The best of Edwin Arlington Robinson's poetry rings with a lyrical and emotional purity and singularity that should assure his place as one of the treasured poets of his generation ... Scott Donaldson's book should help to revive appreciation for this solitary figure and the unique resonance of his work. --W.S. Merwin.
Edwin Arlington Robinson (1869-1935) a three-time winner of the Pulitzer Prize, was the first of the great American modernist poets."No poet ever understood loneliness and separateness better than Robinson," James Dickey has observed. Robinson's lyric poems illuminate the hearts and minds of the most unlikely subjects—the downtrodden, the bereft, and the misunderstood. Even while writing in meter and rhyme, he used everyday language with unprecedented power, wit, and sensitivity. With his keen understanding of ordinary people and a gift for harnessing the rhythms of conversational speech, Robinson created the vivid character portraits for which he is best known, among them "Aunt Imogen," "Isaac and Archibald," "Miniver Cheevy," and "Richard Cory." Most of his poems are set in the fictive Tilbury Town—based on his boyhood home of Gardiner, Maine—but his work reaches far beyond its particular locality in its focus on struggle and redemption in human experience.
This notebook is a bridge between technical manuals on how to write haiku poetry and collections of haiku. There are two hundred haiku and senryu poems from w. f. owenâÂÂs last several years of writing. As a professor of interpersonal communication and an award-winning haiku writer, the author presents commentaries, perceptions, brief stories and haibun that are intended to help authors new to this art compose their poems. Included are first-place poems from the Harold Henderson Haiku Contest (2004) and the Gerald Brady Senryu Contests (2002, 2003) sponsored by the Haiku Society of America.
A Penguin Classic A best seller in his lifetime though neglected in recent years, Edwin Arlington Robinson (1869-1935) is due to be restored to his rightful place in literary history as one of the first great American Modernist poets. His poetry was revolutionary, though it looked deceptively conventional because it was written in metre and rhyme. He cast aside the stiff archaism and prettiness favoured by his contemporaries, instead employing everyday language with dramatic power, wit, and sensitivity. His lyric poems illuminate ordinary people, especially the downtrodden, the bereft, and the mistunderstood. In the process he created the gallery of character portraits for which he is most fondly remembered, among them Eben Flood, Aunt Imogen, Isaac and Archibald, Miniver Cheevy and Richard Cory. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Anthology of the twentieth-century American poet's work, including the narrative poems "The Glory of the Nightingales", "Nicodemus", "Talifer", "Amaranth", and "King Jasper"