This handsome reproduction of Majorelle Fregrave;res & Cie.'s 1910 furnishings catalog includes 192 illustrations of finished products, among them Art Nouveau-styled bowls and vases, hanging lamps, wrought-iron staircase railings - including the magnificent stairway in the Galeries Lafayette in Paris - end tables, desks, cabinets, sofas, armchairs, armoires, beds, dining room sets, and more.
Vital Art Nouveau 1900 presents a selection of the most outstanding works of Czech and European Art Nouveau style from the collection of the Museum of Decorative Arts in Prague, all of which are on permanent display at the Prague Municipal House. This volume establishes the Art Nouveau arts and crafts as part of the forward-looking trends and emancipation efforts that evolved in the late nineteenth century; as a reformist art movement, Art Nouveau strove to achieve a unity between art and life, aspiring to overcome the Romantic duality of beauty versus reality, or "the truth of life." These rebellious artists not only forced a break with the rigidity of existing art practices, but also regenerated forms of artistic expression that many considered to be stagnant. Infused with the popular aesthetic theories of the times, such as Vitalism and Spiritism, the Art Nouveau aesthetic answered and responded to the new zest for life that swept nineteenth-century society as a whole. Masterpieces of decorative art exhibited at the famous Paris World's Fair of 1900 are reproduced in this volume in color, alongside a variety of works ranging from paintings, poster art, magazines and ceramic works to jewelry, glassware and furniture.
From ancient Sumerian pottery to Tiffany stained glass, decorative art has been a fundamental part of the human experience for generations. While fine art is confined to galleries and museums, decorative art is the art of the every day, combining beauty with functionality in objects ranging from the prosaic to the fantastical. In this work, Albert Jacquemart celebrates the beauty and artistic potential behind even the most quotidian object. Readers will walk away from this text with a newfound appreciation for the subtle artistry of the manufactured world.
