Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.
Tracing the paths of Jewish things across time, place, and culture, this collection reveals complex stories of individual and collective struggles to survive.
The journal's objective is to publish scholarly research concerning the Jewish contribution to the visual arts and architecture, from antiquity to the present. The journal promotes various approaches to the analysis of the visual arts: historical, iconographical, semiotic, psychological, social, folkloristic, and other.
Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively re-cent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
Illustrated with more than one hundred full-color reproductions of works by the artists under discussion, The Human Figure and Jewish Culture is an essential addition to any library of art history or Judaica. --
This volume focuses on the unstudied geographic margins of Dada, delving into the roots of Dada in Israel, Romania, Poland, and North America. Contributors consider some of the practices and experiments that were conceived a century ago, surfaced in art throughout the twentieth century, and are still relevant today. Unearthing its Israeli origins, examining Dadaist expressions in Poland, and shedding light on overlooked facets of Dadaist art in Romania and North America, the authors cast a spotlight on the less-explored geographical peripheries of Dada. The book is organized around four thematic trajectories—space, language, materiality, and reception—which are dissected through the lens of micro-histories. Recognizing the continuing validity of questions raised by Dadaist artists, this volume argues that Dada persists as an ongoing endeavor—a continual reexamination of the fundamental tenets of art and its ever-evolving potential manifestations. The book will be of interest to scholars working in art history, modernism, and history of the twentieth and twenty-first centuries.
This book is a collaborative contribution that expands our understanding of how interfaith relations, both real and imagined, developed across medieval Iberia and the Mediterranean. The volume pays homage to the late Olivia Remie Constable’s scholarship and presents innovative, thought-provoking, interdisciplinary investigations of cross-cultural exchange, ranging widely across time and geography. Divided into two parts, “Perceptions of the ‘Other’” and “Interfaith relations,” this volume features scholars engaging with church art, literature, historiography, scientific treatises, and polemics, in order to study how the religious “Other” was depicted to serve different purposes and audiences. There are also microhistories that examine the experiences of individual families, classes, and communities as they interacted with one another in their own specific contexts. Several of these studies draw their source material from church and state archives as well as jurisprudential texts, and span the centuries from the late medieval to early modern periods.
