Atlantic City: Winners and Losers is centered in Atlantic City amid all that takes place in the hotel-casino life of that city. Tony Gordon, realtor and life long resident of the city, deals with the realities of life as it faces him and those he knows and loves. Life and death all play a role. Today is important---tomorrow, a question for so many people. Who are the winners? Who are the losers? Tony discovers it all, as do others caught up in the casino world of Atlantic City. The cards are dealt and now they must be played.
In November 1976, the state of New Jersey embarked upon a bold experiment when the voters approved a referendum to authorize casino gambling in Atlantic City. Expectations were high: the gaming industry could rejuvenate a dying city core, employment would swell, the tax base would broaden and welfare rolls diminish, tourism might spread through the state, and the cruel spectacle of a poverty-stricken community would be eliminated. The Atlantic City Gamble reports the results of this experiment and evaluates casinos as a tool for economic revitalization, a painless source of revenue. The casinos are enormously profitable--but for whom? The city has paid a huge toll in human and economic hardship. There are 30,000 new jobs, but little spillover into non-casino employment. Crime rates have skyrocketed. Housing has been priced beyond the reach of minority groups and the elderly. In 1982, the casinos paid more than $117 million in state taxes, but much of the projected bonanza to Atlantic City has been swallowed by the industry's need for expanded municipal services, such as police protection. Fears of the old connection between gambling and organized crime may be exaggerated, but few can deny that the gaming industry--with its immense daily cash flow--harbors a vast potential for corruption. The state promoted visions of a glorious rebirth, but it failed to provide a governing mechanism that could produce the promised rewards. Would better planning and research enable any government to cope with such instant large-scale business and the political clout it carries? Economic strangulation has motivated at least eight other states to think about letting in casinos. The decisions they make will have far-reaching social and economic consequences, and must be based on a set of facts as accurate and comprehensive as possible. In searching out the lessons of Atlantic City, the authors have provided a sobering glimpse into the intricacies of legalized gambling.
Cities in the Third Wave surveys the remarkable transformation that is taking place in urban America. In the belief that technology is the force that has created and recast cities throughout history, this book addresses the important question of how the modern-day technology affects cities today and how it will shape cities in the future.
Now in its third edition, Academic Writing offers a succinct and practical introduction to the development of research papers across the disciplines. Structured around contemporary genre theory, which establishes the importance of context for effective communication, the text describes the writing process step by step, including how to formulate a topic; gather and properly document sources; develop strong proposals, introductions, core paragraphs, and conclusions; and refine the final draft. Additionally, readers will observe the progress and thought processes of Jenna, a first-year student, as she crafts her own paper. New to this edition are materials for instructors that include full-length research papers, PowerPoint slides, an exam bank, and ideas for study. Rich with such pedagogical features as chapter learning objectives, annotated passages that illustrate aspects of academic style, and a glossary, Academic Writing is a must-have textbook for students developing their research and writing skills.
There is little question about the incredible power of Bruce Springsteen's work as a particularly transformative art, as a lyrical and musical fusion that never shies away from sifting through the rubble of human conflict. As Rolling Stone magazine's Parke Puterbaugh observes, Springsteen 'is a peerless songwriter and consummate artist whose every painstakingly crafted album serves as an impassioned and literate pulse taking of a generation's fortunes. He is the foremost live performer in the history of rock and roll, a self-described prisoner of the music he loves, for whom every show is played as if it might be his last.' In recent decades, Puterbaugh adds, 'Springsteen's music developed a conscience that didn't ignore the darkening of the runaway American Dream as the country greedily blundered its way through the 1980s' and into the sociocultural detritus of a new century paralysed by isolation and uncertainty. Bruce Springsteen, Cultural Studies, and the Runaway American Dream reflects the significant critical interest in understanding Springsteen's resounding impact upon the ways in which we think and feel about politics, religion, gender, and the pursuit of the American Dream. By assembling a host of essays that engage in interdisciplinary commentary regarding one of Western culture's most enduring artistic and socially radicalizing phenomena, this book offers a cohesive, intellectual, and often entertaining introduction to the many ways in which Springsteen continues to impact our lives by challenging our minds through his lyrics and music.
In this comprehensive new text, Chris Mayda offers an exciting alternative to conventional North American geographies. Throughout her thorough discussion of the physical and human geography of the United States and Canada, the author weaves in the key themes of environment and sustainability. Her inclusive and cohesive narrative highlights not only the diversity and richness of each region but the fundamental connections that link the continent. In the course of her research, Mayda traveled to every state and province in the United States and Canada, imbuing her writing and photographs with authenticity and immediacy. She traces the problems each region faces but also illuminates the positive actions that Americans and Canadians are taking to position their countries as healthy leaders in the world economy. Combining incisive analysis, rich description, human stories, and vibrant photographs, this text offers a complete and vivid portrait of the region from human, physical, and cultural perspectives. Designed expressly for ease of teaching and learning, the book features four-color photographs and maps throughout, chapter highlights, key term and place listings for each chapter, discussion questions, and a glossary, plus PowerPoint slides, and a sustainability blog on the book's website: http://everythingisconnectedblog.wordpress.com/.
In the wake of Ireland’s recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures. That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally. In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents 1. The Power of the Powerless: Theatre in Turbulent Times by Fintan Walsh ONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton 3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers’ Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor 4. You Had to be There by Louise Lowe TWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy 6. The Writing Life by Helen Meany 7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan Tighe THREE: Bodies Out of Bounds 8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver 9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children’s Theatre by Eimear Beardmore 10. Living Inspiration by John Scott FOUR: Placing Performance 11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson 12. ‘Getting Known’: Beckett, Ireland, and the Creative Industries by Trish McTighe 13. The Art of Perspective by Michael West FIVE: Touring Performances 14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean 15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating 16. Viewed from Afar: Contemporary Irish Theatre on the World’s Stages by Peter Crawley 17. A Dance You Associate With Your Family by Gary Keegan
