Ancient Mediterranean Art in the Ackland Art Museum
Ancient Mediterranean Art in the Ackland Art Museum

Author: Mary C. Sturgeon

Publisher: Ackland Art Museum

Published: 2015

Total Pages: 0

ISBN-13: 9781469625515

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Ancient Mediterranean Art in the Ackland Art Museum presents the collection of ancient art in the Ackland Art Museum at The University of North Carolina at Chapel Hill. This collection includes a broad array of works of art that come from many parts of the ancient Mediterranean world, including Egypt and the Nile Valley, Mesopotamia, Iran, Cyprus, Greece, and Italy, ranging in date from ca. 5000 BCE to 1100 CE. The collection contains large- and small-scale sculptures made of marble, bronze, terracotta, limestone, and gold and vessels formed of clay, stone, and bronze. Notable groups of objects include Egyptian amulets made of faience, Near Eastern cylinder seals, Cypriot votive statuary of limestone, Greek and Roman coins, and Roman vessels of glass. Started in 1958, the collection has grown considerably and now includes objects discovered through official excavations in Egypt and the Nile valley and Italy, along with gifts of former faculty members and friends of the University and Museum. From its beginning, the collection was intended to be diverse in scope and was founded to bring to Chapel Hill works of art that would directly support the teaching mission of the university. This volume showcases a significant and valuable collection as never before.

Egypt, Israel, and the Ancient Mediterranean World
Egypt, Israel, and the Ancient Mediterranean World

Author: Gary N. Knoppers

Publisher:

Published: 2004

Total Pages: 616

ISBN-13:

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These studies on the history, art, religions, and literature of Egypt and the ancient Near East include discussions of previously unpublished archaeological excavations and ancient inscriptions. Some essays engage specific literary texts; others are comparative, interpreting the finds, art, and inscriptions, from a variety of ancient societies.

Ancient Mediterranean Art
Ancient Mediterranean Art

Author: Barbara Cavaliere

Publisher:

Published: 2022

Total Pages: 360

ISBN-13: 9780823290864

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Ancient Mediterranean Art: The William D. and Jane Walsh Collection at Fordham University is the catalogue of Fordham University's remarkable collection of Classical antiquities, comprising objects dating from the fourth millennium B.C.E. to the 4th century C.E., originating from Greece, Italy, Turkey, the Near East, and Egypt. It is one of the largest collections of antiquities held by an academic institution in the New York area and includes many important works of ancient Mediterranean art that are published here for the first time. This lavishly illustrated book features 104 of the most significant objects in the William D. and Jane Walsh Collection. All the major art forms from the Greek, Etruscan, and Roman worlds are represented, including pottery, sculpture, glass, architectural decoration, and coins. Each object entry is accompanied by one or more color photographs, some with detailed profile drawings, along with explanatory text examining the individual artistic significance of the pieces; their domestic, religious, civic, or funerary function; and their relationship to objects of similar type published elsewhere and in other museum collections. Interspersed throughout are enlightening thematic essays--for example, on Italic votives and on Etruscan roofs and their decoration--that provide valuable context for the individual objects. An appendix provides a comprehensive list of the works in the collection with brief descriptions and photographs of those not given fuller scholarly attention. The extensive bibliography and notes further augment the value of this catalogue as an educational resource and a notable contribution to the corpus of scholarship about the art, history, and culture of the ancient Mediterranean world.

The Ancient Mediterranean World
The Ancient Mediterranean World

Author: Robin W. Winks

Publisher: Oxford University Press, USA

Published: 2004

Total Pages: 255

ISBN-13: 9780195155631

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What is a city, and what forms did urbanization take in different times and places? How do peoples and nations define themselves and perceive foreigners? Questions like these serve as the framework for The Ancient Mediterranean World: From the Stone Age to A.D. 600. This book provides a concise overview of the history of the Mediterranean world, from Paleolithic times through the rise of Islam in the seventh century A.D. It traces the origins of the civilizations around the Mediterranean--including ancient Mesopotamia, Egypt, Israel, Greece, and Rome--and their interactions over time. The Ancient Mediterranean World goes beyond political history to explore the lives of ordinary men and women and investigate topics such as the relationships between social classes, the dynamics of the family, the military and society, and aristocratic values. It introduces students not only to the ancient texts on which historians rely, but also to the art and architecture that reveal how people lived and how they understood ideas like love, death, and the body. Numerous illustrations, chronological charts, excerpts from ancient texts, and in-depth discussions of specific art objects and historical methods are included. Text boxes containing primary source materials examine such diverse subjects as warfare in early Mesopotamia, sculpting the body in classical Greece, the young women of Sappho's chorus, and early descriptions of the Huns. Combining excellent chronological coverage with a clear, concise narrative, The Ancient Mediterranean World is an ideal text for undergraduate courses in ancient history and ancient civilization.

