They Thought They Were Free

They Thought They Were Free

Author: Milton Mayer

Publisher: University of Chicago Press

Published: 2017-11-28

Total Pages: 391

ISBN-13: 022652597X

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National Book Award Finalist: Never before has the mentality of the average German under the Nazi regime been made as intelligible to the outsider.” —The New York TImes They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Milton Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” These ten men were not men of distinction, according to Mayer, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune. A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.


Art and the Nazis, 1933-1945

Art and the Nazis, 1933-1945

Author: Arthur J. McLaughlin, Jr.

Publisher: McFarland

Published: 2022-01-07

Total Pages: 229

ISBN-13: 1476644837

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This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goring are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet trophy brigades are also documented.


The Arts in Nazi Germany

The Arts in Nazi Germany

Author: Jonathan Huener

Publisher: Berghahn Books

Published: 2007-09

Total Pages: 235

ISBN-13: 184545359X

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"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.


Music in the Third Reich

Music in the Third Reich

Author: Erik Levi

Publisher: Springer

Published: 1996-04-15

Total Pages: 316

ISBN-13: 1349245828

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In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.


Art of the Third Reich

Art of the Third Reich

Author: Peter Adam

Publisher: ABRAMS

Published: 1992

Total Pages: 342

ISBN-13:

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Nearly 50 years after the collapse of Hitler's Third Reich, the officially sanctioned art of his National Socialist regime remains largely unknown. Many were destroyed or stored away in inaccessible locations. Now a documentary film producer offers a thoroughly researched, engrossing examination of the art of National Socialist Germany. 324 illustrations, 33 in full color.


Art and the Nazis, 1933-1945

Art and the Nazis, 1933-1945

Author: Arthur J. McLaughlin, Jr.

Publisher: McFarland

Published: 2021-12-30

Total Pages: 229

ISBN-13: 1476666415

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This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goring are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet trophy brigades are also documented.


The Third Reich in Power

The Third Reich in Power

Author: Richard J. Evans

Publisher: Penguin

Published: 2006-09-26

Total Pages: 980

ISBN-13: 9780143037903

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The acclaimed and comprehensive account of Germany's transformation under Hitler's total rule and the inexorable march to war, by the author of The Coming of the Third Reich and The Third Reich at War. “[Evans's] three-volume history . . . is shaping up to be a masterpiece. Fluidly narrated, tightly organized and comprehensive.” —The New York Times "Mr. Evans's magisterial study should be on our shelves for a long time to come."—The Economist By the middle of 1933, the democracy of the Weimar Republic had been transformed into the police state of the Third Reich, mobilized around the cult of the leader, Adolf Hitler. In The Third Reich in Power, Richard J. Evans chronicles the incredible story of Germany's radical reshaping under Nazi rule. As those who were deemed unworthy to be counted among the German people were dealt with in increasingly brutal terms, Hitler's drive to prepare Germany for the war that he saw as its destiny reached its fateful hour in September 1939. This is the fullest and most authoritative account yet written of how, in six years, Germany was brought to the edge of that terrible abyss.


Artists Under Hitler

Artists Under Hitler

Author: Jonathan Petropoulos

Publisher: Yale University Press

Published: 2014-01-01

Total Pages: 424

ISBN-13: 0300197470

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'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.


Degenerate Art

Degenerate Art

Author: Stephanie Barron

Publisher: Harry N. Abrams

Published: 1991-04-15

Total Pages: 423

ISBN-13: 9780810936539

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Looks at the reconstructed exhibit of degenerate art censored by the Nazis in 1937


Unwelcome Exiles. Mexico and the Jewish Refugees from Nazism, 1933-1945

Unwelcome Exiles. Mexico and the Jewish Refugees from Nazism, 1933-1945

Author: Daniela Gleizer

Publisher: BRILL

Published: 2013-10-02

Total Pages: 354

ISBN-13: 9004262105

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Unwelcome Exiles. Mexico and the Jewish Refugees from Nazism, 1933–1945 reconstructs a largely unknown history: during the Second World War, the Mexican government closed its doors to Jewish refugees expelled by the Nazis. In this comprehensive investigation, based on archives in Mexico and the United States, Daniela Gleizer emphasizes the selectiveness and discretionary implementation of post-revolutionary Mexican immigration policy, which sought to preserve mestizaje—the country’s blend of Spanish and Indigenous people and the ideological basis of national identity—by turning away foreigners considered “inassimilable” and therefore “undesirable.” Through her analysis of Mexico’s role in the rescue of refugees in the 1930s and 40s, Gleizer challenges the country’s traditional image of itself as a nation that welcomes the persecuted. This book is a revised and expanded translation of the Spanish El exilio incómodo. México y los refugiados judíos, 1933-1945, which received an Honorable Mention in the LAJSA Book Prize Award 2013.