Arts & Architecture,.

Arts & Architecture,.

Author:

Publisher:

Published: 2008

Total Pages:

ISBN-13: 9783822826782

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The reprint covers only a relatively short number of the years that this publication was issued. Travers' retrospective makes clear that the journal had its start in 1929 when Pacific Coast Architect (est. 1911) and California Southland (est. 1918) merged to form California Arts & architecture. The publication continued under that title until Sept. 1943, when the word California began to appear only intermittently in the masthead, until it was finally dropped for good in Feb. 1944. This manifestation of the journal was issued monthly from v. 61, no. 1 (Jan. 1944) through v. 84, no. 7/8 (July/Aug. 1967). According to Travers, John Entenza, the publisher during most of this period (1943-1962), changed the nature of the journal from that of a "review of 'nostalgic historicism' ... to an avant-garde magazine publishing low-cost houses rich with social concern". One of the prominent features of this publication was the "Case study house program", an idea that was first announced in the Jan. 1945 issue, which begins this set.


Arts & Architecture, 1945-1954

Arts & Architecture, 1945-1954

Author: David Travers

Publisher:

Published: 2008

Total Pages: 0

ISBN-13: 9783822826782

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Limited to 5,000 numbered copies, this collection is a comprehensive record of midcentury American architecture. TASCHEN presents its facsimile edition of John Entenza's groundbreaking magazine Arts & Architecture (1945-1954), which launched the Case Study House Program.


PAGON

PAGON

Author: Espen Johnsen

Publisher: Bloomsbury Publishing

Published: 2023-10-05

Total Pages: 325

ISBN-13: 1350067997

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Through the 1940s and 1950s, PAGON (Progressive Architects Group Oslo Norway) was an alliance of young CIAM-affiliated Norwegian architects known for their innovative joint projects. As a group, PAGON went on to become largely overlooked in the history of modern architecture, even though its individual members – which included Sverre Fehn, Jørn Utzon, Arne Korsmo, and Christian Norberg-Schulz – became defining figures in Scandinavian and international modernism. This book tells the story of PAGON for the first time, offering an impressive account of the group's projects, buildings, and approach, and demonstrating why PAGON's projects are ripe for reappraisal in the international history of modern architecture. It shows how PAGON's architecture constitutes a unique continuity between the Scandinavian functionalism of the late 1930s and the modern movement in the US, and an important transitional stage before the emergence of the better-known neo-avant-garde groups within CIAM and Team 10. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book fills a gap in our understanding of mid-century modern architecture and highlights the internationally diverse nature of the modern movement.


American Architects and Texts

American Architects and Texts

Author: Juan Pablo Bonta

Publisher: MIT Press

Published: 1996

Total Pages: 452

ISBN-13: 9780262024006

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In this volume the author analyzes 400 architectural books and articles published over the past 150 years to reveal changing societal preferences in architecture and to measure the reputations of individual architects - the text includes a ranked list of the 100 most famous architects.


Designing UNESCO

Designing UNESCO

Author: ChristopherE.M. Pearson

Publisher: Routledge

Published: 2017-07-05

Total Pages: 412

ISBN-13: 1351569651

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Designing UNESCO: Art, Architecture and International Politics at Mid-Century represents the first full-length monograph on the genesis, construction and reception of the Paris headquarters of the United Nations' Educational, Scientific and Cultural Organization (UNESCO). The book traces the long and complex birth of UNESCO's permanent seat from its conception in 1950 to its inauguration in 1958, showing how its history constitutes a unique nexus of modernist practices in twentieth-century international politics, art, architecture and criticism. Drawing on a wide range of unpublished archival material and examining critical reception of the building in the local and international press, Christopher Pearson's analysis operates on formal, structural and theoretical levels, revealing many of the largely unspoken assumptions of modern architecture at mid-century and elucidating the conflicted relation between art and science in the post-war period. The volume also throws new light on many of the major architects and artists of the period, among them Breuer, Gropius, Le Corbusier and Eero Saarinen, as well as Picasso, Moore, Mir?rp, Calder and Noguchi. Designing UNESCO is a compelling and original account of one of the most important, yet under-appreciated, buildings of twentieth-century modernism.