"Arktos is the first book ever written on the archetype of the Poles: celestial and terrestrial, North and South. It is a hair-raising voyage through cosmology, occultism and conspiracy theory leads to startling revelations about the secrets of the Poles. The author investigates legends of a Golden Age, which some claim ended in a prehistoric catastrophe, a shift in the earth's axis. This is examined in the light of the latest geological theories, as are predictions of a coming pole-shift. The perennial fascination of these ideas is shown to be part of a "polar tradition" of hidden wisdom. There are many recorded tales of an ancient race said to have lived in the Arctic regions, which later spread through the Northern Hemisphere. This supposedly "Aryan Race" entered the pantheon of Nazi Germany, with dreadful consequences. The author examines the origins of modern neo-Nazi ideology, its "polar" inspiration, and its links with other arcana, including the survival of Hitler, German bases in Antarctica, UFOS, the Hollow Earth, and the hidden kingdoms of Agartha and Shambhala. However, "Arktos" differs from most writings on these subjects in its responsible and scholarly treatment, and its extensive use of foreign-language sources."--Provided by publisher.
First published in 1932, this book, based on an address delivered in 1931, presents a concise and lucid summary of the philosophy of the author of The Decline of the West, Oswald Spengler. It was his conviction that the technical age — the culture of the machine age — which man had created in virtue of his unique capacity for individual as well as racial technique, had already reached its peak, and that the future held only catastrophe. He argued it lacked progressive cultural life and instead was dominated by a lust for power and possession. The triumph of the machine led to mass regimentation rather than fewer workers and less work — spelling the doom of Western civilization.
It is November 1918. Germany has just surrendered after four years of the most savage warfare in history. It is teetering on the brink of total social and economic collapse, and the German people now lie at the mercy of new, liberal politicians who despise everything Germany once stood for. The Communists are rioting in the streets, threatening to topple the new government in Weimar and bring about their own revolution. The frontline soldiers are returning from the hell of the war to find an unrecognizable land, the principles and traditions they had sacrificed so much to defend now the stuff of mockery. The narrator of The Outlaws, a 16-year-old military cadet, is too young to have served in the trenches, but feels the sting of this betrayal no less than they. Since Germany's armies have been all but disbanded, he joins the paramilitary Freikorps - groups of veterans who refuse to lay down their arms, and who have pledged to stop the Communists - and begins fighting, first in the streets of Germany's cities, and then in the Baltic states, defending Germany's eastern frontiers from Communist subversion while ignoring the calls to disengage by the meek politicians at home. After months of intense fighting abroad, the Freikorps soldiers return to settle scores with their enemies in Germany, dreaming of a nationalist counter-revolution, and, their trigger fingers still itchy, fix their sights on bringing down the hated new government once and for all... The Outlaws is a chronicle of the experiences of the men who fought in the Freikorps, but it is also an adventure and a war story about an entire generation of soldiers who loved their homeland more than peace and comfort, and who refused to accept defeat at any price. "What we wanted we did not know; but what we knew we did not want. To force a way through the prisoning wall of the world, to march over burning fields, to stamp over ruins and scattered ashes, to dash recklessly through wild forests, over blasted heaths, to push, conquer, eat our way through towards the East, to the white, hot, dark, cold land that stretched between ourselves and Asia - was that what we wanted? I do not know whether that was our desire, but that was what we did. And the search for reasons why was lost in the tumult of continuous fighting." - p. 65 Ernst von Salomon (1902-1972) was one of the writers of the German Conservative Revolution of the 1920s. Like the narrator of The Outlaws, he was a military cadet at the end of the First World War, and joined the Freikorps, participating in many of the events described in the book, including the assassination of Foreign Minister Walther Rathenau, for which he was imprisoned. He went on to write many books and film scripts.
