Arnold Bocklin: Paintings in Close Up
Arnold Bocklin: Paintings in Close Up

Author: Carla Tagloff

Publisher: Osmora Incorporated

Published: 2015-01-06

Total Pages: 125

ISBN-13: 2765907579

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Arnold Böcklin was a Swiss symbolist painter, influenced by Romanticism. His painting is symbolist with mythological subjects often related with the Pre-Raphaelites. He depicts fantastical figures alongside classical buildings, frequently revealing an obsession with death, creating a strange, fantasy world. Art critics have constantly found it not easy to categorize this original and eccentric artist. Böcklin hated giving titles to his pictures and declared that he painted in order to make people dream: "Just as it is poetry's task to express feelings, painting must provoke them too. A picture must give the spectator as much food for thought as a poem and must make the same kind of impression as a piece of music..."

Arnold Bocklin: 102 Paintings
Arnold Bocklin: 102 Paintings

Author: Maria Tsaneva

Publisher: CreateSpace

Published: 2014-12-15

Total Pages: 96

ISBN-13: 9781505562613

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Arnold Böcklin was a Swiss symbolist painter, influenced by Romanticism. His painting is symbolist with mythological subjects often related with the Pre-Raphaelites. He depicts fantastical figures alongside classical buildings, frequently revealing an obsession with death, creating a strange, fantasy world. Art critics have constantly found it not easy to categorize this original and eccentric artist. Böcklin hated giving titles to his pictures and declared that he painted in order to make people dream: "Just as it is poetry's task to express feelings, painting must provoke them too. A picture must give the spectator as much food for thought as a poem and must make the same kind of impression as a piece of music..."

Dear Vincent
Dear Vincent

Author: Mandy Hager

Publisher: Penguin Random House New Zealand Limited

Published: 2013-06-07

Total Pages: 244

ISBN-13: 177553328X

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Powerful YA novel by an award-winning writer about a teenager coming to terms with the suicide of her sister. 17 year old Tara McClusky’s life is hard. She shares the care of her paralysed father with her domineering, difficult mother, forced to cut down on her hours at school to help support the family with a part-time rest home job. She’s very much alone, still grieving the loss of her older sister Van, who died five years before. Her only source of consolation is her obsession with art — and painting in particular. Most especially she is enamoured with Vincent Van Gogh: she has read all his letters and finds many parallels between the tragic story of his life and her own. Luckily she meets the intelligent, kindly Professor Max Stockhamer (a Jewish refugee and philosopher) and his grandson Johannes, and their support is crucial to her ability to survive this turbulent time. NZ Post Award-wining author Mandy Hager tackles the difficult topic of suicide fearlessly, with a novel that's not afraid to go to the dark places but which resolves its story beautifully. It's uplifting and positive. Dear Vincent is also a novel about the power of love, and how the acquisition of inner peace requires forgiveness of ourselves and others.

Great Works
Great Works

Author: Tom Lubbock

Publisher:

Published: 2013-03-01

Total Pages: 216

ISBN-13: 9780711233904

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The best of Tom Lubbock, one of Britain's most intelligent, outspoken and revelatory art critics, is collected here. Ranging with passionate perspicacity over 800 years of Western art, Tom Lubbock writes with immediacy and authority about the 50 works which most gripped his imagination.

Sex, Symbolists and the Greek Body
Sex, Symbolists and the Greek Body

Author: Richard Warren

Publisher: Bloomsbury Publishing

Published: 2019-11-14

Total Pages: 280

ISBN-13: 1350042358

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This book explores Symbolist artists' fascination with ancient Greek art and myth, and how the erotic played a major role in this. For a brief period at the end of the 19th century the Symbolist movement inspired artists to turn inwards to the unconscious mind, endeavouring to unveil the secrets of human nature through their symbolic art. But above all their greatest interest, and fear, was man (and woman's) sexuality. Building upon the traditions of Academic neoclassicism, but fired with a new zeal, they turned back to Greek art and myth for inspiration. That classical legacy was once again a vehicle for artists to express their dreams, ideas and revelries. And so too their anxieties. For at times the frightening spectre of the sexual unconscious drove them to a new and innovative engagement with antiquity, including in ways never before tried in the history of the classical tradition. The unnerving sirens of Gustave Moreau, unearthly heroines of Odilon Redon, or leering fauns of Felicien Rops all played their role, among others, in this novel and unprecedented chapter in that tradition. This book shows how in their painting, drawing and sculpture the Symbolists re-invented Greek statuary and transposed it to new and unwonted contexts, as the imaginary inner worlds of artists were mapped onto the landscapes of Greek myth. It shows how they made of the Greek body, whether female, male, androgyne or sexual other, at once an object of beauty, desire, fear, and - at times - of horror.

Böcklin
Böcklin

Author: Arnold Böcklin

Publisher: Legare Street Press

Published: 2022-10-26

Total Pages: 0

ISBN-13: 9781015533271

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Cinema and Painting
Cinema and Painting

Author: Angela Dalle Vacche

Publisher: University of Texas Press

Published: 1996

Total Pages: 324

ISBN-13: 9780292715837

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The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.

Victor Burgin’s Parzival in Leuven
Victor Burgin’s Parzival in Leuven

Author: Stéphane Symons

Publisher: Leuven University Press

Published: 2017-05-22

Total Pages: 161

ISBN-13: 9462700990

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In-depth analysis of Victor Burgin’s video installation Parzival (2013) In commemoration of the destruction of the University Library of Leuven (Belgium) in August 1914, the projection work Parzival, created by Victor Burgin (°UK, 1941) in 2013, was installed within the rebuilt Library. The installation uniquely marked the 100th anniversary of the beginning of World War I, which left its profound traces on both the consciousness and physiognomy of the city of Leuven. Burgin’s reflection on Richard Wagner’s opera Parsifal (premiere 1882) combines the artist’s computer modelled images (a bombed out street, a sunset meadow, a Venetian palazzo, …) with citations from Roberto Rossellini’s Germany Year Zero (1948) and references to works by Milan Kundera, W.G. Sebald and Philip K. Dick. This publication provides an in-depth analysis of Parzival, a work that is inspired by the period of seven months that Wagner spent in Venice (1858-1859). Burgin’s Parzival raises questions about some of the most fundamental elements in Wagner’s operatic work: the longing for a savior, the complex connection between violence and catharsis, and the presentiment that destruction awaits humanity in the future (Götterdämmerung). In an associative manner, Parzival brings together various artistic and political features to confront the romantic ideal of the ruin with the horrors that might result from such a myth. In addition, this book contains a reprint of Michel Foucault’s essay “The Imagination of the Nineteenth Century” (1980). GPRC label:

The Haunted Screen
The Haunted Screen

Author: Lotte H. Eisner

Publisher: Univ of California Press

Published: 1969

Total Pages: 364

ISBN-13: 9780520024793

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Book on expressionism in German motion pictures.