Art and Intellect in the Philosophy of Etienne Gilson

Art and Intellect in the Philosophy of Etienne Gilson

Author: Francesca Aran Murphy

Publisher: University of Missouri Press

Published: 2004

Total Pages: 376

ISBN-13: 0826262384

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In Art and Intellect in the Philosophy of Étienne Gilson, Francesca Aran Murphy tells the story of this French philosopher's struggle to reconcile faith and reason. In his lifetime, Gilson often stood alone in presenting Saint Thomas Aquinas as a theologian, one whose philosophy came from his faith. Today, Gilson's view is becoming the prevalent one. Murphy provides us with an intellectual biography of this Thomist leader throughout the stages of his scholarly development. Murphy covers more than a half century of Gilson's life while reminding readers of the political and social realities that confronted intellectuals of the early twentieth century. She shows the effects inner-church politics had on Gilson and his contemporaries such as Alfred Loisy, Lucien Lévy Bruhl, Charles Maurras, Henri de Lubac, Marie-Dominique Chenu, and Jacques Maritain, while also contextualizing Gilson's own life and thoughts in relation to these philosophers and theologians. These great thinkers, along with Gilson, continue to be sources of important intellectual debate among scholars, as do the political periods through which Gilson's story threads-World Wars I and II, the rise and fall of Fascism, and the political upheavals of Europe. By placing Gilson's twentieth-century Catholic life against a dramatic background of opposed political allegiances, clashing spiritualities, and warring ideas of philosophy, this book shows how rival factions each used their own interpretations of Thomas Aquinas to legitimate their conceptions of the Catholic Church. In Art and Intellect in the Philosophy of Étienne Gilson, Murphy shows Gilson's early openness to the artistic revolution of the Cubist and the Expressionist movements and how his love of art inspired his existential theology. She demonstrates the influence that Henri Bergson continued to have on Gilson and how Gilson tried to bring together the intellectual, Dominican side of Christianity with the charismatic, experiential Franciscan side. Murphy concludes with a chapter on issues inspired by the Gilsonist tradition as developed by recent thinkers. This volume makes an original contribution to the study of Gilson, for the first time providing an organic and synthetic treatment of this major spiritual philosopher of modern times.


The Arts of the Beautiful

The Arts of the Beautiful

Author: Etienne Gilson

Publisher: Dalkey Archive Scholarly

Published: 2000

Total Pages: 0

ISBN-13: 9781564782502

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With his usual lucidity, Etienne Gilson addresses the idea that "art is the making of beauty for beauty's own sake." By distinguishing between aesthetics, which promotes art as a form of knowledge, and philosophy, which focuses on the presence of the artist's own talent or genius, Gilson maintains that art belongs to a different category entirely, the category of "making." Gilson's intellectually stimulating meditation on the relation of beauty and art is indispensable to philosophers and artists alike.


The Metamorphoses of the City of God

The Metamorphoses of the City of God

Author: Etienne Gilson

Publisher: Catholic University of America Press

Published: 2020-10-16

Total Pages: 272

ISBN-13: 0813233259

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Étienne Gilson (1884-1978) was a French philosopher and historian of philosophy, as well as a scholar of medieval philosophy. In 1946 he attained the distinction of being elected an "Immortal" (member) of the Académie française. He was nominated for the Nobel Prize in Literature in 1959 and 1964. The appearance of Gilson's Metamorphosis of the City of God, which were originally delivered as lectures at the University of Louvain, Belgium, in the Spring of 1952, coincided with the first steps toward what would become the European Union. The appearance of this English translation coincides with the upheaval of Brexit. Gilson traces the various attempts of thinkers through the centuries to describe Europe's soul and delimit its parts. The Scots, Catalonians, Flemings, and probably others may nod in agreement in Gilson's observation on how odd would be a Europe composed of the political entities that existed two and a half centuries ago. Those who think the European Union has lost its soul may not be comforted by the difficulty thinkers have had over the centuries in defining that soul. Indeed the difficulties that have thus far prevented integrating Turkey into the EU confirm Gilson's description of the conundrum involved even in distinguishing Europe's material components. And yet, the endeavor has succeeded, so that the problem of shared ideals remain inescapable. One wonders which of the thinkers in the succession studied by Gilson might grasp assent and illuminate the EU's path.


Reforming the Art of Living

Reforming the Art of Living

Author: Rico Vitz

Publisher: Springer

Published: 2014-10-20

Total Pages: 160

ISBN-13: 3319052810

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Descartes’s concern with the proper method of belief formation is evident in the titles of his works—e.g., The Search after Truth, The Rules for the Direction of the Mind and The Discourse on Method of rightly conducting one’s reason and seeking the truth in the sciences. It is most apparent, however, in his famous discussions, both in the Meditations and in the Principles, of one particularly noteworthy source of our doxastic errors—namely, the misuse of one’s will. What is not widely recognized, let alone appreciated and understood, is the relationship between his concern with belief formation and his concern with virtue. In fact, few seem to realize that Descartes regards doxastic errors as moral errors and as sins both because such errors are intrinsically vicious and because they entail notably deleterious social consequences. Reforming the Art of Living seeks to rectify this rather common oversight in two ways. First, it aims to elucidate the nature of Descartes’s account of virtuous belief formation. Second, it aims both (i) to illuminate the social significance of Descartes’s philosophical program as it relates to the understanding and practice not of science, but of religion and (ii) to develop a kind of Leibnizian critique of this aspect of his program. More specifically, it aims to show that Descartes’s project is “dangerous,” insofar as it is subversive not only of traditional Christianity but also of other traditional forms of religion, both in theory and in practice.


