“A book that belongs on the same shelf as Italo Calvino’s “If on a Winter’s Night a Traveler,” Nabokov’s “Pale Fire”, and several works by Zoran Zivkovic, Stanislaw Lem and David Markson.” — Michael Dirda, The Washington Post A collection of entrancing literary fables from an underrated master of the form … Perfect for the fans of David Mitchell, Julio Cortázar and Steven Barthelme are these 15 dreamlike tales. Welcome to the fictional universe of C. D. Rose, whose stories seem to be set in some unidentifiable but vaguely Mitteleuropean nation, and likewise have an uncanny sense of timelessness — the time could be some cobblestoned Victorian past era, or the present, or even the future. A journalist’s interview with an artist turns into a dizzying roundelay of memory and image. Two Russian brothers, one blind and one deaf, build an intricate model town during an interminable train ride across the steppe. An annotated discography for the works of a long-lost silent film star turns into a mysterious document of obsession. Three Russian sailors must find ways to pass the time on a freighter orphaned in a foreign port. A forgotten composer enters a nostalgic dream-world while marking time in a decaying Romanian seaport. In these 19 dreamlike tales, ghosts of the past mingle with the quiddities of modernity in a bewitching stew where lost masterpieces surface with translations in an invisible language, where image and photograph become mystically entwined, and where the very nature of reality takes on a shimmering sense of possibility and illusion. “Every madness is logical to its owner,” one of Rose’s characters says. And it is that line — between logic and madness — that Walter Benjamin Stares at the Sea walks with such assuredness and imagination.
A supposedly long lost collection of fable-like stories supposedly written by the little-known middle European writer Maxim Guyavitch ... with a helpful intro and afterword making it hilariously clear that the keyword is "supposedly." In the novel WHO'S WHO WHEN EVERYONE IS SOMEONE ELSE, the character "C.D. Rose" (not to be confused with the author C.D. Rose) searches an unnamed middle-European city for the long-lost manuscript of a little-known writer named Maxim Guyavitch. That search was fruitless, but in THE BLIND ACCORDIONIST, "C.D. Rose" has found the manuscript--nine sparkling, fable-like short stories--and he presents them here with an (hilarious) introduction explaining the discovery, and an afterword providing (hilarious) critical commentary on the stories, and what they might reveal about the mysterious Guyavitch. THE BLIND ACCORDIONIST is another masterful book of world-making by the real C.D. Rose, absorbing in its mix of intelligence and light-heartedness, and its ultimate celebration of literature itself. It is the third novel in the series about "C.D. Rose," although the reader does not need to have read the previous two books. (The first in the series was THE BIOGRAPHICAL DICTIONARY OF LITERARY FAILURE, containing portraits of dunsuccessful writers; the second was WHO'S WHO WHEN EVERYONE IS SOMEONE ELSE, in which the author of the DICTIONARY, "C.D. Rose," searches for the manuscript of his favorite dead writer, Maxim Guyavitch, while on a book tour for the DICTIONARY.) Like those books, THE BLIND ACCORDIONIST can be read both as a simple but wonderful collection of quirky stories, and as comedy--or as a beautiful and moving elegy on the nobility of writers wanting to be read.
Onions Make Us Cry, an absolutely fascinating, unusual play. The playwright dares to create a fresh style with poetic dialogues and a brilliant use of metaphors!
This "gorgeously written" National Book Award finalist is a dazzling, heart-rending story of an oil rig worker whose closest friend goes missing, plunging him into isolation and forcing him to confront his past (NPR, One of the Best Books of the Year). One night aboard an oil drilling platform in the Atlantic, Waclaw returns to his cabin to find that his bunkmate and companion, Mátyás, has gone missing. A search of the rig confirms his fear that Mátyás has fallen into the sea. Grief-stricken, he embarks on an epic emotional and physical journey that takes him to Morocco, to Budapest and Mátyás's hometown in Hungary, to Malta, Italy, and finally to the mining town of his childhood in Germany. Waclaw's encounters along the way with other lost and yearning souls—Mátyás's angry, grieving half-sister; lonely rig workers on shore leave; a truck driver who watches the world change from his driver's seat—bring us closer to his origins while also revealing the problems of a globalized economy dependent on waning natural resources. High as the Waters Rise is a stirring exploration of male intimacy, the nature of memory and grief, and the cost of freedom—the story of a man who stands at the margins of a society from which he has profited little, though its functioning depends on his labor.
A darkly comic, satirical reference book about writers who never made it into the literary canon A signal event of literary scholarship, The Biographical Dictionary of Literary Failure compiles the biographies of history’s most notable cases of a complete lack of literary success. As such, it is the world’s leading authority on the subject. Compiled in one volume by C. D. Rose, a well-educated person universally acknowledged in parts of England as the world’s pre-eminent expert on inexpert writers, the book culls its information from lost or otherwise ignored archives scattered around the globe, as well as the occasional dustbin. The dictionary amounts to a monumental accomplishment: the definitive appreciation of history’s least accomplished writers. Thus immortalized beyond deserving and rescued from hard-earned obscurity, the authors presented in this historic volume comprise a who’s who of the talentless and deluded, their stories timeless litanies of abject psychosis, misapplication, and delinquency. It is, in short, a treasure.
A hilariously charming novel about a heartbroken man trying to redeem himself by championing forgotten books Fleeing heartbreak, an unnamed author goes to an unnamed city to give a series of lectures at an unnamed university about forgotten books ... only to find himself involved in a mystery when the professor who invited him is no where to be found, and no one seems quite sure why he's there.... So begins this Wes Anderson-like novel hilariously spoofing modernist literature even as it tells a stirring -- and eerily suspenseful -- story about someone desperate to prove the redeeming power of reading -- and writing -- books. And as the narrator gives his lectures, attends vague functions where no one speaks English, never quite meets his host professor and wonders the city looking for the grave of his literary hero, the reader begins to suspect this man's relentless faith in literature may be the only thing getting him through the mystery enveloping him.
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad forms of violence bred by drug trafficking. At first, Eduardo seems unable to connect. He movingly reads the words of Dostoyevsky, Henry James, Daphne du Maurier, and more, but doesn’t truly understand them. His eccentric listeners—including two brothers, one mute, who moves his lips while the other acts as ventriloquist; deaf parents raising children they don’t know are hearing; and a beautiful, wheelchair-bound mezzo soprano—sense his detachment. Then Eduardo comes across a poem his father had copied by the Mexican poet Isabel Fraire, and it affects him as no literature has before. Through these fascinating characters, like the practical, quick-witted Celeste, who intuitively grasps poetry even though she never learned to read, Fabio Morábito shows how art can help us rediscover meaning in a corrupt, unequal society.
A blistering, expansive debut collection addressing sexual violence, #MeToo, and familial violence from one of the hottest new voices in Korean poetry.
The book distinctive is listed in points (i) it focuses on Eastern European art covering the historical avant-garde to the post-war and contemporary periods of; (ii) it looks at some key artists in the countries that have not been given so much attention within this content i.e. Georgia, Dagestan, Chechnya and Central Asia; (iii) it looks beyond Eastern Europe to the influence of Russia/Soviet Union in Asia. It explores the theoretical models developed for understanding contemporary art across Eastern Europe and focus on the new generation of Georgian artists who emerged in the immediate years before and after the country’s independence from the Soviet Union; and on to discuss the legacy and debates around monuments across Poland, Russia and Ukraine.helps in Better understanding the postwar and contemporary art in Eastern Europe.