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Author: Leon Trotsky
Publisher:
Published: 1992
Total Pages: 282
ISBN-13:
DOWNLOAD EBOOKOne of the outstanding revolutionary leaders of the 20th century discusses questions of literature, art, and culture in a period of capitalist decline and working-class struggle. In these writings, Trotsky examines the place and aesthetic autonomy of art and artistic expression in the struggle for a new, socialist society.
Author: David Craven
Publisher: Yale University Press
Published: 2006-01-01
Total Pages: 246
ISBN-13: 9780300120462
DOWNLOAD EBOOKIn this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution's attempt to deal with the challenge of 'socializing the arts,' but also the engagement of the working classes in Mexico, Cuba, and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a 'dialogical art' -- one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. The book provides a fascinating new view of the Latin American revolutionaries -- from artists to political leaders -- who defined art as a fundamental force for the transformation of society and who bequeathed new ways of thinking about the relations among art, ideology, and class, within a revolutionary process.
Author: John Berger
Publisher: Orion Media
Published: 1969
Total Pages: 191
ISBN-13: 9780297764175
DOWNLOAD EBOOKAuthor: John Berger
Publisher: Vintage
Published: 2011-07-13
Total Pages: 193
ISBN-13: 0307794318
DOWNLOAD EBOOKIn this prescient and beautifully written book, Booker Prize-winning author John Berger examines the life and work of Ernst Neizvestny, a Russian sculptor whose exclusion from the ranks of officially approved Soviet artists left him laboring in enforced obscurity to realize his monumental and very public vision of art. But Berger's impassioned account goes well beyond the specific dilemma of the pre-glasnot Russian artist to illuminate the very meaning of revolutionary art. In his struggle against official orthodoxy--which involved a face-to-face confrontation with Khruschev himself--Neizvestny was fighting not for a merely personal or aesthetic vision, but for a recognition of the true social role of art. His sculptures earn a place in the world by reflecting the courage of a whole people, by commemorating, in an age of mass suffering, the resistance and endurance of millions. "Berger is probably our most perceptive commentator on art.... A civilized and stimulating companion no matter what subject happens to cross his mind."--Philadelphia Inquirer
Author: Ralph Croizier
Publisher: Univ of California Press
Published: 2023-11-15
Total Pages: 254
ISBN-13: 0520336968
DOWNLOAD EBOOKThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
Author: Sanja Perovic
Publisher: Manchester University Press
Published: 2023-10-31
Total Pages: 248
ISBN-13: 1526167654
DOWNLOAD EBOOKStuart Brisley is a pioneering multi-media and performance artist who developed performance art as a form of social action in the 1960s and 1970s. This book assesses his seminal influence on British art through a focus on his lifelong engagement with the histories and imaginaries of revolution. Linking revolutionary history with material from a critical dialogue established with Brisley over the last decade, the book recognises Brisley's corpus as a fascinating stage for addressing important questions about the relationship of art, politics and history. How do we make sense of politically committed art in a contemporary context where revolution has supposedly died or is deemed impossible? What can the afterlives of performance art tell us about the historical past, including the promises and contradictions of revolutionary time?
Author: Jeremy D. Popkin
Publisher: University Press of Kentucky
Published: 1995
Total Pages: 262
ISBN-13: 9780813130293
DOWNLOAD EBOOKJeffrey Wasserstrom, taking the opposite view, argues that the extensive attention paid to the effects of worldwide television coverage of the demonstrations in Tiananmen Square masks the fact that the Chinese students were essentially reworking protest rituals rooted in their country's history and culture long before the modern media era. Owen Johnson, in his essay on the Czechoslovak press during the "Velvet Revolution," likewise downplays the role of the media. The remaining contributors - Jeffrey Brooks, Jack R. Censer, Tim Harris, Thomas C. Leonard, Stephen R. Mackinnon, Michael Mendle, Jeffery A. Smith, Jonathan Sperber, Mark W. Summers - focus on pamphlet literature, newspapers, political cartoons, and the modern electronic media. Together, their wide-ranging views form a balanced and perceptive examination of the impact of the media on the making of history.
Author: Javier Sethness Castro
Publisher: BRILL
Published: 2016-06-10
Total Pages: 422
ISBN-13: 9004308709
DOWNLOAD EBOOKIn Eros and Revolution, Javier Sethness Castro presents a comprehensive intellectual and political biography of the world-renowned critical theorist Herbert Marcuse (1898-1979). Investigating the origins and development of Marcuse's dialectical approach vis-à-vis Hegel, Marx, Fourier, Heidegger, and Freud as well as the central figures of the Frankfurt School—Horkheimer, Adorno, Neumann, Fromm, and Benjamin—Sethness Castro chronicles the radical philosopher's lifelong activism in favor of anti-capitalism, anti-fascism, and anti-authoritarianism together with Marcuse's defiant revindication of global libertarian-socialist revolution as the precondition for the realization of reason, freedom, and human happiness. Beyond examining Marcuse's revolutionary life and contributions, moreover, the author contemplates the philosopher's relevance to contemporary struggle, especially with regard to ecology, feminism, anarchism, and the general cause of worldwide social transformation.
Author: Leon Trotsky
Publisher:
Published: 1925
Total Pages: 264
ISBN-13:
DOWNLOAD EBOOKAuthor: David Roberts
Publisher: Cornell University Press and Cornell University Library
Published: 2011-11-15
Total Pages: 305
ISBN-13: 0801460972
DOWNLOAD EBOOKIn this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.
