Art and Identity in Scotland
Art and Identity in Scotland

Author: Viccy Coltman

Publisher: Cambridge University Press

Published: 2019-10-31

Total Pages:

ISBN-13: 1108284876

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This lively and erudite cultural history of Scotland, from the Jacobite defeat of 1745 to the death of an icon, Sir Walter Scott, in 1832, examines how Scottish identity was experienced and represented in novel ways. Weaving together previously unpublished archival materials, visual and material culture, dress and textile history, Viccy Coltman re-evaluates the standard clichés and essentialist interpretations which still inhibit Scottish cultural history during this period of British and imperial expansion. The book incorporates familiar landmarks in Scottish history, such as the visit of George IV to Edinburgh in August 1822, with microhistories of individuals, including George Steuart, a London-based architect, and the East India Company servant, Claud Alexander. It thus highlights recurrent themes within a range of historical disciplines, and by confronting the broader questions of Scotland's relations with the rest of the British state it makes a necessary contribution to contemporary concerns.

Art and Identity
Art and Identity

Author: Viccy Coltman

Publisher: Cambridge University Press

Published: 2019-11-14

Total Pages: 321

ISBN-13: 110841768X

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This lively and erudite cultural history examines how Scottish identity was experienced and represented in novel ways.

Celts
Celts

Author: Julia Farley

Publisher: British museum Press

Published: 2015

Total Pages: 306

ISBN-13:

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A beautifully illustrated study of Celtic arts -- style, development and revival - and the relationship between art objects and identity, covering 2500 years of history.

The Story of Scottish Art
The Story of Scottish Art

Author: Lachlan Goudie

Publisher: National Geographic Books

Published: 2020-09-22

Total Pages: 0

ISBN-13: 0500239614

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A landmark publication celebrating over 5,000 years of creativity, The Story of Scottish Art explores Scotland’s cultural identity and artistic output through the ages. This is the fascinating story of how Scotland has defined itself through its art over the past 5,000 years, from the earliest enigmatic Neolithic symbols etched onto the landscape of Kilmartin Glen to Glasgow’s position as a center of artistic innovation today. BBC TV broadcaster and artist Lachlan Goudie passionately narrates the joys and struggles of artists striving to fulfill their vision and the dramatic transformations of Scottish society reflected in their art. The Story of Scottish Art is beautifully illustrated with diverse works from Scotland’s long tradition of bold creativity: Pictish carved stones and Celtic metalwork, Renaissance palaces and chapels, paintings of Scottish life and landscapes by Horatio McCulloch, David Wilkie, the Glasgow Boys, and Joan Eardley; designs by master architect Charles Rennie Mackintosh; and collage and sculpture by pop art pioneer Eduardo Paolozzi. Through Scotland’s remarkable artistic history, Goudie tells the story of a small country with an extraordinary creative output that influenced significant global movements, such as art nouveau and pop art, while constantly redefining its own practices.

Culture War
Culture War

Author: Alexander Adams

Publisher: Andrews UK Limited

Published: 2019-03-06

Total Pages: 185

ISBN-13: 1788360052

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Why has identity become so central to judging art today? Why are some groups reluctant to defend free speech within culture? Has state support made artists poorer not richer? How does the movement for social justice influence cultural production? Why is Post-Modernism dominant in the art world? Why are consumers of comic books so bitterly divided? In Culture War: Art, Identity Politics and Cultural Entryism Alexander Adams examines a series of pressing issues in today's culture: censorship, Islamism, Feminism, identity politics, historical reparations and public arts policy. Through a series of linked essays, Culture War exposes connections between seemingly unrelated events and trends in high and popular cultures. From fine art to superhero comics, from political cartoons to museum policy, certain persistent ideas underpin the most contentious issues today. Adams draws on history, philosophy, politics and cultural criticism to explain the reasoning of creators, consumers and critics and to expose some uncomfortable truths.

Scottish Art (Second) (World of Art)
Scottish Art (Second) (World of Art)

Author: Murdo MacDonald

Publisher: Thames & Hudson

Published: 2021-04-13

Total Pages: 404

ISBN-13: 0500776040

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Accessible, extensively researched, and beautifully illustrated, this updated volume by renowned scholar and author Murdo Macdonald sheds light on the history and cultural significance of Scottish art. At a time when issues of Scottish identity are the subject of fierce debate, Murdo Macdonald illuminates Scotland’s artistic past and present in this classic text in the World of Art series. Ranging from Neolithic standing stones and the art of the Picts and Gaels to Reformation and Enlightenment art and major figures in the contemporary art scene, Scottish Art explores the distinctive characteristics of Scottish art through the centuries. It examines the cultural heritage and intricate patterns of Celtic design, the importance of Highland and coastal landscapes, long-standing connections between French and Scottish artists, and how each of these factors influenced the development of art in Scotland. This new edition includes more than 200 full-color images of Scottish art from prehistoric times to the present. With masterpieces from artists such as Charles Rennie Mackintosh and Joan Eardley, this book is a thorough, authoritative, and accessible introduction to Scottish art.

Scottish Newspapers, Language and Identity
Scottish Newspapers, Language and Identity

Author: Fiona M Douglas

Publisher: Edinburgh University Press

Published: 2009-03-31

Total Pages: 200

ISBN-13: 0748630430

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The first decade of the new Scottish Parliament has seen the emergence of a new-found national confidence. 'Scottishness' is clearly alive and flourishing. This book offers new and detailed insights into Scottish language and its usage by the Scottish press. To what extent does the use of identifiably Scottish lexical features help them to maintain their distinctive Scottish identity and appeal to their readership? Which Scottish words and phrases do the papers use and where, is it a symbolic gesture, do they all behave in the same way, and has this changed since devolution?Combining analysis of broad trends with detailed discussion of individual Scottish words and phrases, its timely publication coincides with a period when interest in things Scottish is at an all time high.

Scotch Baronial
Scotch Baronial

Author: Miles Glendinning

Publisher: Bloomsbury Publishing

Published: 2019-01-10

Total Pages: 313

ISBN-13: 1474283489

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As the debate about Scottish independence rages on, this book takes a timely look at how Scotland's politics have been expressed in its buildings, exploring how the architecture of Scotland – in particular the constantly-changing ideal of the 'castle' – has been of great consequence to the ongoing narrative of Scottish national identity. Scotch Baronial provides a politically-framed examination of Scotland's kaleidoscopic 'castle architecture', tracing how it was used to serve successive political agendas both prior to and during the three 'unionist centuries' from the early 17th century to the 20th century. The book encompasses many of the country's most important historic buildings – from the palaces left behind by the 'lost' monarchy, to revivalist castles and the proud town halls of the Victorian age – examining their architectural styles and tracing their wildly fluctuating political and national connotations. It ends by bringing the story into the 21st century, exploring how contemporary 'neo-modernist' architecture in today's Scotland, as exemplified in the Holyrood parliament, relates to concepts of national identity in architecture over the previous centuries.

Gluck
Gluck

Author: Amy De La Haye

Publisher: Yale University Press

Published: 2017-01-01

Total Pages: 210

ISBN-13: 0300230486

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Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.