Reading a Dynamic Canvas
Reading a Dynamic Canvas

Author: Cynthia S. Colburn

Publisher: Cambridge Scholars Publishing

Published: 2021-02-03

Total Pages: 235

ISBN-13: 1527565645

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Personal adornment, as an extension of the body, is a crucial component in social interaction. The active process of adorning the body can shape embodied identities, such as social status, ethnicity, gender, and age. As a result of its dynamic and performative nature, the body can often convey meaning more powerfully and convincingly than verbal communication. Yet adornment is not easily read and does not necessarily reflect actual lived experience. Rather, bodily adornment, and the performances that accompany it, can be manipulated to conceal or exaggerate reality, thus speaking more to identity discourse. The interpretation of such discourse must be grounded in an understanding of the context-specific and negotiable nature of adornment. The essays in this volume, which are united by their focus on material and visual evidence, cover a broad chronological and geographical span, from the ancient Near East to Roman Britain, and bring together innovative scholarly work on adornment by an international group of art historians and archaeologists. This attention to the archaeological evidence makes the volume a valuable resource, as those working with material or visual culture face unique methodological and theoretical challenges to the study of adornment.

Chryselephantine Statuary in the Ancient Mediterranean World
Chryselephantine Statuary in the Ancient Mediterranean World

Author: Kenneth D. S. Lapatin

Publisher:

Published: 2001

Total Pages: 374

ISBN-13: 9780198153115

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Composite statues of gold (chrysos), ivory (elephas), and other precious materials were the most celebrated artworks of classical antiquity. Greek and Latin authors leave no doubt that such images provided a centrepiece for religious and civic life and that vast sums were spent to producethem. A number of these statues were the creations of antiquity's most highly acclaimed artists: Polykleitos, Alkamenes, Leochares, and, of course, Pheidias, whose magnificent Zeus Olympios came to be ranked among the Seven Wonders of the World. Although a few individual images such as Pheidias'Athena Parthenos have been the subject of detailed scholarly analysis, chryselephantine statuary as a class, from the exquisite statuettes of Minoan Crete to the majestic temple images constructed by classical Greek city-states and imitated by the Romans, has not received comprehensive study since1815. This book presents not only the ancient literary and epigraphical evidence for lost statues and examines representations of them in other media, but also assembles and analyses much-neglected physical survivals, elucidating throughout the innovative techniques, such as ivory-bending, employedin their production as well as the variety of social, religious, and political roles they played within the ancient societies that produced them.

Colour in the Ancient Mediterranean World
Colour in the Ancient Mediterranean World

Author: Liza Cleland

Publisher: British Archaeological Reports Oxford Limited

Published: 2004

Total Pages: 184

ISBN-13:

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As historical scholarship increasingly attends not just to text, but to context, the consideration of colour - as an aspect of the material, artistic, literary, linguistic and conceptual cultures of antiquity - provides a valuable path of approach to our evidence. This evidence demands, and responds to, many different methodological approaches. The papers represented in this volume of proceedings, based on an international conference held at Edinburgh University in 2001, thus reveal a multiplicity of different ways of seeing, studying and defining colour in antiquity. They bring together researchers working on different cultures and periods, but also different areas of colour research: the technological and archaeological study of painting and dyeing; the manifestations and meanings of colour in visual art; and the inter-related fields of the semiosis and symbolism of colour in literature, and the colour terms and categorisation of ancient languages.

Object Biographies
Object Biographies

Author: Menil Collection (Houston, Tex.)

Publisher: Menil Foundation

Published: 2021

Total Pages: 0

ISBN-13: 9780300250879

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A revealing look at ancient art in the Menil Collection that addresses the problem of objects lacking archaeological context This innovative anthology discusses a diversity of ancient Mediterranean objects--a Mesopotamian votive figure, a Egyptian relief from the New Kingdom, and a Greek Geometric fawn among them--in the Menil Collection and three other US museums. It offers new models for understanding works from antiquity that lack archaeological context. Essays by 13 authors written with the layperson in mind employ a creative mixture of iconography, technical studies, and modern provenance research to gain insight into the meaning of the objects themselves and what they can teach us more broadly aboutarchaeology, art history, and collecting practices. They take on complex issues of cultural heritage, legality, and taste to bring to life works that are often consigned to either the imperial past or a conceptual limbo. Essays on related groups or single objects introduce fresh frameworks to engage with the multilayered history these objects represent. The eight object biographies on ancient artifacts in the Menil are the first in-depth studies published on the collection. Essays by seven university professors probe works in their areas of expertise, while those by seven curators lay bare one object biography; frame provenance studies at the San Antonio Museum of Art, Getty Museum, and Museum of Fine Arts, Boston; and survey war's effect on ancient works. The editors' introduction and an epilogue responding to the other 13 texts review theoretical and practical issues in the study of artifacts lacking archaeological findspots (provenience). Recommended for programs and libraries in museum studies, archaeology, and art history; art and heritage law programs; and readers fascinated by cold-case detective work on the material culture of the ancient Mediterranean. Distributed for the Menil Collection

Purity and the Forming of Religious Traditions in the Ancient Mediterranean World and Ancient Judaism
Purity and the Forming of Religious Traditions in the Ancient Mediterranean World and Ancient Judaism

Author: Christian Frevel

Publisher: BRILL

Published: 2012-11-01

Total Pages: 618

ISBN-13: 9004232109

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Focusing on concepts, practices and images associated with purity in the ancient Mediterranean, this volume contributes new aspects to the current discussion about the forming of religious traditions, from a comparative perspective that acknowldges individual developments, mutual exchanges, as well as transcultural processes.