The Gate of Dreams, illustrated with six colorplates from oil vignettes and lively silhouettes throughout, is reminiscent of classic fairy tale editions. Yet the three stories, which appeal to adults as well as children, are entirely new. The sympathetic characters in "The Woodcarver's Daughter", "Franz the Fool", and "The Girl of the Bells", along with the rural settings of these stories, recall to the reader that sense of delight, recognition, suspense and wonder found in the classic tales of the Brothers Grimm and Hans Christian Andersen. Indeed, it was the revered fairy tale scholar Bruno Bettelheim who first suggested the publication of the fairy stories of Lillian Somersaulter Moats.
In "The Silver Key", Randolph Carter, weary of adulthood's dull reality, discovers a mystical silver key that allows him to revisit the lost realms of his childhood dreams. As he journeys into the surreal and fantastical world beyond time and space, Carter faces a profound existential realization about memory, imagination, and the fleeting nature of reality.
A world-renowned authority on the history, uses, and power of dreaming, Robert Moss guides neophyte and experienced adventurers alike to open their own dreamgates. Through these gates await otherwise inaccessible realms of reality as well as soul remembering — the “recovering of knowledge that belonged to us before we came into this life experience.” Exercises, meditations, and the mesmerizing tales of fellow dream travelers outline Moss’s Active Dreaming technique, a kind of shamanic soul-flight that offers “frequent flyers” a passport between worlds. In this world beyond physical reality, Moss points to wellsprings of healing, creativity, and insight. As readers move into these different ways of seeing and knowing, they may also communicate with spiritual guides and departed loved ones in ways that transform their everyday lives.
"Sleep is one of the most important but least understood aspects of our life, wellness, and longevity ... An explosion of scientific discoveries in the last twenty years has shed new light on this fundamental aspect of our lives. Now ... neuroscientist and sleep expert Matthew Walker gives us a new understanding of the vital importance of sleep and dreaming"--Amazon.com.
Judith Gladstone came to San Francisco after her parents died to find her last living relative, an aunt she has never met. Instead she has fallen head over heels in love with Caleb Coulter, her friend's brother. Caleb has promised to help Judith find her aunt, but she can tell he thinks of her only as a friend, and she struggles to hide her feelings. When Caleb traces Judith's aunt to the wealthy Whitley family, Judith is reunited with her long-lost relatives. The truths she learns about her past and her parents are shocking and overwhelming, however, and the more she gets to know her new family, the more danger she uncovers. Someone does not want Judith in the picture, and they will do whatever it takes to get rid of her.
Untamable. Damaged. Angry. Once full of promise and life, now lost in the shadows of resentment and detachment, this is Dream of Night's story—and it is also Shiloh’s. One is a thoroughbred racehorse, the other an eleven-year-old foster child. Starved to the bone, Dream of Night is still a very powerful animal, kicking, bucking, screaming to show his strength. Shiloh has been starved in other ways—starved of affection, starved of stability and she lashes out too…with sarcasm. This injured and abused racehorse has a lot in common with punky Shiloh and by chance they both find themselves under the care of Jessalyn DiLima—a last stop for each before the state takes more drastic measures—sending the girl to a “residential facility” and the horse to a vet...for euthanizing. Jess is giving them a second chance, a last chance—but she fosters animals and children like this for a reason—she’s a little broken, too. And she knows what it’s like to have lost nearly everything she loves. As the horse warms up to the girl and the girl lets her guard down for the horse, the three of them become an unlikely family. They recognize their similarities in order to heal their pasts, but not before one last tragedy threatens to take it all away.
This book tells the story of the early modern astronomer Johannes Kepler’s Somnium, which has been regarded by science historians and literary critics alike as the first true example of science fiction. Kepler began writing his complex and heavily-footnoted tale of a fictional Icelandic astronomer as an undergraduate and added to it throughout his life. The Somnium fuses supernatural and scientific models of the cosmos through a satirical defense of Copernicanism that features witches, lunar inhabitants, and a daemon who speaks in the empirical language of modern science. Swinford’s looks at the ways that Kepler’s Somnium is influenced by the cosmic dream, a literary genre that enjoyed considerable popularity among medieval authors, including Geoffrey Chaucer, Dante, John of Salisbury, Macrobius, and Alan of Lille. He examines the generic conventions of the cosmic dream, also studying the poetic and theological sensibilities underlying the categories of dreams formulated by Macrobius and Artemidorus that were widely used to interpret specific symbols in dreams and to assess their overall reliability. Swinford develops a key claim about the form of the Somnium as it relates to early science: Kepler relies on a genre that is closely connected to a Ptolemaic, or earth-centered, model of the cosmos as a way of explaining and justifying a model of the cosmos that does not posit the same connections between the individual and the divine that are so important for the Ptolemaic model. In effect, Kepler uses the cosmic dream to describe a universe that cannot lay claim to the same correspondences between an individual’s dream and the order of the cosmos understood within the rules of the genre itself. To that end, Kepler’s Somnium is the first example of science fiction, but the last example of Neoplatonic allegory.
The novel that inspired Field of Dreams: “A lyrical, seductive, and altogether winning concoction.” —The New York Times Book Review One of Sports Illustrated’s 100 Greatest Sports Books “If you build it, he will come.” When Ray Kinsella hears these mysterious words spoken in the voice of an Iowa baseball announcer, he is inspired to carve a baseball diamond in his cornfield. It is a tribute to his hero, the legendary Shoeless Joe Jackson, whose reputation was forever tarnished by the scandalous 1919 World Series. What follows is a timeless story that is “not so much about baseball as it is about dreams, magic, life, and what is quintessentially American” (The Philadelphia Inquirer). “A triumph of hope.” —The Boston Globe “A moonlit novel about baseball, dreams, family, the land, and literature.” —Sports Illustrated
