Illustrated with original photographs of Shipman's superb gardens - many by photographer Mattie Edwards Hewitt which have never been previously published - and new photographs by Carol Betsch which were specially commissioned for this volume, the book documents in fascinating detail the life and work of one of America's most important and influential garden designers.
"Arts and Crafts gardens were unashamedly romantic, but also deceptively progressive. This book explores the politics behind the planting: the underlying issues of suffrage, spirituality and national identity behind some of the movement's finest gardens. It examines the architectural features and planting trends that defined the style in Britain, America, Europe and Scandinavia and considers the legacy of Arts and Crafts gardening as a profound and sensual philosophy, still relevant to gardeners today."--BOOK JACKET.
The Arts and Crafts Movement espoused values of simplicity, craftsmanship and beauty quite counter to Victorian and Edwardian industrialism. Though most famous for its architecture, furniture and ornamental work, between the 1890s and the 1930s the movement also produced gardens all over Britain whose designs, redolent of a lost golden era, had worldwide influence. These designs, by luminaries such as Gertrude Jekyll and Sir Edwin Lutyens, were engaging and romantic combinations of manor-house garden formalism and the naive charms of the cottage garden – but from formally clipped topiary to rugged wild borders, nothing was left to chance. Sarah Rutherford here explores the winding paths and meticulously shaped hedges, the gazebos and gateways, the formal terraces and the billowing border plantings that characterised the Arts and Crafts garden, and directs readers and gardeners to where they can visit and be inspired by these beautiful works of art.
Each chapter of this book examines a different facet of this aesthetic, beginning with its European origins and proceeding to American classics, including California's Mission style. The book highlights the work of such influential designers as Gustav Stickley, L & J.G. Stickley, Charles Voysey, Greene & Greene, George Ohr, Tiffany, Frank Lloyd Wright, and Charles Rohlfs, among others, and features Arts and Crafts standards, such as the Morris chair, the Stickley settle, the Tiffany lamp, and the Fulper bowl, all displayed in a variety of contemporary interiors.
Adrian Tinniswood explains the Arts and Crafts movement's international influence by exploring the design, decoration, furnishings, and gardens of town and country houses the world over. Chapters cover themes such as: William Morris and his disciples; houses built by architects for themselves; the distinctive American response to the Arts and Crafts style; and the movement's relationship with the disappearing rural community. The book includes a broad range of houses, including the Red House in Kent, England, that Philip Webb built for William Morris in 1859 and Frank Lloyd Wright's Storer House in Los Angeles, completed in the 1930s. Within each chapter, the author considers, alongside the houses, Arts and Crafts themes such as literature, magazines, gardens, and furniture.
Baillie Scott is the first truly international architect, with almost 300 commissions ranging from the Isle of Man to Scotland, Russia, Poland, Germany, Belgium, America, Canada, New Zealand, Hong Kong & Peru. Colour photographs capture not only these most characteristically innovative & charming extant houses, but also their delightful gardens.
Describes Shipman's remarkable life and fifty of her major works, including the Stan Hywet Gardens in Akron, Ohio; Longue Vue Gardens in New Orleans; and Sarah P. Duke Gardens at Duke University. Richly illustrated, this expanded edition reveals her ability to combine plants for dramatic impact and create spaces of the utmost intimacy.
"Should there be any doubt that Gertrude Jekyll was among the greatest practitioners of the art of gardening (there isn't, of course), a survey of this book will quickly confirm her almost totemic status in twentieth-century ornamental horticulture."--Wayne Winterrowd, Horticulture, The Magazine of American Gardening "[This book] is scholarly, well-written, and based on original research. The Gardens of Gertrude Jekyll is the most innovative study of the patron saint of modern gardeners since Jane Brown's pioneering Gardens of a Golden Afternoon appeared ten years ago. . . . [Bisgrove's] is the most detailed and comprehensive analysis ever made of Gertrude Jekyll's gardening."--Charles Quest-Ritson, Gardens Illustrated "The Gardens of Gertrude Jekyll serves as a living complement to her gardening ideas, indicating the scope and variety her gardening vision could assume. Richard Bisgrove has mined extensive archives for Jekyll's most effective planning schemes, and illustrates them with photographs of her existing gardens. He helpfully divides chapters by types of gardenincluding formal gardens, rose gardens, wild gardens, steps and walks, and sun and shade."--Ann Geneva, Literary Review "Gertrude Jekyll is famous the world over as the mother of the lush English garden. . . . The stage is set for an updated revival of the Jekyll cult. Her philosophical commitment to native plants and gardens that incorporate existing heathland and woods makes her environmentally up to date."--Diana Ketcham, New York Times "The most comprehensive study I have seen of the garden-making ideas of this astonishingly prolific lady . . . This is a book that can be read cover to cover -- but one to which people will refer time and again over the years."--Arthur Hellyer, Financial Times "Richard Bisgrove must now be firmly established as one of our most authoritative, painstaking yet easy-to-read garden historians . . . The writing is a happy combination of scholarship and art . . . readers must be equally delighted with Andrew Lawson's magnificent photographs."--Graham Stuart Thomas, The Garden
