De Imaginibus, "On Images" is, after Picatrix, the most important text for medieval and Renaissance astrological magic. De Imaginibus represents the height of astrological magic technique and goes far beyond merely planetary talismans in using the full range of traditional astrological technique developed by the sophisticated Harranian Sabians. De Imaginibus explains how to create house based talismans, how to use horary questions to forecast and anchor talismans and how to tune talismans to individual natal charts. The translator, John Michael Greer, is a noted Latinist and esoteric author. He is the co-translator of the Complete Picatrix. This translation was made from Francis Carmody's Latin critical edition of the astronomical works of Thabit Ibn Qurra and contains two variant texts along with extensive commentary by Christopher Warnock, the leading astrological magician and examples of talisman elections using Thabit's methods.
A new translation of the classic magical text from the original Latin • Learn how medieval magicians conducted the rituals of angelic magic for quickly learning scholastic knowledge by means of prayers and figures • Provides a complete translation of Ars Notoria, both the short and long versions based on Julien Veronese’s critical Latin edition • Includes the first translation of The Work of Works (Opus Operum), The Short Art (Ars Brevis), the abridged version attributed to Thomas of Toledo, and The Pauline Art (Ars Paulina) • Presents all of the original figures (notae), essential for inspection during ritual The magical treatise Ars Notoria offers a secret account of how King Solomon gained his famed wisdom and learning through sacred magic, revealed to him by the angel Pamphilius, thereby expanding upon the biblical narrative of Solomon’s vision from God. Solomon’s magical writings were transmitted to the first-century philosopher Apollonius of Tyana, who provided a commentary titled Flores Aurei (Golden Flowers) that is contained within Ars Notoria. Ars Notoria first appeared in the 13th century, when its prayers and techniques for rapidly acquiring the seven liberal arts—grammar, logic, rhetoric, arithmetic, music, geometry, and astronomy— made it the earliest representation of European angel magic. The text presents a complete system of magic consisting of prayers addressed to angels, using figures called notae, for the purpose of gaining scholastic and heavenly knowledge. Due to its rising popularity among university students, the magical ritual was reworked time and again, producing five treatises dating from the 13th to 15th centuries—Opus Operum (Work of Works), Liber Florum Celestis Doctrine (Book of Flowers of Heavenly Teaching) composed by John of Morigny, Ars Brevis (Short Art), Ars Abbreviata (an abridged version attributed to Thomas of Toledo), and Ars Paulina (Pauline Art [of the Seven Figures])—thereby establishing an entire notorial art tradition. In this new and complete translation of Ars Notoria, based on Julien Véronèse’s critical Latin edition, translator Matthias Castle presents—for the first time in English—the complete classic magical text, both short and long versions, including four of the later treatises. Castle explains how these theurgic ritual practices were performed, giving special attention to all the original pictorial figures (notae), and how the art of memory relates to angelic magic. Providing practical instruction, extensive commentary, and in-depth background research and annotations, Ars Notoria: The Notory Art of Solomon is an essential sourcebook on angelic magic for scholars and magicians alike.
De Imaginibus, "On Images" is, after Picatrix, the most important text for medieval and Renaissance astrological magic. De Imaginibus was written in the 9th century A.D. by Thabit Ibn Qurra and represents the height of astrological magic technique, using the full range of traditional astrological technique developed by the sophisticated Harranian Sabians. De Imaginibus explains how to create house based talismans, how to use horary questions to forecast and anchor talismans and how to tune talismans to individual natal charts. This edition contains the first ever English translation and commentary by the noted contemporary astrological magician, Christopher Warnock, as well as illustrations by the artist and contemporary mage Nigel Jackson.
The Mansions of the Moon are a lunar Zodiac, measuring the movement of the Moon against the fixed stars Used by medieval and Renaissance astrologers, this ancient system has been lost for hundreds of years. In the Mansions of the Moon, author Christopher Warnock, a leading traditional astrologer and astrological magician, explains the origin and use of the Mansions, for electional and natal astrology as well as for the production of Mansion talismans. Included are English translations of the Mansion sections from Picatrix, the most famous astrological grimoire. Also included are 28 beautiful Mansion images by the talented artist and mage Nigel Jackson, which readers can use to create their own Mansion talismans. With a full introduction, theory and practical examples, updated 2019-2033 Mansions ephemeris and numerous useful appendices of traditional Mansion sources, the Mansions of the Moon is a must have source for traditional astrology and astrological magic.
