Aristotle's Poetics for Screenwriters

Aristotle's Poetics for Screenwriters

Author: Michael Tierno

Publisher: Hachette+ORM

Published: 2012-10-30

Total Pages: 142

ISBN-13: 1401305563

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An insightful how-to guide for writing screenplays that uses Aristotle's great work as a guide. Long considered the bible for storytellers, Aristotle's Poetics is a fixture of college courses on everything from fiction writing to dramatic theory. Now Michael Tierno shows how this great work can be an invaluable resource to screenwriters or anyone interested in studying plot structure. In carefully organized chapters, Tierno breaks down the fundamentals of screenwriting, highlighting particular aspects of Aristotle's work. Then, using examples from some of the best movies ever made, he demonstrates how to apply these ancient insights to modern-day screenwriting. This user-friendly guide covers a multitude of topics, from plotting and subplotting to dialogue and dramatic unity. Writing in a highly readable, informal tone, Tierno makes Aristotle's monumental work accessible to beginners and pros alike in areas such as screenwriting, film theory, fiction, and playwriting.


A Poetics for Screenwriters

A Poetics for Screenwriters

Author: Lance Lee

Publisher: University of Texas Press

Published: 2010-01-01

Total Pages: 164

ISBN-13: 029277804X

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Writing successful screenplays that capture the public imagination and richly reward the screenwriter requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial for writing a memorable movie. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method. Lee explores each aspect of screenwriting in detail. He covers primary plot elements, dramatic reality, storytelling stance and plot types, character, mind in drama, spectacle and other elements, and developing and filming the story. Relevant examples from dozens of American and foreign films, including Rear Window, Blue, Witness, The Usual Suspects, Virgin Spring, Fanny and Alexander, The Godfather, and On the Waterfront, as well as from dramas ranging from the Greek tragedies to the plays of Shakespeare and Ibsen, illustrate all of his points. This new overview of the dramatic art provides a highly useful update for all students and professionals who have tried to adapt the principles of Aristotle's Poetics to the needs of modern screenwriting. By explaining "why" good screenplays work, this book is the indispensable companion for all the "how-to" guides.


The Lost Second Book of Aristotle's "Poetics"

The Lost Second Book of Aristotle's

Author: Walter Watson

Publisher: University of Chicago Press

Published: 2012-06-27

Total Pages: 317

ISBN-13: 0226875083

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Of all the writings on theory and aesthetics - ancient, medieval, or modern - the most important is indisputably Aristotle's "Poetics", the first philosophical treatise to propound a theory of literature. The author offers a fresh interpretation of the lost second book of Aristotle's "Poetics".


Dramatic Story Structure

Dramatic Story Structure

Author: Edward J. Fink

Publisher: Routledge

Published: 2014-01-03

Total Pages: 230

ISBN-13: 1135081220

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A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.


Averroes' Middle Commentary on Aristotle's Poetics

Averroes' Middle Commentary on Aristotle's Poetics

Author: Averroës

Publisher:

Published: 2000

Total Pages: 192

ISBN-13:

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Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.


Poetics

Poetics

Author: Aristotle

Publisher: BoD – Books on Demand

Published: 2019-09-25

Total Pages: 54

ISBN-13: 3734063744

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Reproduction of the original: Poetics by Aristotle


Screenwriters on Screen-Writing

Screenwriters on Screen-Writing

Author: Joel Engel

Publisher: Hachette Books

Published: 2013-02-12

Total Pages: 241

ISBN-13: 1401305571

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Before any lights, camera, or action, there's the script -- arguably the most important single element in filmmaking, and Screenwriters on Screen-Writing introduces the men and women responsible for the screenplays that have produced some of the most successful and acclaimed films in Hollywood history. In each interview, not only do the writers explore the craft and technique of creating a filmic blueprint, but they recount the colorful tales of coming up in the ranks of the movie business and of bringing their stories to the screen, in a way that only natural-born storytellers such as themselves can. These and other screenwriters have garnered the attention of the movie-going population not only with their words, but with headlines announcing the sales of their scripts for hundreds of thousands and sometimes millions of dollars. Anyone interested in writing, making, or learning about movies will enjoy reading this fascinating behind-the-scenes compendium that brings together some of the most prominent and talented screenwriters in modern-day filmmaking.


My Story Can Beat Up Your Story!

My Story Can Beat Up Your Story!

Author: Jeffrey Alan Schechter

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9781932907933

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Offering a systematic approach for aspiring and working screenwriters, "My Story Can Beat Up Your Story" helps writers create professional, sellable stories that work for every genre. The book features examples from more than 70 movies.


The Secret Language of Film

The Secret Language of Film

Author: Jean-Claude Carrière

Publisher: Pantheon

Published: 1994

Total Pages: 248

ISBN-13:

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Carriere, whose screenwriting credits include The Tin Drum, The Unbearable Lightness of Being, and Cyrano de Bergerac, explores the vocabulary of the visual language of film. Filled with anecdote and insight, this book provides readers with an illuminating new way to see and enjoy the movies.