Art and Argyrol: The Life and Career of Dr. Albert C. Barnes

Art and Argyrol: The Life and Career of Dr. Albert C. Barnes

Author: William Schack

Publisher: Plunkett Lake Press

Published: 2019-08-10

Total Pages: 326

ISBN-13:

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This first biography of Dr. Albert C. Barnes was serialized on the front page of thePhiladelphia Inquirer when it appeared in 1960. In it, arts journalist William Schack interviewed dozens of people who knew the famously pugnacious art collector as he assembled his world-famous collection outside Philadelphia, Pennsylvania. Schack traces the life of Albert Coombs Barnes (1872-1951), from childhood to his student days in Germany where he met the chemist with whom he developed Argyrol, a medication that made Barnes rich and allowed him to become an art collector. After applying for a charter to establish his collection as a public educational institution, Barnes established a highly erratic policy of admission and battled dozens of people and institutions regarding access to it. Art and Argyrol is written in the journalistic style of a bygone era yet retains its fascination for anyone interested in the history of this astounding collection and in Barnes himself. “William Schack, research chemist, journalist and art writer, has done the first full-scale study of Dr. Barnes, NOT an ‘authorized’ biography... this is a remarkable book about a remarkable Philadelphian” — The Philadelphia Inquirer “[Dr. Albert C. Barnes] is an important, as well as a colorful, figure and [...] Art and Argyrol — the first full-length biography of Barnes — is of considerable interest.” — Max Kozloff, Commentary Magazine


The Harlem Renaissance in Black and White

The Harlem Renaissance in Black and White

Author: George Hutchinson

Publisher: Harvard University Press

Published: 1995

Total Pages: 566

ISBN-13: 9780674372627

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By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.


Art Held Hostage: The Battle Over the Barnes Collection

Art Held Hostage: The Battle Over the Barnes Collection

Author: John Anderson

Publisher: W. W. Norton & Company

Published: 2013-09-03

Total Pages: 269

ISBN-13: 0393347311

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“Money, pretension, horrid behavior by cultured people” (New York) —John Anderson’s tale delivers it all in fabulously juicy detail. This is the story of how a fabled art foundation—the greatest collection of impressionist and postimpressionist art in America, including 69 Cézannes, 60 Matisses, and 44 Picassos, among many priceless others—came to be, and how more than a decade of legal squabbling brought it to the brink of collapse and to a move that many believe betrayed the wishes of the founder, Dr. Albert C. Barnes (1872—1951). Art Held Hostage is now updated with a new epilogue by the author covering the current state of this international treasure and the endless battle over its fate.


Art, Education, and African-American Culture

Art, Education, and African-American Culture

Author: Mary Ann Meyers

Publisher: Routledge

Published: 2017-09-08

Total Pages: 492

ISBN-13: 1351323229

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A physician who applied his knowledge of chemistry to the manufacture of a widely used antiseptic, Albert Barnes is best remembered as one of the great American art collectors. The Barnes Foundation, which houses his treasures, is a fabled repository of Impressionist, post-Impressionist, and early modern paintings. Less well known is the fact that Barnes attributed his passion for collecting art to his youthful experience of African-American culture, especially music. Art, Education, and African-American Culture is both a biography of an iconoclastic and innovative figure and a study of the often-conflicted efforts of an emergent liberalism to seek out and showcase African American contributions to the American aesthetic tradition. Mary Ann Meyers examines Barnes's background and career and the development and evolution of his enthusiasm for collecting pictures and sculpture. She shows how Barnes's commitment to breaking down invidious distinctions and his use of the uniquely arranged works in his collection as textbooks for his school, created a milieu where masterpieces of European and American late-nineteenth and early-twentieth century painting, along with rare and beautiful African art objects, became a backdrop for endless feuding. A gallery requiring renovation, a trust prohibiting the loan or sale of a single picture, and the efforts of Lincoln University, known as the "black Princeton," to balance conflicting needs and obligations all conspired to create a legacy of legal entanglement and disputes that remain in contention. This volume is neither an idealized account of a quixotic do-gooder nor is it a critique of a crank. While fully documenting Barnes's notorious eccentricities along with the clashing interests of the main personalities associated with his Foundation, Meyers eschews moral posturing in favor of a rich mosaic of peoples and institutions that illustrate many of the larger themes of American culture in general and African-American culture in particular.


The Devil and Dr. Barnes

The Devil and Dr. Barnes

Author: Howard Greenfeld

Publisher:

Published: 2006

Total Pages: 342

ISBN-13:

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Biography of Dr. Barnes, one of the most colorful, bizarre, and visionary figure in the American art world in the last century.


The Perennial Philadelphians

The Perennial Philadelphians

Author: Nathaniel Burt

Publisher: University of Pennsylvania Press

Published: 1999-10-27

Total Pages: 678

ISBN-13: 9780812216936

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The Perennial Philadelphians tells the story of the city's inherited aristocracy—of Wanamakers and Drexels, of Biddles and Cadwaladers. Drawing on history, genealogy, politics, economics, the fine arts, private diaries, and the impressions and anecdotes of myriad living witnesses, Nathaniel Burt paints a fascinating portrait of Old Philadelphians. He traces the succession of a dynasty of doctors or lawyers, explores the country club scene, and takes us to regattas on the Schuylkill, fox hunts in Radnor, and horse shows in Devon. First published in 1963, this classic text has lost none of its timeliness. An adept social commentator, Burt cuts aside the centuries-old protective coloration in which Old Philadelphians have wrapped themselves, and reveals who these people are and how they manage to perpetuate themselves from generation to generation.


Foreign Currency Volatility and the Market for French Modernist Art

Foreign Currency Volatility and the Market for French Modernist Art

Author: David Challis

Publisher: BRILL

Published: 2021-08-04

Total Pages: 274

ISBN-13: 9004468714

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Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War impacted the supply and demand dynamics of the market for French modernist art.


Modern Art on Display

Modern Art on Display

Author: K. Porter Aichele

Publisher: Rowman & Littlefield

Published: 2016-05-19

Total Pages: 307

ISBN-13: 1611496179

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Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.


The Cone Sisters of Baltimore

The Cone Sisters of Baltimore

Author: Ellen B. Hirschland

Publisher: Northwestern University Press

Published: 2008-07-03

Total Pages: 294

ISBN-13: 0810124815

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They were friends with Picasso and Matisse. They ran in the same circles as Gertrude and Leo Stein. They avidly purchased works by Manet, Gauguin, Cezanne, Seurat, and Degas at a time when other Americans didn't. They were two Victorian women from Baltimore buying avant-garde art in Paris, attending salons with friends, and building a collection that would initially puzzle and eventually awe the art world. Over a period of fifty years, sisters Caribel and Etta Cone amassed one of the most acclaimed collections of late-nineteenth and twentieth-century art in America. Dr. Claribel and Miss Etta were two halves of an idiosyncratic team who used the fortures of their German Jewish immigrant family to seek out works that imspired and pleased them, regardless of public opinion. This richly illustrated biography documents their lives from a unique perspective: that of their great-niece and their great-great-niece. Ellen B. Hirschland and her daughter Nancy Hirschland Ramage delve into Claribel's and Etta's world, following the sisters through letters and personal stories as they travel to meet the artists whose work would turn their adjoining apartments into a virtual museum. The sisters' experiences in Paris in the 1910s and 1920s provide an exceptional view of the bright artistic ferment in the city at that time. Only time would vindicate their keen vision and unwavering taste.