Across photography, sculpture and painting, a new wave of Black artists is challenging persistent tropes in art and wider society to depict a richer portrait of the lives of Black people from all corners of the globe. As We See It brings together 30 image-makers creating visually refreshing narratives on Black cultural identities, and exploring what Blackness brings to the making and viewing of art.
In As We See It, Suzanne Newman Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by As We See It, an exhibition of these artists’ work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer’s career as well as examples of the artist’s work. For added context, Fricke includes an introduction, a preface that explores the original exhibition of the same name, and an essay that challenges the ghost of Edward S. Curtis, whose work serves as a counterpoint to the photography of contemporary Native Americans. The text is designed to be read as a whole or in sections for anyone teaching Native American photography. As We See It is an invaluable addition to the library of anyone interested in Native American photography and will be the key source for teachers, researchers, and lovers of photography for years to come.
This investigation into the legal, political, and moral issues surrounding how the police and justice system use surveillance technology asks the question: what are citizens of a free country willing to tolerate in the name of public safety? As we rethink the scope of police power, Jon Fasman’s chilling examination of how the police and the justice system use the unparalleled power of surveillance technology—how it affects privacy, liberty, and civil rights—becomes more urgent by the day. Embedding himself within police departments on both coasts, Fasman explores the moral, legal, and political questions posed by these techniques and tools. By zeroing in on how facial recognition, automatic license-plate readers, drones, predictive algorithms, and encryption affect us personally, Fasman vividly illustrates what is at stake and explains how to think through issues of privacy rights, civil liberties, and public safety. How do these technologies impact how police operate in our society? How should archaic privacy laws written for an obsolete era—that of the landline and postbox—be updated? Fasman looks closely at what can happen when surveillance technologies are combined and put in the hands of governments with scant regard for citizens’ civil liberties, pushing us to ask: Is our democratic culture strong enough to stop us from turning into China, with its architecture of control?
This light-hearted and entertaining book, authored by top psychologist David Cohen, explores the influences and impacts on our perception of body image, examining the power of appearance and the psychology behind how we think and feel about ourselves physically. Packed with scientific findings alongside historical anecdotes and humorous insights, the book first looks at the history of body image and appearance, and how ideals of beauty have changed over time. It goes on to note the rise of the beauty and fashion industries, looking at how society, culture and the media can affect body image. The final section deals with issues of body dissatisfaction and the treatments and therapy available for those struggling with body image and mental health. Along the way, readers will meet a cast of characters from Elizabeth I, a daring, medieval Welsh poet, an Egyptian mummy with the first known tattoo, Paul F. Schilder who pioneered the study of body image, and the brave recipients of the first face transplants, among many more. In his trademark engaging style, Cohen offers a rich account of the psychology of body image through the ages and through the lifespan. It is valuable reading for students of psychology and professionals and therapists aiming to promote body positivity.
This is a book about seeing the ultimate mystery as represented by the figure of God. It is not about religion per se, although it makes reference to many of the great religious traditions of the world and their gods. Rather, it is about the presence of the spiritual world and its inhabitants. The author's aim is to attempt to answer the question, How do we see God? through engaging with the images created by a group of children from a number of different cultures and spiritual backgrounds. Through a two-year period, the author travelled the world interviewing more than 500 children, asking them to draw a picture of God, to act and speak as God, and to tell a story about God. This text is a documentation of that journey into the lives and spiritual beliefs of children. Throughout the book, a broad selection of pictures and stories by the children is reproduced and paraphrased. The author offers his own commentaries, not as an analyst in a psychological sense or critic in a literary one, but as a God-seeker trusting in the power of the image to reveal meaning. This unique book will be of primary interest to professionals in the field of psychology, especially child and family therapists, as well as art and drama therapy, sociology, and theology. The book will also have appeal to parents and children who are looking for ways to understand their belief systems in relationship to others.
Gazing up at the heavens from our backyards or a nearby field, most of us see an undifferentiated mess of stars—if, that is, we can see anything at all through the glow of light pollution. Today’s casual observer knows far less about the sky than did our ancestors, who depended on the sun and the moon to tell them the time and on the stars to guide them through the seas. Nowadays, we don’t need the sky, which is good, because we’ve made it far less accessible, hiding it behind the skyscrapers and the excessive artificial light of our cities. How We See the Sky gives us back our knowledge of the sky, offering a fascinating overview of what can be seen there without the aid of a telescope. Thomas Hockey begins by scanning the horizon, explaining how the visible universe rotates through this horizon as night turns to day and season to season. Subsequent chapters explore the sun’s and moon’s respective motions through the celestial globe, as well as the appearance of solstices, eclipses, and planets, and how these are accounted for in different kinds of calendars. In every chapter, Hockey introduces the common vocabulary of today’s astronomers, uses examples past and present to explain them, and provides conceptual tools to help newcomers understand the topics he discusses. Packed with illustrations and enlivened by historical anecdotes and literary references, How We See the Sky reacquaints us with the wonders to be found in our own backyards.
Christianity is Jesus Christ. It is not the teaching, doctrine, system or organization of Christ. Rather, it is Jesus Christ himself. We need to see Him as God sees Him. Yet this can only come about by revelation from above. The Holy Spirit will reveal Jesus to us. And when we do see Him as God sees Him, we will fall down and worship. Such, then, is the intent of this series of messages, whose overarching theme is best summed up in the author’s choice of title to the entire series: “But We See Jesus” (Hebrews 2:9a). All nineteen messages were delivered by the author before a Christian audience in Richmond, Virginia over a three-year period, commencing in the year 1992. May God use this volume to inspire His people to see the Savior and Lord we have so that we may truly worship Him with all our hearts and love Him with all our heart, mind, will and strength. Jesus alone is worthy!
This story is partially factual as the mystery reained unsolved.My book uses one of the popular theories of the time -- and my favourite theory -- to try and explain the circumstances.
