In 1854, a group of engineers and railroad businessmen drew a straight line from Philadelphia to the New Jersey coast, built a railroad along the line, and created Atlantic City. From the 1850s to the 1950s, the city attracted the creme of American society and the working class alike and gave birth to the beauty pageant, rolling chair, boardwalk, saltwater taffy, jitney, and the successful Monopoly board game. But the onset of air travel in the 1950s and the aging grand hotels brought Atlantic City to its knees. The opening of Resorts International in 1978 and the prosperous gaming business that followed in its wake helped the city rise from its own ashes, and a year-round tourism industry exploded. Garish and opulent casino hotels replaced many of the boardwalk dowagers, and new palaces transformed the once desolate marina section into a vibrant destination.
A photographic history of Atlantic City, New Jersey, chronicles the city's early days as a premier seaside resort, its decline through the mid-twentieth century, and its twenty-first-century incarnation as an entertainment and gambling mecca, examining such landmarks as its famed boardwalk, its role as the birthplace of the Monopoly game and the Miss America pageant, and more.
During the first half of the twentieth century, Atlantic City was the nation's most popular middle-class resort--the home of the famed Boardwalk, the Miss America Pageant, and the board game Monopoly. By the late 1960s, it had become a symbol of urban decay and blight, compared by journalists to bombed-out Dresden and war-torn Beirut. Several decades and a dozen casinos later, Atlantic City is again one of America's most popular tourist spots, with thirty-five million visitors a year. Yet most stay for a mere six hours, and the highway has replaced the Boardwalk as the city's most important thoroughfare. Today the city doesn't have a single movie theater and its one supermarket is a virtual fortress protected by metal detectors and security guards. In this wide-ranging book, Bryant Simon does far more than tell a nostalgic tale of Atlantic City's rise, near death, and reincarnation. He turns the depiction of middle-class vacationers into a revealing discussion of the boundaries of public space in urban America. In the past, he argues, the public was never really about democracy, but about exclusion. During Atlantic City's heyday, African Americans were kept off the Boardwalk and away from the beaches. The overly boisterous or improperly dressed were kept out of theaters and hotel lobbies by uniformed ushers and police. The creation of Atlantic City as the "Nation's Playground" was dependent on keeping undesirables out of view unless they were pushing tourists down the Boardwalk on rickshaw-like rolling chairs or shimmying in smoky nightclubs. Desegregation overturned this racial balance in the mid-1960s, making the city's public spaces more open and democratic, too open and democratic for many middle-class Americans, who fled to suburbs and suburban-style resorts like Disneyworld. With the opening of the first casino in 1978, the urban balance once again shifted, creating twelve separate, heavily guarded, glittering casinos worlds walled off from the dilapidated houses, boarded-up businesses, and lots razed for redevelopment that never came. Tourists are deliberately kept away from the city's grim reality and its predominantly poor African American residents. Despite ten of thousands of buses and cars rolling into every day, gambling has not saved Atlantic City or returned it to its glory days. Simon's moving narrative of Atlantic City's past points to the troubling fate of urban America and the nation's cultural trajectory in the twentieth century, with broad implications for those interested in urban studies, sociology, planning, architecture, and history.
During the early years of Atlantic City (AC) boxing, the fight game was bustling. An array of ring talent, from club fighters to champions, came to the shore to compete at thriving venues like the Northside's Waltz Dream Arena and Convention Hall on the boardwalk. Although ring action was plentiful, the biggest fights were still happening elsewhere, and boxing was just one of many entertainment options in AC. However, everything changed once gambling came to town. As casinos popped up along the boardwalk, Atlantic City fights got bigger and bigger. By the late 1970s, boxing was on the rise, and within a few years, business was booming. Heavyweight champion Mike Tyson ushered in the city's peak era in the late 1980s, a time when more than just fight fans turned their attention to Atlantic City for some of the biggest sporting events ever. Although AC never again topped the impact of those days, boxing action at the shore remained vital for decades to come.
