave camps and transports during the final months of Nazi Germany, his final challenge is to survive the survival. In this intelligent and deeply moving book, Göran Rosenberg returns to his own childhood to tell the story of his father: walking at his side, holding his hand, trying to get close to him. It is also the story of the chasm between the world of the child, permeated by the optimism, progress, and collective oblivion of postwar Sweden, and the world of the father, darkened by the long shadows of the past.
Kjell Eriksson has made a huge splash around the globe with his series set in his native Sweden. Already a star in Europe and the Nordic countries, Kjell Eriksson has American critics raving. In Open Grave in the Ann Lindell series, Professor Bertram von Ohler has been awarded the Nobel Prize for medicine. This news causes problems in his otherwise quiet upper-class neighborhood. Not everybody is happy with the choice of winner. Mysterious incidents start to occur. Boyish pranks say the police, but what follows is certainly not innocent amusement. Police inspector Ann Lindell becomes involved in the case and immediately is transported back into her own past. Eriksson has been nominated for the Best Swedish Crime Novel five times.Open Grave, the sixth book in his critically acclaimed and internationally loved series, is a chilling novel about renunciation and revenge.
A young writer's search for a place called home, what it means to be an artist, and finding peace with a restless heart. The follow up to Charlotte Eriksson's first book "Empty Roads & Broken Bottles; in search for The Great Perhaps", is the continued self-exploring quest of a young artist. Poetry, travel stories and journals that brings you in to this young girl's journey. ---------------- The journals and poetry explore the dreamer's fate of leaving and arriving, love and loss, and learning to go on on your own. It captures the city of Berlin, where I somehow ended up. The broken concrete, conversations with strangers, small moments of ache or clarity. The stories leads to the chapter of my Album Journals "Learning What It Means To Be An Artist," which is a series of journals and letters behind what came to be my second album "I Must Be Gone and Live, or Stay and Die". The album and this book go hand in hand and the lyrics and quotes blend into one another. The reader will find the book as a world of its own, and the listener of the album will find the musical world expanded into reality.
"Kjell Eriksson's crime novels are among the very best." —Henning Mankell A Swedish county commissioner walks out of a high-level meeting and disappears. Many years later, one of the town's natives is convinced that he's caught a glimpse of the missing man while traveling in Bangalore, India. When the rumors reach his hometown, a veteran police officer stumbles across a seemingly unrelated case. Ann Lindell, Eriksson's series detective, must investigate a severed female foot found where a striking number of inhabitants are single men. But the owner of the house where the victim believed to have lived is no longer able to answer any questions....
"Previously published as De fèorsvunna by Bonnier in 2015 in Sweden. Translated from Swedish by Tiina Nunnally. First published in English by AmazonCrossing in 2016"--Title page verso.
Love does the job. travelling too. writing does it. music. Also art, whisky, dark-coloured flowers and watching the landscape change in October. Driving on a small road somewhere in Italy with a beautiful boy and I don't want to be anywhere else in the whole wide world than right there, with him, that very car, smiling. But I close my eyes for one second and the moment is gone. I'm back to getting high on empty roads somewhere in Sweden and I'm the loneliest girl in the whole damn world and I just want all things beautiful. I just want the music, the literature, the art and the moments of driving in a car with a beautiful boy in Italy. but here, alone, I have no cares in the world. I have no cares in the world. I just want it all to be beautiful. ___________ The 4th book from Swedish songwriter & author Charlotte Eriksson is a narrative journey from a lost and wandering youth, trying to find a place in the world, to slowly growing into a peaceful meditation on the joys of growing up, changing and befriending yourself. We get to follow a young woman, consciously creating herself, striving towards an adult self. "Where are our heroes?" she asks. "Where are our role models? Why are we leaving youth behind and laughing at the ones who are still there? Why not help each other out instead? with a little grace. with a little compassion. Love for all and everyone around because we're all stumbling or succeeding back and forth, every day, and I want more community. I want helpers and guidance. Am I helping someone?" Charlotte helps by documenting her struggles, inner journeys and outer experiences, and she helps by sharing them with the world as boldly and bravely as she does. "We're all going through the same journey of growing from kids to teenagers to young adults to somewhat adult-to maybe a little calmer, to even more calm, and some lose their ways here but I want to speak up about it and hear that we're all on the same journey. We're all on the same road but it feels like everyone's ashamed of walking this road so everyone's looking down, trying not to be seen, pretending their feet are steady and not stumbling." ___________ "And what am I? I'm forever stuck in a nonexistent place where no time passes and I do so much and learn so much but I don't grow. I'm still teenage me wanting more. Wanting less. Wanting anything and everything and I think I should grow up now. Grow out of childish anxiety and sorrows for all things past and everyone has moved on from schools and neighbourhoods and I moved first and swore the loudest on never coming back but now I dream about all things past. Going back. How do you transition from being a lost teenager, to one of those calm and serene souls of integrity and certainty? Because that's what I must do, now, soon. Do others feel left behind too, or is it just me? Like the train left with everyone on it and I'm still standing on the platform trying to decide if I should watch the sky for another hour or go change my ticket. Maybe sometimes you need to just close your eyes and jump on the train without feeling ready, and grow your steady breath on the way. I think sometimes you don't know how much you're capable of until you're forced to grow into it."
