Arte Poetico Tagalo
Arte Poetico Tagalo

Author: Francisco Bencuchillo

Publisher: Palala Press

Published: 2016-05-16

Total Pages: 30

ISBN-13: 9781356642069

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mother Figured
Mother Figured

Author: Deirdre de la Cruz

Publisher: University of Chicago Press

Published: 2015-12-30

Total Pages: 317

ISBN-13: 022631507X

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There is no female religious figure so widely known and revered as the Virgin Mary. Mary has inspired in cultures around the world a deep devotion, a desire to emulate her virtue, and a strong belief in her power. Perhaps no population has been so deeply affected by this maternal figure as Filipino Catholics, whose apparitions of Mary have increased in response to recent events, drawing from a broad repertoire of the Catholic supernatural and pulling attention to new articulations of Christianity in the Global South. In Mother Figured, historical anthropologist Deirdre de la Cruz offers a detailed examination of several appearances and miracles of the Virgin Mary in the Philippines from materials and sites ranging from the mid-nineteenth century to the present. By analyzing the effects of the mass media on the perception and proliferation of apparition phenomena, de la Cruz charts the intriguing emergence of new voices in the Philippines that are broadcasting Marian discourse globally. Based on two years of ethnographic fieldwork and hitherto unexplored archives in the Philippines, the United States, and Spain, Mother Figured documents the conditions of Marian devotion’s modern development and tracks how it has transformed Filipinos’ social and political role within the greater Catholic world.

Colonial Counterpoint
Colonial Counterpoint

Author: D. R. M. Irving

Publisher: Oxford University Press

Published: 2010-06-03

Total Pages: 409

ISBN-13: 0199888582

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Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines and in propelling the work of Roman Catholic missionaries in neighboring territories. Manila's religious institutions resounded with sumptuous vocal and instrumental performances, while an annual calendar of festivities brought together many musical traditions of the indigenous and immigrant populations in complex forms of artistic interaction and opposition. Multiple styles and genres coexisted according to strict regulations enforced by state and ecclesiastical authorities, and Irving uses the metaphors of European counterpoint and enharmony to critique musical practices within the colonial milieu. He argues that the introduction and institutionalization of counterpoint acted as a powerful agent of colonialism throughout the Philippine Archipelago, and that contrapuntal structures were reflected in the social and cultural reorganization of Filipino communities under Spanish rule. He also contends that the active appropriation of music and dance by the indigenous population constituted a significant contribution to the process of hispanization. Sustained "enharmonic engagement" between Filipinos and Spaniards led to the synthesis of hybrid, syncretic genres and the emergence of performance styles that could contest and subvert hegemony. Throwing new light on a virtually unknown area of music history, this book contributes to current understanding of the globalization of music, and repositions the Philippines at the frontiers of research into early modern intercultural exchange.