Ars Islamica; V. 4 (1937)

Ars Islamica; V. 4 (1937)

Author: Detroit Institute of Arts

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 524

ISBN-13: 9781014140074

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Monumental Inscriptions from Early Islamic Iran and Transoxiana

The Monumental Inscriptions from Early Islamic Iran and Transoxiana

Author: Sheila Blair

Publisher: BRILL

Published: 1991-11-01

Total Pages: 323

ISBN-13: 900466081X

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Inscriptions on buildings are a distinctive feature of Islamic architecture, and this book studies the 79 surviving monumental inscriptions in the Iranian world from the first five centuries of the Muslim era (A.D. 622-1106), the period in which all the major trends of monumental epigraphy in the area were set. These foundation, commemorative, and funerary texts come from the region between Iraq and Soviet Central Asia. Written primarily in Arabic, they embellished architectural monuments and furnishings whose nature implies the construction of major buildings. An extended introduction discusses such general topics as titulature, patronage, and stylistic development. Each text is then presented individually with photographs, drawings, transcriptions, translations and an extensive commentary, which presents the inscription in its larger palaeographic and historical contexts.


Nishapur: Pottery of the Early Islamic Period

Nishapur: Pottery of the Early Islamic Period

Author: Charles Kyrle Wilkinson

Publisher: Metropolitan Museum of Art

Published: 1973

Total Pages: 418

ISBN-13: 0870990764

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The city of Nishapur, located in eastern Iran, was a place of political importance in medieval times and a flourishing center of art, crafts, and trade. This publication studies the pottery found at the site at Nishapur excavated by the Iranian Expedition of the Metropolitan Museum in 1935–40 and again in 1947. -- Metropolitan Museum of Art website.


A Classical Revival in Islamic Architecture

A Classical Revival in Islamic Architecture

Author: Terry Allen

Publisher: Dr Ludwig Reichert

Published: 1986

Total Pages: 216

ISBN-13:

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The Madrasah al-Shu'aybiyah in Aleppo, erected in 545/1150 by Nur al-Din Mahmud, is an Islamic building in which antique forms are reused. Starting from this building the author draws wider and wider circles of comparison around it, discussing the development of Islamic architecture and demonstrating that there was a classical revival in this architecture. Herzfeld regarded the Shu'aybiyah and other classicizing buildings as represntatives of an uninterrupted antique tradition and denied a "renaissance of the antique". Allen clearly shows the differences between Islamic classicism and the classicism that occured in the many revivals of classical architecture in the West. In Italy, for example, antique prototyps were copied, reused and reinterpreted in their original sense, with their iconography maintained intact. Such kind of renaissance could not take place in the Islamic world, since it did not regard Greaco-Roman culture as its heritage. The classical revival in Islamic architecture that developed in Syria and neighboring lands during the 5th and 6th centuries A.H./11th and 12th centuries A.D. has double value for anyone interested in European architecture. This book will find its readers not only among art historians and those who are interested in architecture but also among anyone who is interested in the history of art and culture in general.


Excavations at Sarachane in Istanbul, Volume 1

Excavations at Sarachane in Istanbul, Volume 1

Author: R. Martin Harrison

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 550

ISBN-13: 140085797X

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This work is the first volume of two that will be the full report of major excavations carried out by Dumbarton Oaks and the Istanbul Archaeological Museum at Sarachane in the heart of ancient Constantinople. This volume includes discussion of excavation and stratigraphy; catalogs of sculpture, revetment, mosaic, small finds and other materials: and general treatment of architecture, sculpture, and history of the site. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Art and Architecture of Islam 1250-1800

The Art and Architecture of Islam 1250-1800

Author: Sheila S. Blair

Publisher: Yale University Press

Published: 1996-09-25

Total Pages: 376

ISBN-13: 9780300064650

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They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.


The Embodied Icon

The Embodied Icon

Author: Warren T. Woodfin

Publisher: Oxford University Press

Published: 2012-01-19

Total Pages: 374

ISBN-13: 0191618608

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In spite of the Orthodox liturgy's reputation for resistance to change, Byzantine liturgical dress underwent a period of extraordinary elaboration from the end of the eleventh century onwards. As part of this development, embroideries depicting holy figures and scenes began to appear on the vestments of the clergy. Examining the surviving Byzantine vestments in conjunction with contemporary visual and textual evidence, Woodfin relates their embroidered imagery both to the program of images used in churches, and to the hierarchical code of dress prevailing in the imperial court. Both sets of visual cross-references serve to enforce a reading of the clergy as living icons of Christ. Finally, the book explores the competing configurations of the hierarchy of heaven as articulated in imperial and ecclesiastical art. It shows how the juxtaposition of real embroidered vestments with vestments depicted in paintings, allowed the Orthodox hierarchy to represent itself as a direct extension of the hierarchy of heaven. Drawing on the best of recent scholarship in Byzantine liturgy, monumental painting, and textile studies, Woodfin's volume is the first major illustrated study of Byzantine embroidered vestments to appear in over forty years.


Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art

Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2011

Total Pages: 450

ISBN-13: 1588394344

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This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.


Bibliography of Art and Architecture in the Islamic World (2 vols.)

Bibliography of Art and Architecture in the Islamic World (2 vols.)

Author: Susan Sinclair

Publisher: BRILL

Published: 2012-04-03

Total Pages: 1508

ISBN-13: 9047412079

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Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.


The Cambridge Global History of Fashion: Volume 1

The Cambridge Global History of Fashion: Volume 1

Author: Christopher Breward

Publisher: Cambridge University Press

Published: 2023-07-31

Total Pages: 849

ISBN-13: 1108851487

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Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways depending on class, gender, and race, and despite geographical distance, fashion connected populations across the globe. Fashions flowered and were reseeded, through entanglements of empire, forced and voluntary migration, evolving racial systems, burgeoning sea travel and transcontinental systems.