Preliminary Catalog of the Arnold Schoenberg Institute Archives
Author: Arnold Schoenberg Institute
Publisher:
Published: 1986
Total Pages:
ISBN-13:
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Author: Arnold Schoenberg Institute
Publisher:
Published: 1986
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Kathryn P. Glennan
Publisher:
Published: 1986
Total Pages: 52
ISBN-13:
DOWNLOAD EBOOKAuthor: Kathryn P. Glennan
Publisher:
Published: 1986
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Kathryn P. Glennan
Publisher:
Published: 1986
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Kathryn P. Glennan
Publisher:
Published: 1986
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1986
Total Pages: 750
ISBN-13:
DOWNLOAD EBOOKAuthor: Arnold Schoenberg Institute
Publisher:
Published: 1986
Total Pages: 776
ISBN-13:
DOWNLOAD EBOOKAuthor: Charlotte Marie Cross
Publisher: Taylor & Francis
Published: 2000
Total Pages: 402
ISBN-13: 9780815328308
DOWNLOAD EBOOKFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Arnold Schoenberg Institute
Publisher:
Published: 1995
Total Pages: 830
ISBN-13:
DOWNLOAD EBOOKAuthor: Joseph Auner
Publisher: Yale University Press
Published: 2008-10-01
Total Pages: 474
ISBN-13: 030012712X
DOWNLOAD EBOOKArnold Schoenberg’s close involvement with many of the principal developments of twentieth-century music, most importantly the break with tonality and the creation of twelve-tone composition, generated controversy from the time of his earliest works to the present day. This authoritative new collection of Schoenberg’s essays, letters, literary writings, musical sketches, paintings, and drawings offers fresh insights into the composer’s life, work, and thought. The documents, many previously unpublished or untranslated, reveal the relationships between various aspects of Schoenberg’s activities in composition, music theory, criticism, painting, performance, and teaching. They also show the significance of events in his personal and family life, his evolving Jewish identity, his political concerns, and his close interactions with such figures as Gustav and Alma Mahler, Alban Berg, Wassily Kandinsky, and Thomas Mann. Extensive commentary by Joseph Auner places the documents and materials in context and traces important themes throughout Schoenberg’s career from turn-of-century Vienna to Weimar Berlin to nineteen-fifties Los Angeles.