(VERB) TO CRY, HOWL, GROAN, WAIL, BAWL. (INTERJECTION) EXPRESSION OF ASTONISHMENT OR DISTRESS. Taukiri was born into sorrow. Aue can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his dad's. It spills out of the brutality that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home. But Taukiri's brother, Arama, is braver than he looks. He has a friend, and his friend has a dog. And the three of them together might just be strong enough to turn back the tide of sadness.
"In the course of perhaps twenty-five years of creative productivity (ca. 1180-ca. 1205), Hartmann von Aue authored a dispute about love between the body and the heart, Die Klage (ca. 1180-85), numerous songs of courtly love, crusading songs, and most likely took part in a Crusade himself." "The essays in this volume, written by scholars from North America and Europe, offer insight into many aspects of Hartmann's oeuvre, including the medieval and modern visual and literary reception of his works. The volume also offers considerations of Hartmann and Chretien; Hartmann's putative theological background and the influence of the Bible on his tales; the reflection of his medical knowledge in Der arme Heinrich and Iwein; and a complete survey of his lyric production. Newer avenues of research are also presented, with essays on issues of gender and on the role of pain as a constitutive part of the courtly experience."--Jacket.
Spy, businessman, bon vivant, Nazi Party member, Righteous Gentile. This was Oskar Schindler, the controversial man who saved eleven hundred Jews during the Holocaust but struggled afterwards to rebuild his life and gain international recognition for his wartime deeds. David Crowe examines every phase of Schindler's life in this landmark biography, presenting a savior of mythic proportions who was also an opportunist and spy who helped Nazi Germany conquer Poland. Schindler is best known for saving over a thousand Jews by putting them on the famed "Schindler's List" and then transferring them to his factory in today's Czech Republic. In reality, Schindler played only a minor role in the creation of the list through no fault of his own. Plagued by local efforts to stop the movement of Jewish workers from his factory in Krakóo his new one in Brüz, and his arrest by the SS who were investigating corruption charges against the infamous Amon Gö Schindler had little say or control over his famous "List." The tale of how the "List" was really prepared is one of the most intriguing parts of the Schindler story that Crowe tells here for the first time. Forced into exile after the war, success continually eluded Schindler and he died in very poor health in 1974. He remained a controversial figure, even in death, particularly after Emilie Schindler, his wife of forty-six years, began to criticize her husband after the appearance of Steven Spielberg's film in 1993. In Oskar Schindler, Crowe steps beyondthe mythology that has grown up around the story of Oskar Schindler and looks at the life and work of this man whom one prominent Schindler Jew described as "an extraordinary man in extraordinary times."
Magnum photographer Jacob Aue Sobol moved to Tokyo in Spring 2006. He began photographing in the streets and public areas, drawn to the tightly confined reality of the city. His search was for the individual human being in an environment simultaneously attractive and repellant. He hung out with the rent boys in Kabukicho, the red light district. He visited the homeless sleeping in the streets and the parks. Most of all, he sought to understand Japanese youth, the generation which lacks any connection to traditional Japanese culture and values.
Floro Ernesto Caroleo and Francesco Pastore This book was conceived to collect selected essays presented at the session on “The Labour Market Impact of the European Union Enlargements. A New Regional Geography of Europe?” of the XXII Conference of the Italian Association of Labour Economics (AIEL). The session aimed to stimulate the debate on the continuity/ fracture of regional patterns of development and employment in old and new European Union (EU) regions. In particular, we asked whether, and how different, the causes of emergence and the evolution of regional imbalances in the new EU members of Central and Eastern Europe (CEE) are compared to those in the old EU members. Several contributions in this book suggest that a factor common to all backward regions, often neglected in the literature, is to be found in their higher than average degree of structural change or, more precisely, in the hardship they expe- ence in coping with the process of structural change typical of all advanced economies. In the new EU members of CEE, structural change is still a consequence of the continuing process of transition from central planning to a market economy, but also of what Fabrizio et al. (2009) call the “second transition”, namely that related to the run-up to and entry in the EU.
