This history of medieval warfare, originally written in 1885 when its author—later one of the great medievalists—was still an undergraduate at Oxford, remains for students and general readers one of the best accounts of military art in the Middle Ages between Adrianople in 378 A.D. (the most fearful defeat suffered by a Roman army since Cannae in 216 B.C.) and Marignano (1515 A.D.), the last of the triumphs of the medieval horseman. It was extensively revised and edited by John H. Beeler in 1953 to incorporate many new facts uncovered since the late nineteenth century.
He begins by analysing the sources for our knowledge of the military history of the period, assessing their reliability: some chroniclers exaggerate, others are careful observers or have access to official records. There follows an examination of the constituent parts of the medieval army, knights and footsoldiers, equipment and terms of service, behaviour on the field, and psychology, before the problematic question of medieval tactics is addressed through analysis of accounts of a series of major battles. Strategy is discussed in the context of these battles: whether to seek battle, fight a defensive war, or attempt a war of conquest.
George R.R. Martin's A Song of Ice and Fire novels and HBO's Game of Thrones series depict a medieval world at war. But how accurate are they? The author, an historian and medieval martial arts expert, examines in detail how authentically Martin's fictional world reflects the arms and armor, fighting techniques and siege warfare of the Middle Ages. Along the way, he explores the concept of "medievalism"--modern pop culture's idea of the Middle Ages.
The papers in this book present, for the first time, the world of warfare, both defensive and offensive, from the Classical periods to end of the Middle Ages in one collection. These scholarships have attracted ancient writers and generals and nowadays historians, archaeologists and researchers poliorcetics. Military historiography and ancient manuals are well familiar from the Classical period throughout the Hellenistic great battlefields until the end of the Middle Ages, the chronological scope of this codex. The current book is the first to encompass this long array of time while trying to enrich the reader with the continuity, development and regression in the different periods and spheres of the ancient poliorcetics and beyond; the papers presented here are focusing on the physical fortifications, besieging and defense techniques, development and efficiency of ancient projectiles and sieging machinery, battlefields and the historiographical evidence. The X papers of the book, are written by some of the best scholars in their field, presenting here for the first time the results of their research, in the west and in the east.
Charles Oman's 'The Art of War in the Middle Ages' is a comprehensive and insightful look into the military strategies and tactics employed during this tumultuous period of history. Through detailed analysis and thorough research, Oman sheds light on the key battles, generals, and methods that shaped warfare in the Middle Ages. His writing style is both engaging and scholarly, making this book a valuable resource for students and historians alike. As a respected military historian, Oman provides a thorough examination of the military practices of the time, giving readers a deeper understanding of the complexities of medieval warfare. By delving into primary sources and incorporating his own expertise, Oman offers a unique perspective on the subject. I highly recommend 'The Art of War in the Middle Ages' to anyone interested in military history or seeking to gain a deeper understanding of medieval warfare.
This richly illustrated book explores over seven hundred years of European warfare, from the time of Charlemagne to the end of the middle ages (c.1500). The period covered has a distinctive character in military history. It was an age when organization for war was integral to social structure, when the secular aristocrat was by necessity also a warrior, and whose culture was profoundly influenced by martial ideas. Twelve scholars, experts in their own fields, have contributed to this finely illustrated book. It is divided into two parts. Part I seeks to explore the experience of war viewed chronologically with separate chapters on, for instance, the Viking age, on the wars and expansion of the eleventh and twelfth centuries, on the Crusades and on the great Hundred Years War between England and France. The chapters in Part II trace thematically the principal developments in the art of warfare; in fortification and siege craft; in the role of armoured cavalrymen; in the employment of mercenary forces; the advent of gunpowder artillery; and of new skills in navigation and shipbuilding. In both parts of the book, the overall aim has been to offer the general reader an impression, not just of the where and the when of great confrontations, but above all of the social experience of warfare in the middle ages, and of the impact of its demands on human resources and human endurance.
