Peter Prendergast (1946-2007), painter of bold, expressionist landscapes, seascapes and self-portraits, was an outstanding artist - as celebrated in this important new publication. Complementing The Painter's Quarry (2006), this beautifully illustrated book will enhance our understanding of a significant painter and as such is an essential purchase for all those interested in modern British art.
This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists. This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists.
"The volume has been produced to accompany an exhibition of these rarely seen works, which will be presented in Cleveland and then travel to the Morgan Library in New York. It will be a treasured addition to the library of every lover of the art of drawing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Published on the occasion of the exhibition 'Prendergast in Italy', Williams College Museum of Art, Williamstown, Massachusetts, July-September 2009, Peggy Guggenheim Collection, Venice, October 2009-January 2010, The Museum of Fine Arts, Houston, Texas, February-May 2010."--T.p. verso.
"The city of Venice has always provided an almost irresistible lure for both writers and artists. Henry James loved it, as did Ruskin, Browning, Pound, and Brodsky. For artists, it has been a compulsory magnet since the time of Bellini and Canaletto. By the nineteenth century there was hardly an artist of note -- Whistler and Turner, Sargent and Prendergast, Sickert and Bonington -- who was not seduced by the city's charms, history, and aesthetic heritage. For the depiction of Venice by artists, it's a high bar that s been set, but Adam Van Doren, grandson of the Pulitzer-prize-winning poet Mark Van Doren, convincingly confronts the competition in this charming memoir, a verbal and visual account of his love affair with the city. His story is personal; like all other artists, he sees the city with and through his own eyes, but he is also well-informed historically. He laces his tour with information, opinion, and citation. With Van Doren as guide, the reader's tour of the city is rich and convincing, filled with the presence of illustrious predecessors. With an informed preface by the scholar Theodore Rabb and a charming foreword by Simon Winchester, with 21 full-color drawings by the author/artist, and even six pages of commendably lucid "Notes" on the personalities and structures discussed, this is a book that will proudly take its place alongside the many others that have celebrated this city for centuries."--Publisher description.
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
