An irresistible connection, a desire that won't let go... When aspiring antiques dealer Eleanor Cole is handed the chance of a lifetime to work for the Hunt Corporation, the renowned antiques dealers, she doesn't think twice. Only to discover she'll be working up close and personal with the notorious and insanely irresistible Becker Hunt. He is a man famous for getting what he wants, and Becker wants Eleanor. But as Becker pulls her deeper into his world, she discovers there's more to him than meets the eye. And falling for Becker goes from being foolish to dangerous...
The second book in the brand new Hunt Legacy duology by the Sunday Times and New York Times bestselling author of the This Man series A desperate passion, a dangerous love story... Eleanor Cole had no idea that when she met the charmingly irresistible Becker Hunt, she was putting her life on the line. So when she discovers his secrets, escape seems to be her only option - but Becker isn't ready to let Eleanor go. She knows better than to fall into his corrupt world again, but how long can she resist when he's stolen her heart? Eleanor must make a choice, to stay and follow Becker into the heart of the danger...or risk losing him forever! Becker Hunt is back and this time he's not letting Eleanor walk away...
Main description: In Modris Eksteins's hands, the interlocking stories of Vincent van Gogh and art dealer Otto Wacker reveal the origins of the fundamental uncertainty that is the hallmark of the modern era. Through the lens of Wacker's sensational 1932 trial in Berlin for selling fake Van Goghs, Eksteins offers a unique narrative of Weimar Germany, the rise of Hitler, and the replacement of nineteenth-century certitude with twentieth-century doubt. Berlin after the Great War was a magnet for art and transgression. Among those it attracted was Otto Wacker, a young gay dancer turned art impresario. His sale of thirty-three forged Van Goghs and the ensuing scandal gave Van Gogh's work unprecedented commercial value. It also called into question a world of defined values and standards that had already begun to erode during the war. Van Gogh emerged posthumously as a hero who rejected organized religion and other suspect sources of authority in favor of art. Self-pitying Germans saw in his biography a series of triumphs-over defeat, poverty, and meaninglessness-that spoke to them directly. Eksteins shows how the collapsing Weimar Republic that made Van Gogh famous and gave Wacker an opportunity for reinvention propelled a third misfit into the spotlight. Taking advantage of the void left by a gutted belief system, Hitler gained power by fashioning myths of mastery. Filled with characters who delight and frighten, Solar Dance merges cultural and political history to show how upheavals of the early twentieth century gave rise to a search for authenticity and purpose.
"An irresistible connection, a desire that won't let go... When aspiring antiques dealer Eleanor Cole is handed the chance of a lifetime to work for the Hunt Corporation, the renowned antiques dealers, she doesn't think twice. Only to discover she'll be working up close and personal with the notorious and insanely irresistible Becker Hunt. He is a man famous for getting what he wants, and Becker wants Eleanor. But as Becker pulls her deeper into his world, she discovers there's more to him than meets the eye. And falling for Becker goes from being foolish to dangerous..."--Provided by publisher.
'There is no such thing as autobiography, there is only art and lies'. Set in a London of the near future, its three principal characters, Handel, Picasso and Sappho, separately flee the city and find themselves on the same train, drawn to one another through the curious agency of a book. Stories within stories take us through the unlikely love affairs of one Doll Sneerpiece, an 18th century bawd, and into the world of painful beauty where language has the power to heal. Art & Lies is a question and a quest: How shall I live?
Aesthetic experience has had a long and contentious history in the Western intellectual tradition. Following Kant and Hegel, a human’s interaction with nature or art frequently has been conceptualized as separate from issues of practical activity or moral value. This book examines how art can be seen as a way of moral cultivation. Scott Stroud uses the thought of the American pragmatist John Dewey to argue that art and the aesthetic have a close connection to morality. Dewey gives us a way to reconceptualize our ideas of ends, means, and experience so as to locate the moral value of aesthetic experience in the experience of absorption itself, as well as in the experience of reflective attention evoked by an art object.
