Art in Cinema
Author: Scott MacDonald
Publisher: Temple University Press
Published: 2006
Total Pages: 332
ISBN-13: 9781592134274
DOWNLOAD EBOOKFascinating documentation of one of the most important film societies in American history.
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Art of Cinematography
Author: Bob Fisher
Publisher: Skira - Berenice
Published: 2014-03-17
Total Pages: 351
ISBN-13: 9788857217536
DOWNLOAD EBOOKA rereading of the Seventh Art through the eyes of the most important authors of cinematographic photography. The Art of Cinematography underscores the essential importance of the figure of the cinematographer in the history of world cinema. This illustrated book, for the first time ever, presents a rereading of the Seventh Art through the eyes of the most important authors of cinematographic photography, as well as offering an original view of the all-time greatest masterpieces of cinema. A full-blown review that stretches from 1910 to the present day to provide the reader with over one hundred and fifty profiles of Cinematographers in a whole century of cinema. A bold and complex publishing project that is meant to be a tribute to cinematographers everywhere. This bilingual Italian-English volume is illustrated by one hundred and fifty high-quality photographic images in double vision specially reworked by Oscar-winner Vittorio Storaro.
Cinema and Painting
Author: Angela Dalle Vacche
Publisher: University of Texas Press
Published: 1996
Total Pages: 324
ISBN-13: 9780292715837
DOWNLOAD EBOOKThe visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
Every Frame a Rembrandt
Author: Andrew Laszlo
Publisher: CRC Press
Published: 2013-04-02
Total Pages: 271
ISBN-13: 1136050426
DOWNLOAD EBOOKThis book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert).
The Art of Film Projection: A Beginner's Guide
Author: Paolo Usai
Publisher: George Eastman House
Published: 2019-10-22
Total Pages: 344
ISBN-13: 9780935398311
DOWNLOAD EBOOKThe history of cinema is full of love stories, but none has been as essential as the love between projectionists and their machines. The Art of Film Projection-A Beginner's Guide is a comprehensive outline of the materials, equipment, and knowledge needed to present the magic of cinema to an enthralled audience. Part manual and part manifesto, this book compiles more than fifty years of expertise from the staff of the world-renowned George Eastman Museum and the students of the L. Jeffrey Selznick School of Film Preservation into the most authoritative and accessible guide to film projection ever produced. No film comes to life until it is shown on the big screen, but with the proliferation of digital movie theaters, the expertise of film projection has become rare. Written for both the casual enthusiast and the professional projectionist in training, this book demystifies the process of film projection and offers an in-depth understanding of the aesthetic, technical, and historical features of motion pictures. Join in the fight to save the authentic experience of seeing motion pictures on film.
Art Cinema and India’s Forgotten Futures
Author: Rochona Majumdar
Publisher: Columbia University Press
Published: 2021-10-12
Total Pages: 222
ISBN-13: 0231553900
DOWNLOAD EBOOKCo-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Film and Modern American Art
Author: Katherine Manthorne
Publisher: Routledge
Published: 2019-01-30
Total Pages: 342
ISBN-13: 1351187295
DOWNLOAD EBOOKBetween the 1890s and the 1930s, movie going became an established feature of everyday life across America. Movies constituted an enormous visual data bank and changed the way artist and public alike interpreted images. This book explores modern painting as a response to, and an appropriation of, the aesthetic possibilities pried open by cinema from its invention until the outbreak of World War II, when both the art world and the film industry changed substantially. Artists were watching movies, filmmakers studied fine arts; the membrane between media was porous, allowing for fluid exchange. Each chapter focuses on a suite of films and paintings, broken down into facets and then reassembled to elucidate the distinctive art–film nexus at successive historic moments.
Art Cinema. Ediz. Inglese
Author: Paul Young
Publisher: Taschen America Llc
Published: 2009
Total Pages: 191
ISBN-13: 9783822835944
DOWNLOAD EBOOK"Art Cinema" explores how artists have used film to explode cinematic conventions and convey a truly expressive format that uses rhythm, color, structure, and content to express a staggering array of ideas and feelings.
Positioning Art Cinema
Author: Geoff King
Publisher: Bloomsbury Publishing
Published: 2019-01-24
Total Pages: 341
ISBN-13: 1786725568
DOWNLOAD EBOOKArt cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most 'heavyweight' status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and 'exploitation' elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established.
On the Art of the Cinema
Author: Kim Jong Il
Publisher:
Published: 2001
Total Pages: 329
ISBN-13: 9780898756135
DOWNLOAD EBOOKIn his preface the author states: "The cinema is now one of the main objects on which efforts should be concentrated in order to conduct the revolution in art and literature. The cinema occupies an important place in the overall development of art and literature. As such it is a powerful ideological weapon for the revolution and construction. Therefore, concentrating efforts on the cinema, making breakthroughs and following up success in all areas of art and literature is the basic principle that we must adhere to in revolutionizing art and literature."Kim Jong Il (1942- ) is leader of North Korea (1994- ). Kim Jong Il succeeded his father, Kim Il Sung, who had ruled North Korea since 1948.