Imagining Alternative Worlds explores how the far right employs fictionality as a powerful political tool in the 21st century. It does so by examining the far right’s own cultural production and commentary through a large collection of its novels, novellas, short stories, and film reviews, illustrating how the ‘alternative worlds’ articulated in such cultural products convey its ideology. More specifically, the book identifies and analyses four distinct far-right cultural imaginaries – a ‘primordial’, a ‘nostalgic’, a ‘promethean’, and a ‘nihilist’ one – that each subtly conveys different yet linked ideas about space, time, ‘race’, gender, and heroic identity. By drawing attention to the cultural heterogeneity of the contemporary far right, Imagining Alternative Worlds offers key insights into the dreams, identities, and norms such actors hope will define our future. The book will be of interest to researchers of the far right, of literary, media and communication studies, and of social and cultural history.
A Handbook for Right-Wing Youth consists of essays selected from throughout Evola's lifetime, but most especially from the post-war era, when youth across the Western world had thrown their societies into chaos with protests, civil unrest, and by defying conventional mores. According to Evola, the problem was not with the youth themselves, given that he viewed the inquisitive and seeking mentality associated with the young as essential toward opening oneself to the wisdom of Tradition, but rather with the fact that post-war Western civilisation itself had come to venerate youthfulness over maturity, thus leaving the young without any guidance or authority. Evola believed that it was only by channelling the energies of the rebellious youth into the political Right -- not the Right of today, but rather that Right which represents the timeless principles which stem from before the advent of liberalism -- thus restoring the West to a healthy and organic condition once again. In these essays, he defines those principles which must be undertaken by youth -- not just by those young in age, but those young in spirit as well -- if they are to gain mastery not only over their societies, but also over themselves. As such, while this is a book aimed at the young, it is not exclusively for them. This book was assembled out of Evola's writings by the Hungarian traditionalists, and includes a Foreword by GÁbor Vona, Chairman of Hungary's political party, Jobbik.
This volume contains a rich collection of Julius Evola's late essays. Distilling the work of a lifetime, these essays, despite the great diversity of their subjects, all depart from Evola's basic and intransigent principles. From a consideration of specific personalities, such as Donoso CortÉs, Vilfredo Pareto, Joseph de Maistre, Metternich, Michelstaedter, and Henry Miller, to the investigation of an entire series of problems, such as the "revolution from the heights," the "twilight of the East," the myth of the West, political versus biological youth, and the emergence of the Fifth Estate, this book also includes doctrinal analyses of Zen Buddhism, the so-called Left-Hand Path, the "myth of the future regality," neo-realism, and the "fetish for magic" -- analyses which delve atimes also into the past, as in the evocation of Emperor Julian, the indication of the significance which the Sibylline Books had in Ancient Rome, and the investigation into the mysteries of Mithras. The material herein is wide and various, but in all cases of perennial interest, and Evola's treatment brings essential normative values to the fore -- values which might serve for the interior and spiritual formation of a new generation.
'The Bow and the Club' stands in many ways as the culmination of an exceptional life of deep study, meditation, and experience. This volume, first published in 1968, includes Evola's final and most concentrated statements on some of the great themes of his career.
Nikolai Alexandrov (1947-1980), the protagonist of this tale, is a New Yorker of questionable 'Russian' ancestry, who recalls his past lives as Nikola Tesla and as an Atlantean. Following the traumatic death of his parents, he is adopted and raised by a mysterious couple who claim to be his aunt and uncle. After doing breakthrough work in Physics and Philosophy, Nikolai finds himself caught up in a web of intrigue that leads him to a career as a psychic spy tracking UFOs for U.S. Naval Intelligence and to the discovery of Neo-Fascist plans to establish a Fourth Reich. This unwelcome realization comes after a flirtation with the Weather Underground, and a tortured romantic relationship with a young woman whose suicide becomes a harbinger of his own untimely demise. This is not your typically cerebral science fiction novel but a horror story shot through with lurid sex and ultra-violence. Consider yourself forewarned.
