Outrage: Art, Controversy, and Society

Outrage: Art, Controversy, and Society

Author: R. Howells

Publisher: Springer

Published: 2012-10-10

Total Pages: 341

ISBN-13: 1137283548

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A study of controversy in the arts, and the extent to which such controversies are socially rather than just aesthetically conditioned. The collection pays special attention to the vested interests and the social dynamics involved, including class, religion, culture, and - above all - power.


Art & Outrage

Art & Outrage

Author: John A. Walker

Publisher: Pluto Press (UK)

Published: 1999

Total Pages: 280

ISBN-13:

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Covering the period from the late 1940s to 1990s , Walker provides a detailed survey of the most prominent cases of art that has scandalised.


Art, Dialogue, and Outrage

Art, Dialogue, and Outrage

Author: Wole Soyinka

Publisher: Pantheon

Published: 1993

Total Pages: 344

ISBN-13:

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Never less than profound, Nobel Laureate Wole Soyinka's fierce and provocative contribution to the debate on multiculturalism brings together 19 iconoclastic essays on African, European, and American literature, culture, and politics. "Unquestionably Africa's most versatile writer".--New York Times


A Violent Embrace

A Violent Embrace

Author: renée c. hoogland

Publisher: Dartmouth College Press

Published: 2014-01-07

Total Pages: 249

ISBN-13: 1611684927

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Instead of asking questions about the symbolic meaning or underlying "truth" of a work of art, renée c. hoogland is concerned with the actual "work" that it does in the world (whether intentionally or not). Why do we find ourselves in tears in front of an abstract painting? Why do some cartoons of the prophet Muhammad generate worldwide political outrage? What, in other words, is the compelling force of visual images, even—or especially—if they are nonfigurative, repulsive, or downright "ugly"? Rather than describing, analyzing, and interpreting artworks, hoogland approaches art as an event that obtains on the level of actualization, presenting "retellings" of specific artistic events in the light of recent interventions in aesthetic theory, and proposing to conceive of the aesthetic encounter as a potentially disruptive, if not violent, force field with material, political, and practical consequences.


Art.Rage.Us.

Art.Rage.Us.

Author:

Publisher:

Published: 1998-05

Total Pages: 180

ISBN-13:

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In a unique collaboration, The Breast Cancer Fund, the American Cancer Society, and the Susan G. Komen Breast Cancer Foundation invited artists and writers across the nation who had faced breast cancer to submit their work. The result is Art.Rage.Us., a riveting book of art, fiction, poetry, and prose, and a bold testimony to the courage of women who face the disease. At turns stirring, humorous, heartrending, introspective, stark, and defiant, the pieces in Art.Rage.Us. have the power to comfort, provoke, and transform. For each of the 75 artists, the impulse to transform her experience of breast cancer through creative expression was an integral part of the search for healing. Together their work forms a inspiring statement about the healing power of art.


Art and Celebrity

Art and Celebrity

Author: John A. Walker

Publisher: Pluto Press (UK)

Published: 2003

Total Pages: 312

ISBN-13:

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A lively and accessible study of what happens when the ‘serious’ world of art collides with celebrity.


Sting in the Tale

Sting in the Tale

Author: Antoinette LaFarge

Publisher: Doppelhouse Press

Published: 2021-08-19

Total Pages: 416

ISBN-13: 9781733957953

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An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert "fictive-art" practitioner. The shift from the early information age to our 'infocalypse' era of rampant misinformation has given rise to an art form that probes this confusion, foregrounding wild creativity as a way to reframe assumptions about both fiction and art in contemporary culture. At its center, this "fictive art" (LaFarge's term) is secured as fact by employing the language and display methods of history and science. Using typically evidentiary objects such as documentary photographs and videos, presumptively historical artifacts and relics, didactics, lectures, events, and expert opinions in technical language, artists create a constellation of manufactured evidence attesting to the artwork's central narrative. This dissimulation is temporary, with a clear "tell" often surprisingly revealed in a self-outing moment. With all its attendant consequences of mistrust, outrage, and rejection, this genre of art with a sting in its tale is a radical form whose time has come.


The Art of Controversy

The Art of Controversy

Author: Victor S Navasky

Publisher: Knopf

Published: 2013-04-09

Total Pages: 257

ISBN-13: 0307962148

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A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.


Models of Integrity

Models of Integrity

Author: Joan Kee

Publisher: University of California Press

Published: 2019-02-12

Total Pages: 320

ISBN-13: 0520299388

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Models of Integrity examines the relationship between contemporary art and the law through the lens of integrity. In the 1960s, artists began to engage conspicuously with legal ideas, rituals, and documents. The law—a primary institution subject to intense moral and political scrutiny—was a widely recognized source of authority to audiences inside the art world and out. Artists frequently engaged with the law in ways that signaled a recuperation of the integrity that they believed had been compromised by the very institutions entrusted with establishing standards of just conduct. These artists sought to convey the social purpose of an artwork without overstating its political impact and without losing sight of how aesthetic decisions compel audiences to see their everyday world differently. Addressing the role that law plays in enabling artworks to function as social and political forces, this important book fills a gap in the field of law and the humanities, and will serve as a practical “how-to” for contemporary artists.