Few American resort cities rival the romantic slpendor of Atlantic City, New Jersey. Since 1854, this island has evoked dreams and memories of days lived amid white sand beaches, a vibrant boardwalk, exciting amusement piers, and grand hotels. For decades it was a place where teenagers fell in love, returned for honeymoons, and later brought families. Atlantic Cities is a nostalgic return to the pre-casino days that now seem relatively innocent. The founders believed that the city would become a grand health resort, featuring healthful sea breezes and balmy days. Nearly deserted when the first train loaded with day-trippers arrived on July 1, 1854, Atlantic City, by 1900, was known throughout much of the world as "The Queen of American Resorts." With huge hotels lining the Boardwalk and unique amusement piers jutting into the ocean, the city thrived on what one promoter called "ocean, emotion, and constant promotion." Those were the days when bathers frolicked on the beach in drab clothing, when the Boardwalk was alive with throngs of happy visitors, and Miss America actually strolled the Boardwalk amid the crowds. Images like those, and of course of the annual Easter Parade, one of the East Coast's premier social events, are among the nearly two hundred photographs carefully selected for this long-awaited book.
This three-volume reference set explores the history, relevance, and significance of pop culture locations in the United States—places that have captured the imagination of the American people and reflect the diversity of the nation. Pop Culture Places: An Encyclopedia of Places in American Popular Culture serves as a resource for high school and college students as well as adult readers that contains more than 350 entries on a broad assortment of popular places in America. Covering places from Ellis Island to Fisherman's Wharf, the entries reflect the tremendous variety of sites, historical and modern, emphasizing the immense diversity and historical development of our nation. Readers will gain an appreciation of the historical, social, and cultural impact of each location and better understand how America has come to be a nation and evolved culturally through the lens of popular places. Approximately 200 sidebars serve to highlight interesting facts while images throughout the book depict the places described in the text. Each entry supplies a brief bibliography that directs students to print and electronic sources of additional information.
The island eventually known as Sea Isle was first purchased by Joseph Ludlam in 1692 for use as a grazing pasture. The island changed almost overnight when Charles K. Landis purchased it in 1880, intent on creating a seaside resort. After adding a railroad and hotels, tourists soon followed. The boardwalk hosted beach parties; clam bakes; and bicycle, sack, and even motorcycle races. Wedged between the Atlantic Ocean and the back bays, commercial fishing companies shared the waters with casual anglers. Recreational sailing, yacht racing, and sport fishing have long been popular with Sea Isle's year-round residents and visitors alike. Sea Isle City Revisited showcases the rich maritime and recreational history of this New Jersey coastal town.
During the first half of the twentieth century, Atlantic City was the nation's most popular middle-class resort--the home of the famed Boardwalk, the Miss America Pageant, and the board game Monopoly. By the late 1960s, it had become a symbol of urban decay and blight, compared by journalists to bombed-out Dresden and war-torn Beirut. Several decades and a dozen casinos later, Atlantic City is again one of America's most popular tourist spots, with thirty-five million visitors a year. Yet most stay for a mere six hours, and the highway has replaced the Boardwalk as the city's most important thoroughfare. Today the city doesn't have a single movie theater and its one supermarket is a virtual fortress protected by metal detectors and security guards. In this wide-ranging book, Bryant Simon does far more than tell a nostalgic tale of Atlantic City's rise, near death, and reincarnation. He turns the depiction of middle-class vacationers into a revealing discussion of the boundaries of public space in urban America. In the past, he argues, the public was never really about democracy, but about exclusion. During Atlantic City's heyday, African Americans were kept off the Boardwalk and away from the beaches. The overly boisterous or improperly dressed were kept out of theaters and hotel lobbies by uniformed ushers and police. The creation of Atlantic City as the "Nation's Playground" was dependent on keeping undesirables out of view unless they were pushing tourists down the Boardwalk on rickshaw-like rolling chairs or shimmying in smoky nightclubs. Desegregation overturned this racial balance in the mid-1960s, making the city's public spaces more open and democratic, too open and democratic for many middle-class Americans, who fled to suburbs and suburban-style resorts like Disneyworld. With the opening of the first casino in 1978, the urban balance once again shifted, creating twelve separate, heavily guarded, glittering casinos worlds walled off from the dilapidated houses, boarded-up businesses, and lots razed for redevelopment that never came. Tourists are deliberately kept away from the city's grim reality and its predominantly poor African American residents. Despite ten of thousands of buses and cars rolling into every day, gambling has not saved Atlantic City or returned it to its glory days. Simon's moving narrative of Atlantic City's past points to the troubling fate of urban America and the nation's cultural trajectory in the twentieth century, with broad implications for those interested in urban studies, sociology, planning, architecture, and history.