Methodical Realism

Methodical Realism

Author: Etienne Gilson

Publisher: Ignatius Press

Published: 2011-01-01

Total Pages: 106

ISBN-13: 1586173049

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This short book is a work of one of the 20th century's greatest philosophers and historians of philosophy, Etienne Gilson. The book's title, taken from the first chapter, may sound esoteric but it reflects a common-sense outlook on the world, applied in a methodical way. That approach, known as realism, consists in emphasizing the fact that what is real precedes our concepts about it. In contrast to realism stands idealism, which refers to the philosophical outlook that begins with ideas and tries to move from them to things. Gilson shows how the common-sense notion of realism, though denied by many thinkers, is indispensible for a correct understanding of things--of what is and how we know what is. He shows the flaws of idealism and he critiques efforts to introduce elements of idealism into realist philosophy (immediate realism). At the same time, the author criticizes failures of certain realist philosophers--including Aristotle--to be consistent in their own principles and to begin from sound starting points. To these problems, Gilson traces medieval philosophy's failure in the realm of science, which led early modern scientific thinkers of the 17th century unnecessarily to reject even the best of medieval scholastic philosophy. He concludes with The Realist Beginner's Handbook, a summary of key points for thinking clearly about reality and about the knowledge of it.


Forms and Substances in the Arts

Forms and Substances in the Arts

Author: Etienne Gilson

Publisher: Commonwealth Secretariat

Published: 2001

Total Pages: 292

ISBN-13: 9781564782540

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He takes up in turn: architecture, sculpture, painting, music, dance, poetry, and the theater, analyzing in each the basic materials afforded that artist, the possibilities of artistic form, and the means of transformation and creation."--BOOK JACKET.


Being and Some Philosophers

Being and Some Philosophers

Author: Étienne Gilson

Publisher: PIMS

Published: 1952

Total Pages: 252

ISBN-13: 9780888444158

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The study of being was one of the main preoccupations of Etienne Gilson's scholarly and intellectual life. Being and Some Philosophers is at once a testament to the persistence of those concerns and an important landmark in the history of the question of being. The book charts the ways in which being is translated across history, from unity in Plato and substance in Aristotle to essence in Avicenna and the act of existence in Aquinas. It examines the vicissitudes of essence and existence in Suarez and Christian Wolff, in Hegel and Kierkegaard, in order to uncover the metaphysical and existential foundations of modern thought. And yet Being and Some Philosophers remains not so much an historical investigation (although it could only have been written by a scholar steeped in the history of philosophy) but, in the words of its author, "a philosophical book, and a dogmatically philosophical one at that." Its passionate vigour has proven, over many years, at once fresh and provocative. Indeed, the appendix to this revised edition contains critiques of the book by two Thomists as well as Gilson's replies to their objections.


The Christian Philosophy of St. Thomas Aquinas

The Christian Philosophy of St. Thomas Aquinas

Author: Etienne Gilson

Publisher: Random House

Published: 2013-05-01

Total Pages: 819

ISBN-13: 0307823350

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In this final edition of his classic study of St. Thomas Aquinas, Etienne Gilson presents the sweeping range and organic unity of Thomistic philosophical thought. Gilson demonstrates that Aquinas drew from a wide spectrum of sources in the development of his thought—from Aristotle, to the Arabic and Jewish philosophers of his time, as well as from Christian writers. What results is an insightful introduction to the thought of Aquinas and the Scholastic philosophy of the Middles Ages. Praise for The Christian Philosophy of St. Thomas Aquinas “As the only English version of any edition of Le Thomisme, and therefore for years a kind of manual for North American students approaching Aquinas, the book deserves recirculation. With it appears the masterful ‘Catalogue of St. Thomas’ works’ prepared by the Rev. I. T. Eschmann to accompany Shook's translation and available nowhere else. . . . Its overview of principles and conclusions in the history of the texts has not been surpassed.”—The Philosophical Quarterly “[This volume presents] L. K. Shook's English translation of the final version of the late Etienne Gilson's (1884-1978) classic overview of the Christian philosophy of St. Thomas Aquinas. . . . Gibson was one of the pioneers, in the early part of [the twentieth] century, of medieval philosophy in general and the work of Aquinas in particular. He sought to restore the study of Aquinas’ texts an historical sensitivity, thus rescuing them from the near canonical status accorded in the well-intentioned but inhabiting late nineteenth-century palpal revival of Thomistic studies and preserved in the so-called ‘manual theology’ of the seminar curriculum. . . . The endnotes are an invaluable resource, as is the still unsurpassed catalogue of Aquinas’ works compiled by Eschmann and included as an invaluable appendix here.”—Theological Book Review


Dante and Philosophy

Dante and Philosophy

Author: Etienne Gilson

Publisher: Read Books Ltd

Published: 2011-03-23

Total Pages: 432

ISBN-13: 1446545148

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The object of this work is to define Dante's attitude or, if need be, his successive attitudes towards philosophy. It is therefore a question of ascertaining the character, function and place which Dante assigned to this branch of learning among the activities of man. My purpose has not been to single out, classify and list Dante's numerous philosophical ideas, still less to look for their sources or to decide what doctrinal influences determined the evolution of his thought.