Aspects of Old English Poetic Syntax

Aspects of Old English Poetic Syntax

Author: Mary Eva Blockley

Publisher: University of Illinois Press

Published: 2001

Total Pages: 280

ISBN-13: 9780252026065

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"Distinguished by a remarkable combination of erudition and lucidity, Aspects of Old English Poetic Syntax provides new insight into the rules that govern syntactic relationships and indicates how these rules differ for prose and verse. Blockley considers the functions of four of the most common and most syntactically important words in Old English, as well as such features of clauses as verb-initial order, negative contraction, and unexpressed but understood subjects. Picking up where Bruce Mitchell's classic Old English Syntax left off, Blockley shows how such common words and structures mark the relationships between phrases and clauses.".


The Composition of Old English Poetry

The Composition of Old English Poetry

Author: H. Momma

Publisher: Cambridge University Press

Published: 1997-03-28

Total Pages: 228

ISBN-13: 9780521554817

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This 'prosodical' syntax is intended to replace the famous syntactic laws of Hans Kuhn through its greater accuracy and wider range of application.


Syntax and Style in Old English

Syntax and Style in Old English

Author: S. O. Andrew

Publisher: Cambridge University Press

Published: 2015-10-12

Total Pages: 123

ISBN-13: 1107559774

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Originally published in 1940, this book was written in 'an attempt to drive a few main lines through the almost unexplored tract of Old English syntax'. The text also reaches important conclusions regarding the characteristic features of Old English style and its close relationship with syntactical elements, both in prose and verse. Reference is frequently made to the 'traditional text' of Beowulf. That is to say, the text as it was usually punctuated by editors at the time of publication. This book will be of value to anyone with an interest in Old English and linguistics.


Old English Lexicology and Lexicography

Old English Lexicology and Lexicography

Author: Maren Clegg Hyer

Publisher: Boydell & Brewer

Published: 2020

Total Pages: 313

ISBN-13: 184384561X

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Essays demonstrating how the careful study of individual words can shed immense light on texts more broadly.


The Language of Old and Middle English Poetry

The Language of Old and Middle English Poetry

Author: G.A. Lester

Publisher: Bloomsbury Publishing

Published: 1996-04-12

Total Pages: 189

ISBN-13: 1349245615

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This book gives a linguistic overview of the first eight centuries of English poetry - years which produced such key works as Beowulf, Layaman's Brut and Sir Gawain and the Green Knight. It begins with chapters on the social and literary context, before turning in more detail to subjects such as poetic diction, rhymed and alliterative verse, borrowed words, recurrent phrases, rhetoric and linguistic variety. Aimed at the beginning student and general reader, the book seeks to enhance appreciation and enjoyment by making the linguistic resources of the poets better understood.


The Shapes of Early English Poetry

The Shapes of Early English Poetry

Author: Eric Weiskott

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-04-01

Total Pages: 400

ISBN-13: 1580443605

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This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality.


Early English Poetic Culture and Meter

Early English Poetic Culture and Meter

Author: Lindy Brady

Publisher: Medieval Institute Publications

Published: 2016-10-21

Total Pages: 200

ISBN-13: 1580442439

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This volume develops G. R. Russom's contributions to early English meter and style, including his fundamental reworkings and rethinkings of accepted and oft-repeated mantras, including his word-foot theory, concern for the late medieval context for alliterative meter, and the linguistics of punctuation and translation as applied to Old English texts. Ten eminent scholars from across the field take up Russom's ideas to lead readers in new and exciting directions.


Poetic Style and Innovation in Old English, Old Norse, and Old Saxon

Poetic Style and Innovation in Old English, Old Norse, and Old Saxon

Author: Megan E. Hartman

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-10-26

Total Pages: 224

ISBN-13: 1501513680

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This book traces the development of hypermetric verse in Old English and compares it to the cognate traditions of Old Norse and Old Saxon. The study illustrates the inherent flexibility of the hypermetric line and shows how poets were able to manipulate this flexibility in different contexts for different practical and rhetorical purposes. This mode of analysis is therefore able to show what degree of control the poets had over the traditional alliterative line, what effects they were able to produce with various stylistic choices, and how attention to poetic style can aid in literary analysis.


Translating Beowulf: Modern Versions in English Verse

Translating Beowulf: Modern Versions in English Verse

Author: Hugh Magennis

Publisher: Boydell & Brewer Ltd

Published: 2015

Total Pages: 258

ISBN-13: 1843843943

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Translations of the Old English poem 'Beowulf' proliferate, and their number continues to grow. Focussing on the particularly rich period since 1950, this book presents a critical account of translations in English verse, setting them in the contexts both of the larger story of recovery and reception of the poem and perceptions of it.


How the Anglo-Saxons Read Their Poems

How the Anglo-Saxons Read Their Poems

Author: Daniel Donoghue

Publisher: University of Pennsylvania Press

Published: 2018-03-01

Total Pages: 245

ISBN-13: 0812294882

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The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.