Beginning and Intermediate players who have developed a repertoire of melodies will be walked step by step through the process of arranging their tunes. Lessons provide a detailed explanation and numerous examples of root position chords and their inversions on the 12-11 and larger sized hammered dulcimer. Simple tunes are provided for the reader to incorporate newly acquired knowledge of chord theory. Descriptions of bounces, triplets, doubling, counter melodies, arpeggios, scale runs, extended chords, etc. are included as well as opportunities to create arrangements utilizing these techniques.
Beginning and Intermediate players who have developed a repertoire of melodies will be walked step by step through the process of arranging their tunes. Lessons provide a detailed explanation and numerous examples of root position chords and their inversions on the 12-11 and larger sized hammered dulcimer. Simple tunes are provided for the reader to incorporate newly acquired knowledge of chord theory. Descriptions of bounces, triplets, doubling, counter melodies, arpeggios, scale runs, extended chords, etc. are included as well as opportunities to create arrangements utilizing these techniques.
Every aspect of the hammered dulcimer and its playing techniques is covered in this comprehensive, yet easy-to-understand text. A masterful teacher, Madeline MacNeil exceeds the expectations of a beginner's book, providing a firm foundation for the development of a total musician while maintaining an engaging, informal tone throughout. with detailed discussions on dulcimer layout, hammers, tuning, and stands plus extensive performance notes on every tune, this book is a valuable asset to the beginning through intermediate player. from Oh Suzanna to Jesu, Joy of Man's Desiring, Madeline shows the novice dulcimer player how to map your way through a new piece of music, finding clear, musical directions through what at first must seem like a maze of strings. All tunes are in standard notation. the book's 87 pages are illustrated with photos as well as quaint woodcuts, engravings, and pen and ink drawings.
Dulcimer Jam takes common and obscure tunes heard in jam sessions and arranges them for hammered dulcimer, fretted dulcimers (with tablature), and other instruments to play in a jam session setting.
The title says it all: "Dirt Simple." This book and accompanying online audio are designed for a rank beginner who knows nothing about the hammered dulcimer, providing them the tools to make music right away. Starting with the fundamentals of how to hold hammers and tune the instrument, it delves deeper into mastery with posture, stand height/angle, and replacing strings to set up the beginner for a lifetime of good habits. Every concept introduced is simultaneously presented with illustrations and songs that demonstrate and reinforce. Whether the student reads music or plays by ear, the result is the same - music making right from the beginning! Dr. Mark Alan Wade is an experienced teacher with an undergraduate degree in music education and years of public school teaching experience. Now teaching music theory and dulcimer at Denison University, Dr. Wade offers a unique perspective on teaching hammered dulcimer and has three students who have also won the National Hammered Dulcimer Contest as evidence of his master teaching. It's all about the music! Dirt Simple Hammered Dulcimer is written so that the carefully selected tunes are the true teacher. Hands-on learning is made easy with the accompanying audio. Each song is played slowly for students to learn by ear in addition to reading notation. This also allows for the students to hear style traits such as swing, that aren't easily conveyed in written notation. With 29 songs, this book and online audio available for download are a year's worth of private lessons in one concise package!
"Beyond melodies: Using chords to add harmony" is a guide for hammered dulcimer players who want to add accompaniment to the melodies they play. The book walks step-by-step through techniques that help the reader understand chords, find them on their instruments, and apply them to basic melodies. Three melodies in different styles are gradually developed throughout the book into full, performable arrangements by the end.
The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.
This collection is drawn from Ken Kolodner's extensive library of arrangements for the hammered dulcimer, developed from over 30 years of teaching thousands ofworkshops. This second book in this two-book companion collection includes traditional and original waltzes, slow airs, marches and O'Carolan. The repertoire draws primarily from the traditional music of the United States (Old-Time), Ireland, Scotland, Quebec, Cape Breton, England, Finland, Sweden, Chile and Israel. Each tune is presented as a simple melody with chord progression along with one or more detailed arrangements, offering a wide range of levels of complexity. Backup and harmony parts are provided for many of the pieces. The book is intended to be a lifetime resource for players of all levels. Kolodner is widely known as one of the most prominent teachers and performers of the hammered dulcimer and is especially known for his teaching of arranging and backup techniques.
This treasury of beloved classical music favorites is specially arranged for hammered dulcimers by master dulcimer performer and teacher, Dr. Mark Alan Wade. A splendid compilation of familiar pieces, each one is painstakingly edited to preserve the composer’s imagination and spirit while distilled into dulcimer reductions playable with only two hammers. Enjoy playing favorites like “Jesu, Joy of Man’s Desiring,” “Für Elise,” “Clair de lune,” and many more cherished titles by celebrated composers including Vivaldi, Telemann, Schubert, Mozart, Boccherini, Tchaikovsky, Saint-Saëns, Fauré, Schumann, Brahms, Satie, Haydn and more! Each gem is set in dulcimer-friendly keys fitting within a chromatic 16/15 range with the melody clearly displayed in the upper voice for intermediate players, and with the supportive chords and countermelodies in the lower voice for more advanced players. Guitar chords are added above the melodies whenever appropriate to allow you to embellish with your own chord patterns, if preferred. With 51 pieces, 12 duets, 36 composers, and a range of musical eras spanning 285 years, this book is a compendium to enjoy for a lifetime! Reference recordings of each piece are available online, created electronically with life-like Steinway grand piano samples. This digital audio is rhythmically perfect and expressively performed with authentic interpretations that are appropriate for each era. For real audio recordings, check out my album, Serenade!
This collection presents a colorful array of music for the fretted dulcimer illustrating a wide variety of playing styles and techniques. Mel Bay Publications asked Loisto author this method book/collection because of the adventurous diversity of her playing techniques and musical interests. It is a tour de force of mountain dulcimer playing techniques, ranging from traditional southern Appalachian to Cajun music, cowboy songs, sea chanteys, black spirituals, traditional Irish, Scottish, and English music, camp-meeting songs, and European, Mexican, Israeli, and Oriental folk music. The book also offer basic instruction on reading music and tablature, right- and left-hand techniques such as hammer-ons and pull-offs, strumming, fingerpicking, flatpicking, various tunings, and accompaniment chords. The pieces themselves are arranged in notation and tablature for the three-string dulcimer in a variety of tunings with lyrics where appropriate
