Arts and Crafts of the Cherokee

Arts and Crafts of the Cherokee

Author: Rodney L. Leftwich

Publisher: Cherokee Publications Incorporated

Published: 1970

Total Pages: 184

ISBN-13:

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Shows examples of traditional Cherokee crafts, such as jugs, baskets, pottery and the like.


Art of the Cherokee

Art of the Cherokee

Author: Susan C. Power

Publisher: University of Georgia Press

Published: 2007-01-01

Total Pages: 328

ISBN-13: 9780820327662

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"In addition to tracing the development of Cherokee art, Power reveals the wide range of geographical locales from which Cherokee art has originated. These places include the Cherokee's tribal homeland in the southeast, the tribe's areas of resettlement in the West, and abodes in the United States and beyond to which individuals subsequently moved. Intimately connected to the time and place of its creation, Cherokee art changed along with Cherokee social, political, and economic circumstances. The entry of European explorers into the Southeast, the Trail of Tears, the American Civil War, and the signing of treaties with the U.S. government are among the transforming events in Cherokee art history that Power discusses."--BOOK JACKET.


The Cherokee Perspective

The Cherokee Perspective

Author: Laurence French

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9781469638492

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La 4ème de couverture indique : "The Cherokee Perspective will provide a rare glimpse inside Cherokee culture and society and a more complete view of how Cherokees see themselves, their past, their future, and their relationship with the non-Indian world. The Cherokee Perspective contains material about contemporary social problems, education, history, current events, dances, cooking, arts and crafts, legends, and outstanding individuals. The Cherokee Perspective presents the diversity which exists in Cherokee society today and the understanding and tolerance on which Cherokee society traditionally was based."


Arts & Crafts of the Native American Tribes

Arts & Crafts of the Native American Tribes

Author: Michael Johnson

Publisher: Firefly Books Limited

Published: 2011

Total Pages: 256

ISBN-13: 9781554079025

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"Details how Native American culture evolved, the artifacts produced on the continent and the ways they were made, and the techniques of decoration and embellishment that utilized a variety of disparate natural commodities that depended on geographical necessity and abundance"--Jacket flap.


Unto These Hills

Unto These Hills

Author: Kermit Hunter

Publisher:

Published: 2011-10

Total Pages: 0

ISBN-13: 9780807868751

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Unto These Hills: A Drama of the Cherokee


Craft in America

Craft in America

Author: Jo Lauria

Publisher: Potter Style

Published: 2007

Total Pages: 323

ISBN-13: 0307346471

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Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft


Weaving New Worlds

Weaving New Worlds

Author: Sarah H. Hill

Publisher: UNC Press Books

Published: 1997

Total Pages: 446

ISBN-13:

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In this innovative study, Sarah Hill illuminates the history of Southeastern Cherokee women by examining changes in their basketry. She explores how the incorporation of each new material used in their craft occurred in the context of lived experience, ecological processes, social conditions, economic circumstances, and historical eras. 110 illustrations. 6 maps.


Early Art of the Southeastern Indians

Early Art of the Southeastern Indians

Author: Susan C. Power

Publisher: University of Georgia Press

Published: 2004

Total Pages: 300

ISBN-13: 9780820325019

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Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.


The Indian Craze

The Indian Craze

Author: Elizabeth Hutchinson

Publisher: Duke University Press

Published: 2009-03-23

Total Pages: 304

ISBN-13: 0822392097

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In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.


The First Fire: A Cherokee Story

The First Fire: A Cherokee Story

Author: Bradley Wagnon

Publisher: 7th Generation

Published: 2020-08-19

Total Pages: 40

ISBN-13: 193905351X

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First Fire is an ageless Cherokee myth about the revered water spider in their culture. The story happens in a time when animals could do many of the things that people do. The Creator gave the animals the world to live on, but they were without a source for heat at night. Great Thunder and his sons saw the plight of the animals so he sent lightning down to strike a tree. The tree burst into flames but the tree was on an island. Many animals tried to bring the fire over the water to the shore, but they were all unsuccessful. One small creature, the Water Spider, then volunteered. Curious, the animals said to her “We know you could get there safely, but how would you bring the fire back without getting burned?” Water Spider was successful and to this day, the water spider is revered in Cherokee culture.