Il mago astrale è colui che conosce e sa usare a suo vantaggio la fitta rete di corrispondenze che legano il mondo celeste a quelle terrestre, e in virtù di questa conoscenza è capace di attrarre in un'immagine debitamente preparata e consacrata gli spiriti delle stelle, o, come direbbe Marsilio Ficino, una certa porzione dell'Anima del Mondo. Questo libro compendia tutta la tradizione in materia di magia astrale, dal Picatrix alla "Filosofia Occulta" di Cornelio Agrippa, dal "De Imaginibus" di Thabit Ibn Qurra al "Libro del Tesoro" di Alessandro, da Ermete Trismegisto a Marsilio Ficino, e contiene tutto ciò che è necessario sapere per operare nel campo della magia astrale, sia per quanto riguarda la parte astrologica, sia per quanto riguarda la parte magico-rituale. Dopo averlo studiato e assimilato, sarete in grado di realizzare talismani e altre immagini magiche di qualsiasi tipo e per qualsiasi scopo.
Shortly after accepting the flat earth as a model for the world, I decided to revisit the Book of the Courses of the Heavenly Luminaries to see if my new understanding would somehow mirror what Enoch was sharing as the motion of the sun and moon. As I began to read chapters 71-82, I found to my utter amazement that I was able to grasp those passages. I knew then that the vision that the angel Uriel had shown to Enoch could only be deciphered if one were to imagine Enoch's description of the revolution of the sun and the moon. As seen from above the flat circular plane of the earth as described by Isaiah; and that Enoch must have been taken up to perhaps where Polaris is, centered directly above the North Pole, and while looking down at the backdrop of the earth, was instructed on the motions of both the sun and moon. Without such conception, it is in my opinion impossible to apply these descriptions to the model of the earth as a spherical planet.
This book presents twenty chapters by experts in their fields, providing a thorough and interdisciplinary overview of the theory and practice of magic in the West. Its chronological scope extends from the Ancient Near East to twenty-first-century North America; its objects of analysis range from Persian curse tablets to US neo-paganism. For comparative purposes, the volume includes chapters on developments in the Jewish and Muslim worlds, evaluated not simply for what they contributed at various points to European notions of magic, but also as models of alternative development in ancient Mediterranean legacy. Similarly, the volume highlights the transformative and challenging encounters of Europeans with non-Europeans, regarding the practice of magic in both early modern colonization and more recent decolonization.
Investigating the impact of Arabic medieval astrological and magical theories on early modern occult philosophy, this book argues that they provided a naturalistic explanation of astral influences and magical efficacy based on Aristotelian notions of causality.
Secrets of Planetary Ritual is the first English translation of the authentic planetary invocations of the Harranian Sabians from the most famous of astrological grimoires, the Picatrix. It contains full instructions for the ritual conjuration of the seven planets. Translated by John Michael Greer and Christopher Warnock from Pingree's Latin critical edition it also contains the Arabic spirit names from the Ritter & Plessner's German translation of Picatrix. Authentic and magically potent, Secrets of Planetary Ritual provides the perfect ceremonial invocations for the creation of planetary talismans.
In Fixed Star, Sign and Constellation Magic, Christopher Warnock, a noted traditional astrologer and a leading astrological magician, explains the history and practice of the magic of the fixed stars, signs and constellations. Included are original images by the contemporary esoteric artists Robert Place and Nigel Jackson of the 15 key talismanic fixed stars from the descriptions in the original medieval and Renaissance sources. Also included are medieval and Renaissance images of the talismanic constellations and of the 12 Zodiacal signs. These images along with the step by step instructions allow readers to pick astrologically auspicious times and create their own fixed star, sign and constellation talismans. The book also includes appendices with many medieval and Renaissance original sources on the fixed stars, signs and constellations including sections from Cornelius Agrippa's Three Books of Occult Philosophy, Picatrix and the complete Hermes on the 15 Fixed Stars.
