Art Theft and the Case of the Stolen Turners

Art Theft and the Case of the Stolen Turners

Author: Sandy Nairne

Publisher: Reaktion Books

Published: 2011-09-15

Total Pages: 326

ISBN-13: 1861899602

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In 1994 two important paintings by J.M.W. Turner—then valued at twenty-four million pounds—were stolen from a German public gallery while on loan from Tate Britain. In this vivid, personal account, Sandy Nairne who was then Director of Programmes at the Tate and became centrally involved in the pursuit of the paintings and the negotiations for their return, retells this complex, 8-year, cloak-and-dagger story, which finally concluded in 2002 with the pictures returning to public display at the Tate. In addition to this thrilling narrative, Nairne unravels stories of other high-value art thefts, puzzling what motivates a thief to steal a well-known work of art that cannot be sold, even on the black market. Nairne also examines the role of art theft within the larger underworld of international looting and illicit deals among art and antique collectors. The art heist, of course, is a popular theme of crime novels and films, and Nairne considers these depictions as well, investigating the imaginative construction of the art thief, the specialist detective, and the mysterious collector. Art Theft and the Case of the Stolen Turners is a compelling, real-life detective story that will keep both art and mystery lovers eagerly turning pages.


The Gardner Heist

The Gardner Heist

Author: Ulrich Boser

Publisher: Harper Collins

Published: 2009-02-19

Total Pages: 276

ISBN-13: 006197286X

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“Boser cracks the cold case of the art world’s greatest unsolved mystery.”— Vanity Fair One museum, two thieves, and the Boston underworld: the riveting story of the 1990 Gardner Museum robbery, the largest unsolved art theft in history. Perfect for fans of the Netflix series This is a Robbery: The World's Biggest Art Heist! Shortly after midnight on March 18, 1990, two men broke into the Isabella Stewart Gardner Museum in Boston and committed the largest art heist in history. They stole a dozen masterpieces, including one Vermeer, three Rembrandts, and five Degas. But after thousands of leads, hundreds of interviews, and a $5 million reward, not a single painting has been recovered. Worth as much as $500 million, the missing masterpieces have become the Holy Grail of the art world and their theft one of the nation’s most extraordinary unsolved mysteries. Art detective Harold Smith worked the theft for years, and after his death, reporter Ulrich Boser decided to pick up where he left off. Traveling deep into the art underworld, Boser explores Smith’s unfinished leads and comes across a remarkable cast of characters, including a brilliant rock ‘n’ roll art thief and a golden-boy gangster who professes his innocence in rhyming verse. A tale of art and greed, of obsession and loss, The Gardner Heist is as compelling as the stolen masterpieces themselves.


Museum of the Missing

Museum of the Missing

Author: Simon Houpt

Publisher: Sterling Publishing Company, Inc.

Published: 2006

Total Pages: 204

ISBN-13: 9781402728297

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Stolen Legacy

Stolen Legacy

Author: George G. M. James

Publisher: Simon and Schuster

Published: 2013-04-08

Total Pages: 226

ISBN-13: 1627930159

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For centuries the world has been misled about the original source of the Arts and Sciences; for centuries Socrates, Plato and Aristotle have been falsely idolized as models of intellectual greatness; and for centuries the African continent has been called the Dark Continent, because Europe coveted the honor of transmitting to the world, the Arts and Sciences. It is indeed surprising how, for centuries, the Greeks have been praised by the Western World for intellectual accomplishments which belong without a doubt to the Egyptians or the peoples of North Africa.


Hot Art: Chasing Thieves and Detectives Through the Secret World of Stolen Art

Hot Art: Chasing Thieves and Detectives Through the Secret World of Stolen Art

Author: Joshua Knelman

Publisher: Tin House Books

Published: 2012-03-06

Total Pages: 362

ISBN-13: 1935639390

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Sweeping and fast-paced, Hot Art is a major work of investigative journalism and a thrilling joyride into a mysterious criminal world. Hot Art traces Joshua Knelman’s five-year immersion in the shadowy world of art theft, where he uncovers a devious game that takes him from Egypt to Los Angeles, New York to London, and back again, through a web of deceit, violence, and corruption. With a cool, knowing eye, Knelman delves into the lives of professionals such as Paul, a brilliant working-class kid who charmed his way into a thriving career organizing art thefts and running loot across the United Kingdom and beyond, and LAPD detective Donald Hrycyk, one of the few special investigators worldwide who struggle to keep pace with the evolving industry of stolen art. As he becomes more and more immersed in this world, Knelman learns that art theft is no fringe activity—it has evolved into one of the largest black markets in the world, which even Interpol and the FBI admit they cannot contain. In this battle, the thieves are winning. Sweeping and fast-paced, Hot Art is a major work of investigative journalism and a thrilling joyride into a mysterious criminal world.


The Journal of Art Crime Fall 2014

The Journal of Art Crime Fall 2014

Author:

Publisher: Createspace Independent Publishing Platform

Published: 2014-12-16

Total Pages: 124

ISBN-13: 9781505584011

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The Journal of Art Crime, published by ARCA, is the first peer-reviewed academic journal in the study of art crime. This biannual publication welcomes interdisciplinary articles from both academics and professionals, related to art crime, its history, and its repercussions. Relevant fields include criminology, law, art history, history, sociology, policing, security, archaeology, and conservation.


Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice

Author: Arie Wallert

Publisher: Getty Publications

Published: 1995-08-24

Total Pages: 241

ISBN-13: 0892363223

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.


The Palgrave Handbook on Art Crime

The Palgrave Handbook on Art Crime

Author: Saskia Hufnagel

Publisher: Springer

Published: 2019-06-27

Total Pages: 909

ISBN-13: 1137544058

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This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.


Great Art Thefts

Great Art Thefts

Author: Charlotte Guillain

Publisher: Capstone

Published: 2014-11-01

Total Pages: 95

ISBN-13: 141096924X

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'Great Art Thefts' examines famous art crimes and the hunt to find the thieves. Part of the Treasure Hunters series, 'Great Art Thefts' offers a crosscurricular mix of science & technology and history, with a fun, dramatic approach. Art thefts covered in the book include the Mona Lisa, the Scream, the Millennium theft from the Ashmolean Museum, and the greatest ever single art theft: the Isabella Stewart Gardner Museum heist. The book also looks at the motives for these crimes, and the measures that can be taken to protect valuable works of art from unscrupulous criminals.


The Securitization and Policing of Art Theft

The Securitization and Policing of Art Theft

Author: John Kerr

Publisher: Routledge

Published: 2016-03-09

Total Pages: 219

ISBN-13: 1317016483

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The subject of many films and books, art theft is a fascinating topic that continues to capture the popular imagination. However, it is one of many types of art crime that remain under-researched and which require much more academic, empirical investigation. This book examines who is performing, managing, governing and controlling the securitization and policing of art theft in London. Through giving the first map of the policing and securitization of one of the world’s largest centres of art, it helps our understanding of art security at city, national and international levels and offers practical recommendations for those who operate within art security. Providing the first clear single account of the London art security terrain, this book also advances current knowledge of policing, environmental criminology and insurance. Moreover, it adds to the previous research into the traditionally restricted worlds of private policing, public policing and the art world.