August Strindberg’s novel The Red Room centers on the civil servant Arvid Falk as he tries to find meaning in his life through the pursuit of writing. He’s accompanied by a crew of painters, sculptors and philosophers each on their own journey for the truth, who meet in the “Red Room” of a local restaurant. Drawing heavily on August’s own experiences, The Red Room was published in Sweden in 1879. Its reception was less than complimentary in Sweden—a major newspaper called it “dirt”—but it fared better in the rest of Scandinavia and soon was recognised in his home country. Since then it has been translated into multiple languages, including the 1913 English translation by Ellise Schleussner presented here. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
A pivotal figure of late nineteenth century theatre, the Swedish playwright, novelist and essayist August Strindberg produced over sixty plays and more than thirty works of fiction, often drawing directly on his personal experience. A bold experimenter of literary forms, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama and history plays, to expressionist and surrealist works. This comprehensive eBook presents the largest collection of Strindberg’s works ever compiled in English translation, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Strindberg’s life and works * Concise introductions to the major plays and other texts * 29 plays, with individual contents tables * Features rare plays appearing for the first time in digital publishing, including ‘Mother Love’ and ‘The Saga of the Folkungs’ * Early twentieth century translations by Warner Oland, Edwin Björkman, Claud Field, Ellie Schleussner and more (too many to list in this description; each translator’s name appears at the beginning of each work) * Excellent formatting of the texts * 6 novels by Strindberg * A wide selection of short story collections * Special chronological and alphabetical contents tables for the short stories * Easily locate the short stories you want to read * Selection of Strindberg’s non-fiction * Special criticism section, with 4 essays evaluating Strindberg’s contribution to literature * Features a bonus biography - discover Strindberg’s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Plays The Outlaw Master Olof Lucky Pehr The Father Comrades Miss Julie Creditors The Stronger Pariah Simoom Debit and Credit Facing Death Mother Love The Link The First Warning The Road to Damascus Advent There are Crimes and Crimes Gustavus Vasa Erik XIV The Saga of the Folkungs Easter The Dance of Death The Bridal Crown Swanwhite The Dream Play The Thunderstorm After the Fire Spook Sonata The Novels The Red Room The Son of a Servant The Confession of a Fool On the Seaboard The Inferno The Growth of a Soul The Short Story Collections Married Historical Miniatures Fair Haven and Foul Strand The German Lieutenant and Other Stories In Midsummer Days and Other Tales The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order Non-Fiction Zones of the Spirit Legends: Autobiographical Sketches The Criticism August Strindberg by James Huneker The Eccentricity of August Strindberg by Otto Heller August Strindberg by Horace Barnett Samuel The Madness of Strindberg by Robert Lynd The Biography August Strindberg: The Spirit of Revolt by L. Lind-af-Hageby Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
"I'll tell you what, Ygberg, I believe one has to be very unscrupulous if one wants to get on in the world." That's how The Red Room could be summarised through one of its sentences. Through a number of cultural workers Strindberg asks the question of how life should be lived. As a young person, you can pretend to be an ardent idealist; as an older, somewhat sober person, you can come to realise that what you from the beginning thought to be idealistic may not really be. Through its straightforward language The Red Room (1879) is often called the first modern novel in Swedish. It constitutes a representation of Stockholm in the 1870s and is known for its depictions of the urban environment as well as its satire. The book is an attempt to stand by the lower classes by humorously attacking the hypocrisy of the higher classes. The Red Room was described as dirt by contemporary critics, but it was an immediate success. This edition of The Red Room constitutes the first novel in the cluster text style, which could be 20 percent better than ordinary texts, and is intended to function as a kind of survey for how we look at text, reading and book design. This book, in Swedish, was made as an entry for Svensk bokkonst, which every year rewards good examples of book design. The winners get to participate in Stiftung Buchkunt's Best Book Design from all over the World which in German is called Schönste Bücher aus aller Welt. This difference captures an important gap. Book design has long been about designing beautiful books. Now we'll see how Svensk bokkonst and possibly Stiftung Buchkunst see this. What do you think? Should we read cluster texts? You will get an answer to that question by reading this edition of The Red Room. PLEASE NOTE that the text in this book, i.e. cluster text, cannot be reflown and therefore needs to be read on tablets/screens at least 13 centimetres wide, which can handle line lengths of 95 characters (i.e. smaller screens are not suitable).