With an introduction to the oral tradition which lay at the source of the Homeric epics and a discussion on the reception of the Homeric poems in Antiquity, this volume explores the mysterious figure of Homer, an author about whom little is known. Ruth Webb's translation is a revised and much expanded version of the original French text.
The Odyssey is one of the oldest works of Western literature, dating back to classical antiquity. Homer’s epic poem belongs in a collection called the Epic Cycle, which includes the Iliad. It was originally written in ancient Greek, utilizing a dactylic hexameter rhyme scheme. Although this rhyme scheme sounds beautiful in its native language, in modern English it can sound awkward and, as Eric McMillan humorously describes it, resembles “pumpkins rolling on a barn floor.” William Cullen Bryant avoided this problem by composing his translation in blank verse, a rhyme scheme that sounds natural in English. This epic poem follows Ulysses, one of the Greek leaders that brought an end to the ten-year-long Trojan war. Longing for home, he travels across the Mediterranean Sea to return to his kingdom in Ithaca; unfortunately, our hero manages to anger Neptune, the god of the sea, making his trip home agonizingly slow and extremely dangerous. While Ulysses is trying to return home, his family in Ithaca is also in danger. Suitors have traveled to the home of Ulysses to marry his wife, Penelope, believing that her husband did not survive the war. These men are willing to kill anyone who stands in their way. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
This rich interpretation of Homer's "Odyssey" is unique among modern readings of the poem in its detailed book-by-book approach and in its deeply humanistic voice. According to George E. Dimock, what gives the "Odyssey" its unity is Homer's overarching theme of the meaning of pain and suffering in human life. In Dimock's reading, Homer presents Odysseus -- whose name translates as "Man of Pain" as the greatest sufferer of pain and evil. But it is precisely because Odysseus accepts this challenge that he eventually wins a happiness which would have been unattainable without such testing. His suffering is not only crucial to his coming home and the establishment of his identity, but also allows him to experience what home and self mean with an intensity that would have been otherwise impossible. -- From publisher's description.
Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.
In The Pity of Achilleus, Jinyo Kim examines how the major themes of the Iliad--Achilleus' 'wrath, ' heroic values such as honor and glory, and human mortality and suffering, to mention the most widely recognized--are connected to each other in a way that reveals the poem's structural coherence and unity. Kim asks whether Achilleus' pity toward Priam at the poem's close is, as is widely believed, a poetic deus ex machina. In other words, is the conception of Achilleus' pity an expression of a 'later' and 'more civilized' era, as a way of 'correcting' the warlike savagery that is an undeniable and significant part of the poem? She concludes, rather, that Achilleus' final reconciliation with the old king of Troy-- his 'enemy' according to the warrior ethos in the Iliad-- represents the integral and ultimate resolution of the theme of Achilleus' 'wrath' that is announced in the poem's opening lines. This book will be valuable for students and scholars of classical literature and classical civilization.
The Odyssey is considered to be the most beautiful literary work of the Western civilization, and Homer the first and the greatest poet ever. The book Demystifying the Odyssey is interpreting Homers epic in a unique and completely new way. For the first time in literature, this book explains the events and phenomena that Odysseus saw and experienced, and which were considered so far as a result of the Poets rich imagination. So, this book reveals how Odysseus went to Hades kingdom of the dead souls; what are in reality Scylla and Charybdis; who were the sirens; how the Island of Aeolus, the ruler of the winds, actually floated; how Circa turned Odysseuss sailors into pigs and other. Besides that, this book also reveals the fallacy two and a half millennia long, dating back from the first historians Herodotus and Thucydides, according to which Odysseus was wandering the Mediterranean sea. It further provides numerous proofs that Homers hero was actually wandering the Adriatic. For all those readers who are familiar with the ancient Greek literature this book will be great news and quite a surprise. On the other hand, for those who have not been quite aware of the old Greek world it will provide great knowledge on the first European civilization. In any case, this will surely be an interesting reading for all of them.
Tsagalis argues that just as the discarded text of a palimpsest still carries traces of its previous writing, so the Homeric tradition unfolds its awareness of alternate versions as it reveals signs of their erasure.
Homer the Preclassic considers the development of the Homeric poems-in particular the Iliad and Odyssey-during the time when they were still part of the oral tradition. Gregory Nagy traces the evolution of rival “Homers” and the different versions of Homeric poetry in this pretextual period, reconstructed over a time frame extending back from the sixth century BCE to the Bronze Age. Accurate in their linguistic detail and surprising in their implications, Nagy's insights conjure the Greeks' nostalgia for the imagined “epic space” of Troy and for the resonances and distortions this mythic past provided to the various Greek constituencies for whom the Homeric poems were so central and definitive.
This book explores a variety of teleology present in Plato's Republic, in which actions are carried out for the sake of an end that is not the intended goal. Payne draws on examples from Republic to demonstrate that performing some actions can help produce unintended results, which qualify as ends or purposes of human action.