A playful, form-bending novel from the Booker Prize-shortlisted, Women's Prize-winning author of How to be both and the critically acclaimed Seasonal quartet 'Playful and audacious' Independent Narrated by a character who is haunted - literally - by a former lover, Artful slips slyly between fiction and essay, guiding the reader thrillingly through a sequence of ideas on art and literature. With Smith's trademark humour, inventiveness, poignancy and critical insight, this is unique experiment in form, style, life, love, death, immortality and what art can mean. Based on four electrifying lectures given by the author at Oxford University, and exploring the explosive connections between art, story, memory and grief - Artful is a tidal wave of ideas to blast away the cobwebs and change how you see the world. ***** 'Artful is a revelation; a new kind of book altogether . . . makes you glad to be alive' Jackie Kay 'Powerful and moving' London Review of Books 'Blending of criticism and fiction, Artful belongs in a genre of its own . . . Joyful for anyone interested in the art of writing, and living, well' Anita Sethi, New Statesman
The first book of the epic fantasy caper Gentleman Bastard Sequence about a roguish group of conmen, which George R. R. Martin says “captured me right on the first page and never let me go.” “If you haven’t read [The Lies of Locke Lamora], you should. If you have read it, you should probably read it again.”—Patrick Rothfuss An orphan’s life is harsh—and often short—in the mysterious island city of Camorr. But young Locke Lamora dodges relentless danger, becoming a thief under the tutelage of a gifted con artist. As leader of the band of light-fingered brothers known as the Gentlemen Bastards, Locke is soon infamous, fooling even the underworld’s most feared ruler. But in the shadows lurks someone still more ambitious and deadly. Faced with a bloody coup that threatens to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the enemy at his own brutal game—or die trying. Don’t miss any of Scott Lynch’s epic fantasy Gentleman Bastard Sequence: THE LIES OF LOCKE LAMORA • RED SEAS UNDER RED SKIES • THE REPUBLIC OF THIEVES
Discover a new source of inspiration for your crochet hook...the beautiful work of today's modern makers! Follow popular crochet blanket designer Rachele Carmona through her unique collection of crochet blankets inspired by the work of popular independent artists. The Art of Crochet Blankets will help you create your own colorful crochet blankets as unique works of art for your home! Inside this one-of-a-kind crochet blanket guide you'll find: • Details on how to translate art to hook with 18 bold and unique crochet afghan patterns influenced by the works of their feature artist. • Modern quilts, fabric designs, tapestry weaving, digital art, and more become the source of one-of-a-kind projects for a more artful home. • Biographies and beautiful photos profiling 6 inspiring modern makers--Tula Pink, April Rhodes, Maryanne Moodie, Fransisco Valle, Maud Vantours, and Caitline Dowe-Sandes. Discover the inspiration that lies beyond the world of crochet with The Art of Crochet Blankets.
Originally published to wide acclaim, this lively, cleverly illustrated essay on the use and abuse of maps teaches us how to evaluate maps critically and promotes a healthy skepticism about these easy-to-manipulate models of reality. Monmonier shows that, despite their immense value, maps lie. In fact, they must. The second edition is updated with the addition of two new chapters, 10 color plates, and a new foreword by renowned geographer H. J. de Blij. One new chapter examines the role of national interest and cultural values in national mapping organizations, including the United States Geological Survey, while the other explores the new breed of multimedia, computer-based maps. To show how maps distort, Monmonier introduces basic principles of mapmaking, gives entertaining examples of the misuse of maps in situations from zoning disputes to census reports, and covers all the typical kinds of distortions from deliberate oversimplifications to the misleading use of color. "Professor Monmonier himself knows how to gain our attention; it is not in fact the lies in maps but their truth, if always approximate and incomplete, that he wants us to admire and use, even to draw for ourselves on the facile screen. His is an artful and funny book, which like any good map, packs plenty in little space."—Scientific American "A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way. For that alone, it seems worthwhile."—Christopher Lehmann-Haupt, The New York Times ". . . witty examination of how and why maps lie. [The book] conveys an important message about how statistics of any kind can be manipulated. But it also communicates much of the challenge, aesthetic appeal, and sheer fun of maps. Even those who hated geography in grammar school might well find a new enthusiasm for the subject after reading Monmonier's lively and surprising book."—Wilson Library Bulletin "A reading of this book will leave you much better defended against cheap atlases, shoddy journalism, unscrupulous advertisers, predatory special-interest groups, and others who may use or abuse maps at your expense."—John Van Pelt, Christian Science Monitor "Monmonier meets his goal admirably. . . . [His] book should be put on every map user's 'must read' list. It is informative and readable . . . a big step forward in helping us to understand how maps can mislead their readers."—Jeffrey S. Murray, Canadian Geographic
