Chinese Reverse Glasspainting 1720-1820

Chinese Reverse Glasspainting 1720-1820

Author: Thierry Audric

Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften

Published: 2020-04-15

Total Pages: 240

ISBN-13: 9783034338219

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Displaying a talent for combining aesthetic sensibility with scientific rigor, the author has given new life to something that once excited European passions: an original, non-academic art at the forefront of the 'new technology' of the time. For decades, aristocrats of the Old World and then American collectors (the latter at the end of the eighteenth and beginning of the nineteenth centuries) spent countless sums on the purchase of these works, which were worth a fortune. These wealthy collectors of curiosities of all types were also most certainly great dreamers seeking a worthy setting for their dreams. Unbeknownst to them, their endeavours had much greater scope, creating and nourishing the conditions for a rare encounter between two worlds: a golden age of atypical collaboration, a combined adventure between China and Europe.


The City of Blue and White

The City of Blue and White

Author: Anne Gerritsen

Publisher: Cambridge University Press

Published: 2020-05-07

Total Pages: 349

ISBN-13: 1108499953

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A compelling examination of the ultimate global commodity, blue and white porcelain, from kiln to consumers across the globe.


Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World

Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World

Author:

Publisher: BRILL

Published: 2014-08-07

Total Pages: 226

ISBN-13: 9004281045

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Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World: A Multilingual Bibliography provides a multidisciplinary guide to publications on this great navigator’s activities and their impact on Chinese and world history. Admiral Zheng He commanded the fifteenth-century world’s largest fleet. In the course of seven voyages made between 1405 and 1433, his massive ships visited over thirty present-day countries in Asia and Africa. Those voyages reflected and reinforced the development of complex networks of trade, migration, cultural exchange, and political interactions between China and the Indian Ocean world. This bibliography lists sources in thirteen languages, including both scholarly studies and popular works like Gavin Menzies’s controversial bestsellers claiming the Chinese sailed around the world before Columbus. Relevant translations, transliterations and annotations are provided to aid the reader.


Imperial Illusions

Imperial Illusions

Author: Kristina Kleutghen

Publisher: University of Washington Press

Published: 2015-01-01

Total Pages: 388

ISBN-13: 0295805528

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In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/imperial-illusions


The Stonewares of Yixing

The Stonewares of Yixing

Author: Kuei-hsiang Lo

Publisher: Hong Kong University Press

Published: 1986-01-01

Total Pages: 312

ISBN-13: 9789622091122

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Despite its beauty, individuality and variety of design, the red or brown unglazed stoneware produced at Yixing in Jiangsu Province has received less attention than other branches of Chinese ceramic art. The Yixing potters have always specialized in the making of teapots, whose use became widespread during the Ming period as a result of the innovation of making tea from rolled leaves, rather than using it in the fine-ground, powdered from in which it had previously been supplied.


From Object to Concept

From Object to Concept

Author: Stacey Pierson

Publisher: Hong Kong University Press

Published: 2013-01-01

Total Pages: 227

ISBN-13: 9888139835

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Ming porcelain is widely regarded among the world's finest cultural treasures. From ordinary household items patiently refined for imperial use, porcelain became a dynamic force in domestic consumption in China and a valuable commodity in export trade. In the modern era, it has reached unprecedented heights in art auctions and other avenues of global commerce. This book examines the impact of consumption on the evolution of porcelain and its transformation into a foreign cultural icon. The book begins with an examination of ways in which porcelain was appreciated in Ming China, followed by a discussion of encounters with Ming porcelain in several global regions including Europe and the Americas. The book also looks at the invention of the phrase and concept of 'the Ming vase' in English-speaking cultures and concludes with a history of the transformation of Ming porcelain into works of art.


"Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris "

Author: Ting Chang

Publisher: Routledge

Published: 2017-07-05

Total Pages: 210

ISBN-13: 1351538454

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Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.


Precious Records

Precious Records

Author: Susan Mann

Publisher: Stanford University Press

Published: 1997

Total Pages: 348

ISBN-13: 9780804727440

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Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women's participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations.


Possessing the Past

Possessing the Past

Author: 國立故宮博物院

Publisher: Metropolitan Museum of Art

Published: 1996

Total Pages: 666

ISBN-13: 0810964945

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A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR


Sensuous Surfaces

Sensuous Surfaces

Author: Jonathan Hay

Publisher: Reaktion Books

Published: 2010-06-25

Total Pages: 442

ISBN-13: 1861898460

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With Sensuous Surfaces, Jonathan Hay offers one of the most richly illustrated and in-depth introductions to the decorative arts of Ming and Qing dynasty China to date. Examining an immense number of works, he explores the materials and techniques, as well as the effects of patronage and taste, that together have formed a loose system of informal rules that define the decorative arts in early modern China. Hay demonstrates how this system—by engaging the actual and metaphorical potential of surface—guided the production and use of decorative arts from the late sixteenth century through the middle of the nineteenth, a period of explosive growth. He shows how the understanding of decorative arts made a fundamental contribution to the sensory education of China’s early modern urban population. Enriching his study with 280 color plates, he ultimately offers an elegant meditation, not only on Ming and Qing art but on the importance of the erotic in the form and function of decorations of all eras.