Art of the South Pacific Islands

Art of the South Pacific Islands

Author: Paul Stover Wingert

Publisher:

Published: 1953

Total Pages: 122

ISBN-13:

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The material in this book was first used in the catalog issued for the 1953 Loan Exhibition of the Art of the South Pacific Islands, held at the M.H. de Young Memorial Museum, San Francisco. 102 reproductions, mostly of carvings.


Collective Creativity

Collective Creativity

Author: Katherine Giuffre

Publisher: Routledge

Published: 2016-05-23

Total Pages: 183

ISBN-13: 1317164237

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Collective Creativity offers an analysis of the explosion of artistic creativity currently taking place on the South Pacific island of Rarotonga. By exploring the construction of this art-world through the ways in which creativity and innovation are linked to social structures and social networks, this book investigates the social aspects of making fine art in order to present a ’collective’ theory of creativity. With a close examination of tourism, galleries and, of course, the artists themselves, Katherine Giuffre presents a detailed picture of a complex and multi-faceted community through the words of the art-world participants themselves. Theoretically sophisticated, yet grounded with rich empirical data, this book will appeal not only to anthropologists with an interest in the South Pacific, but also to scholars concerned with questions of ethnicity, creativity, globalization and network analysis.


Arts of the Pacific Islands

Arts of the Pacific Islands

Author: Anne D'Alleva

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780300164121

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In this comprehensive survey of the art of the Pacific Islands, including the Melanesian, Polynesian, Micronesian, and New Guinean traditions, author Anne D’Alleva explains the significance of these artworks by contextualizing them within each island’s unique culture and practices. In the process, D’Alleva examines the biases of both artists and Western viewers, telling an important history of both people and ideas through a detailed analysis of sculpture, paintings, textiles, dance, jewelry, and architecture. As these nations faced alternating periods of isolation, colonization, and contact with each other and the West, their forms of art were drastically altered to incorporate foreign influences and to develop autonomous identities and cultural independence. Therefore, their artistic practices explore the inherent tension between tradition and modernity within these communities. Ranging from the prehistoric period to the modern era, and accompanied by a timeline, bibliography, and glossary of terms, this book raises important questions for continued debate and study of the art of the Pacific Rim.