From the contents:00I. Participatory art now01. The normalisation of participatory art 0II. What is participatory art?02. Concepts03. Defnitions04. The intentions of participatory art 05. The art of participatory art 06. The ethics of participatory art 0III. Where does participatory art come from?07. Making history 08. Deep roots 09. Community art and the cultural revolution (1968 to 1988) 010. Participatory art and appropriation (1988 to 2008).
In today's art world many strange, even shocking, things qualify as art. In this Very Short Introduction Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, alongside the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Explore art history through the lens of the liberal arts with this stunning look at the Bowdoin College Museum of Art's acclaimed collection. The Bowdoin College Museum of Art features nearly 24,000 works spanning antiquity to today, housed on Bowdoin's campus in coastal Maine. Since it began collecting in 1811, the museum has served as a unique resource for students, scholars, and visitors from around the world. This splendid book takes readers on a trip through art history--and through the liberal arts, which serve as the college's grounding philosophy--using key objects from Bowdoin's diverse collection. With insightful essays that illuminate art in the context of current, interdisciplinary liberal arts questions, this volume is an art lover's treasure that will spark readers' curiosity and help nurture their intellectual lives. Copublished by the Bowdoin College Museum of Art and DelMonico Books
"Hosts of all kinds, this is a must-read!" --Chris Anderson, owner and curator of TED From the host of the New York Times podcast Together Apart, an exciting new approach to how we gather that will transform the ways we spend our time together—at home, at work, in our communities, and beyond. In The Art of Gathering, Priya Parker argues that the gatherings in our lives are lackluster and unproductive--which they don't have to be. We rely too much on routine and the conventions of gatherings when we should focus on distinctiveness and the people involved. At a time when coming together is more important than ever, Parker sets forth a human-centered approach to gathering that will help everyone create meaningful, memorable experiences, large and small, for work and for play. Drawing on her expertise as a facilitator of high-powered gatherings around the world, Parker takes us inside events of all kinds to show what works, what doesn't, and why. She investigates a wide array of gatherings--conferences, meetings, a courtroom, a flash-mob party, an Arab-Israeli summer camp--and explains how simple, specific changes can invigorate any group experience. The result is a book that's both journey and guide, full of exciting ideas with real-world applications. The Art of Gathering will forever alter the way you look at your next meeting, industry conference, dinner party, and backyard barbecue--and how you host and attend them.
Purposes of Art: An Introduction to the History and Appreciation of Art was written by art historian Albert Edward Elsen. This work delves into the visual arts such as painting, drawing and sculpting. In Purposes of Art the author has opted not to simplify the discussion in order to attract a larger audience. Rather, Elsen's work is intended for those with a keen interest in art history and who thus have a base of knowledge in the subject matter. The book is not organized chronologically, as many books of art history are, but rather thematically. Each theme contains an examination of a number of different works, often from very different time periods. Examples of themes discussed include images of Gods, heaven and earth in fifteenth-century Italian art, images of authority, nature, and many more. Some chapters are narrower in their focus, including several detailing the work of a single artist, such as Michelangelo, Rembrandt, and Picasso. Black and white photos are reproduced as part of the text, and have generally maintained a reasonable level of quality. Albert Edward Elsen is a knowledgeable and passionate art historian, and this work demonstrates the depth of his expertise. The writing is concise yet illuminating. The thematic approach to the subject matter is appropriate and makes this an eminently readable volume. Purposes of Art: An Introduction to the History and Appreciation of Art is a well crafted overview of art history. Elsen's work does not break new ground, however it is an accomplished treatise of the subject matter. Readers interested in the appreciation of art will certainly find this book to be a worthwhile addition to their library. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Purposes of Art: An Introduction to the History and Appreciation of Art was written by art historian Albert Edward Elsen. This work delves into the visual arts such as painting, drawing and sculpting. In Purposes of Art the author has opted not to simplify the discussion in order to attract a larger audience. Rather, Elsen's work is intended for those with a keen interest in art history and who thus have a base of knowledge in the subject matter. The book is not organized chronologically, as many books of art history are, but rather thematically. Each theme contains an examination of a number of different works, often from very different time periods. Examples of themes discussed include images of Gods, heaven and earth in fifteenth-century Italian art, images of authority, nature, and many more. Some chapters are narrower in their focus, including several detailing the work of a single artist, such as Michelangelo, Rembrandt, and Picasso. Black and white photos are reproduced as part of the text, and have generally maintained a reasonable level of quality. Albert Edward Elsen is a knowledgeable and passionate art historian, and this work demonstrates the depth of his expertise. The writing is concise yet illuminating. The thematic approach to the subject matter is appropriate and makes this an eminently readable volume. Purposes of Art: An Introduction to the History and Appreciation of Art is a well crafted overview of art history. Elsen's work does not break new ground, however it is an accomplished treatise of the subject matter. Readers interested in the appreciation of art will certainly find this book to be a worthwhile addition to their library. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book offers a comprehensive, article-by-article legal commentary on the United Nations Convention Against Transnational Organized Crime and its Protocols on trafficking in persons, smuggling of migrants, and trafficking in firearms and ammunition. The Convention- often referred to by the acronym UNTOC- was approved by the UN General Assembly on 15 November 2000 and made available for governments to sign at a high-level conference in Palermo, the heartland of the Italian Mafia, on 12-15 December 2000. For this reason, UNTOC is sometimes also referred to as the 'Palermo Convention'. The Convention entered into force on 29 September 2003. The purpose of UNTOC is to promote cooperation to prevent and combat transnational organized crime more effectively. UNTOC seeks to promote consistency among national legal systems and set standards for domestic laws so that States parties can effectively combat transnational organized crime. UNTOC is supplemented by three protocols: the Protocol against the Smuggling of Migrants by Land, Air, and Sea, the Protocol to Prevent, Suppress, and Punish Trafficking in Persons, especially Women and Children, and the Protocol against the Illicit Manufacturing of and Trafficking in Firearms, their Parts and Components, and Ammunition. Article by article, this books presents the text of each provision of the Convention and the Protocols, followed by a systematic analysis of their background and negotiating history, their interpretation by the Conference of the Parties and its working groups, in judicial decisions by domestic and international courts, , in the academic literature, and in official material published by international organisations, chief among them the United Nations Office on Drugs and Crime (UNODC), the guardian of UNTOC and the Protocols. The authors offer critical, scholarly commentary. The book serves as a compendium for those using, researching, or studying provisions under UNTOC and the Protocols and as a handbook for those charged with implementing and enforcing them.
