The World of Spirits and Ancestors in the Art of Western Sub-Saharan Africa

The World of Spirits and Ancestors in the Art of Western Sub-Saharan Africa

Author: Elizabeth Skidmore Sasser

Publisher: Texas Tech University Press

Published: 1995

Total Pages: 222

ISBN-13: 9780896723467

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The World of Spirits and Ancestors in the Art of Western Sub-Saharan Africa illustrates for the first time a collection of African Sculpture at the Museum of Texas Tech University in Lubbock, Texas. The masks and figurative carvings from the late nineteenth century to the mid-twentieth century are from two sources: Ambassador and Mrs. Julius Walker's gift to ICASALS (International Center for Arid and Semiarid Land Studies), now on permanent loan to the Museum, and the Elliot Howard Collection. Howard, an artist and authority on antiques, chose examples of sculpture for their "variety and aesthetic appeal". His hope was that the pieces he assembled would provide new discoveries for those unacquainted with the art of Africa and an art experience that would "enhance mutual respect among people". Fittingly, then, a context for understanding is the focus of Elizabeth Skidmore Sasser's book. As the title suggests, The World of Spirits and Ancestors introduces carefully chosen examples of masks and figures as social and spiritual communications imbued with the living history and culture of the various peoples of western sub-Saharan Africa. Sasser emphasizes that geography and climate - ranging from semiarid deserts to tropical rain forests - influence not only the art but also the habitations and ceremonial life of the region. More than 180 drawings and illustrations reflect the creative genius that continues to meet environmental challenges and to express the distinctive contributions of the cultures and the people of western sub-Saharan Africa.


Masquerades in African Society

Masquerades in African Society

Author: Walter E. A. Van Beek

Publisher: Boydell & Brewer

Published: 2023-10-17

Total Pages: 416

ISBN-13: 1847013430

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Explores the dynamics of African masquerades and mask performances on the continent, linking performative expressions to societal characteristics. What is the meaning of masks and masquerades in African traditions and how can we understand their role in rituals and performances? Why do we find masks in some African regions and not in others, and what does this 'mask habitat' say about the general dynamics of masquerades in Africa? Though masks are among the most famous art icons of Africa, exploration of their uses and the way in which they articulate social characteristics of African societies has been underexamined. This book takes an anthropological perspective on the phenomenon of masquerades on the African continent to show how mask rituals are an integral part of African indigenous religions and societies, and are informed by and linked to specific types of social and ecological conditions. Having established the commonalities of mask rituals and a mask typology, the authors look at the varieties of mask performances and the types of rituals in which masks function in rites of passage and in rituals of gender, power, and identity. The following chapters focus on different types of rituals featuring masks, from initiation and death ceremonies to secrecy, kingship, law and war. With its broad examination of the use of masks on the continent, from Angola to Burkina Faso, Cameroon, DRC, Guinea, Ivory Coast, Liberia, Mali, Nigeria, Senegal, this well illustrated book will stand as an authoritative study of the use of masks, of interest not only to those in African Studies but to anthropologists and ethnographers worldwide.


Art and Religion in Africa

Art and Religion in Africa

Author: Rosalind Hackett

Publisher: A&C Black

Published: 1998-10-01

Total Pages: 245

ISBN-13: 0826436552

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Africa's religious and artistic traditions constitute a primary example of its intellectual and cultural vitality. Artistic works play a vital role - especially where oral traditions dominate - in communicating ideas about the relationship between the human, spiritual and natural worlds. This work is a comparative study of Africa's visual and performing arts, concentrating on their geographical, material and gendered diversity, and focusing on the relation of these arts to African religion. The author combines ethnographic and art-historical methodology but does not assume any prior knowledge of African art or African religion. The text seeks a greater understanding of the philosophical and religious aspects of African art, thus challenging western perceptions of what is "important" in terms of artistic representation. This approach reveals the transformative capacities and multi-dimensionality of African art. The work also highlights the changes brought about by Christianity, Islam and the newer religious movements in post-colonial Africa.


Historical Dictionary of Cote d'Ivoire (The Ivory Coast)

Historical Dictionary of Cote d'Ivoire (The Ivory Coast)

Author: Cyril K. Daddieh

Publisher: Rowman & Littlefield

Published: 2016-02-09

Total Pages: 717

ISBN-13: 0810873893

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Côte d’Ivoire remains one of the most intriguing countries in sub-Saharan Africa. It appeared well on its way to becoming a model of development under its single political party and charismatic founding father, Félix Houphouët-Boigny, when it fell on hard economic times in the 1980s. Poor management of the socio-economic challenges by Houphouët-Boigny’s successors produced disastrous political consequences, including unprecedented political violence, the first-ever successful military coup, and two civil wars, culminating in former President Laurent Gbagbo being sent to the International Criminal Court (ICC) in The Hague to stand trial for war crimes. This third edition of Historical Dictionary of Cote d'Ivoire (The Ivory Coast) contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Cote d'Ivoire.


Global Arts and Christian Witness (Mission in Global Community)

Global Arts and Christian Witness (Mission in Global Community)

Author: Roberta R. King

Publisher: Baker Academic

Published: 2019-07-16

Total Pages: 281

ISBN-13: 1493418106

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Veteran missionary-scholar Roberta King draws on a lifetime of study and firsthand mission experience to show how witness through contextualized global arts can dynamically reveal Christ to all peoples. King offers the global church biblical foundations, historical pathways, theoretical frameworks, and effective practices for communicating Christ through the arts in diverse contexts. Supplemented with stories from the field, illustrations, and discussion questions, this textbook offers innovative and dynamic approaches essential for doing mission in transformative ways through the arts. It also features a full-color insert of artwork discussed in the book.


Iron, Gender, and Power

Iron, Gender, and Power

Author: Eugenia W. Herbert

Publisher: Indiana University Press

Published: 1994-01-22

Total Pages: 302

ISBN-13: 9780253115966

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"[Herbert] has constructed a model of power relationships structured upon gender and age, and derived from male transformative processes, and in so doing has written a notable, and most enjoyable, book." -- African History "Herbert examines with great care and thoroughness the relationships between gender and power and the rationales that give them social form.... [Her] analytical ability is outstanding." -- Patrick McNaughton "This book is a well-written and essential study of the place of belief in African material culture." -- International Journal of African Historical Studies Herbert relates the beliefs and practices associated with iron working in African cultures to other transformative activities -- chiefly investiture, hunting, and pottery making -- to propose a gender/age-based theory of power.