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Author: Ana Kotarcic
Publisher: Cambridge University Press
Published: 2020-11-12
Total Pages: 239
ISBN-13: 110849952X
DOWNLOAD EBOOKDivides Aristotle's concept of lexis into three interconnected levels, exposing numerous valuable statements on language and style.
Author: Ana Kotarcic
Publisher:
Published: 2015
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Stephen Halliwell
Publisher: University of Chicago Press
Published: 1998-12
Total Pages: 388
ISBN-13: 9780226313948
DOWNLOAD EBOOKIn this, the fullest, sustained interpretation of Aristotle's Poetics available in English, Stephen Halliwell demonstrates that the Poetics, despite its laconic brevity, is a coherent statement of a challenging theory of poetic art, and it hints towards a theory of mimetic art in general. Assessing this theory against the background of earlier Greek views on poetry and art, particularly Plato's, Halliwell goes further than any previous author in setting Aristotle's ideas in the wider context of his philosophical system. The core of the book is a fresh appraisal of Aristotle's view of tragic drama, in which Halliwell contends that at the heart of the Poetics lies a philosophical urge to instill a secularized understanding of Greek tragedy. "Essential reading not only for all serious students of the Poetics . . . but also for those—the great majority—who have prudently fought shy of it altogether."—B. R. Rees, Classical Review "A splendid work of scholarship and analysis . . . a brilliant interpretation."—Alexander Nehamas, Times Literary Supplement
Author: Michele Alessandrelli
Publisher:
Published: 2013
Total Pages: 250
ISBN-13: 9789025612887
DOWNLOAD EBOOKAuthor: Christopher W. Tindale
Publisher: Cambridge University Press
Published: 2015-04-30
Total Pages: 257
ISBN-13: 1107101115
DOWNLOAD EBOOKThis book approaches the topic of argumentation from the perspective of audiences, rather than the perspective of arguers or arguments.
Author: Genevieve Liveley
Publisher: Oxford University Press
Published: 2019-03-28
Total Pages: 300
ISBN-13: 0192524437
DOWNLOAD EBOOKThis volume explores the extraordinary contribution that classical poetics has made to twentieth and twenty-first century theories of narrative, aiming not to argue that modern narratologies simply present 'old wine in new wineskins', but rather to identify the diachronic affinities shared between ancient and modern stories about storytelling. By recognizing that modern narratologists bring a particular expertise to bear upon ancient literary theory, and by interrogating ancient and modern narratologies through the mutually imbricating dynamics of their reception, it seeks to arrive at a better understanding of both. Each chapter selects a key moment in the history of narratology on which to focus, providing an overview of significant phases before offering detailed analyses of core theories and texts, from the Russian formalists and Chicago school neo-Aristotelians, through the prestructuralists, structuralists, and poststructuralists, up to the latest unnatural and antimimetic narratologists. The reception history that thus unfolds offers some remarkable plot twists and yields valuable insights into the interpretation of some notoriously difficult ancient works. Plato in the Republic is unmasked as an unreliable narrator and theorist, while Aristotle's On Poets reveals a rare glimpse of the philosopher putting narrative theory into practice in the role of storyteller. Horace's Ars Poetica and the works of ancient scholia by critics and commentators evince a rhetorically conceived poetics and sophisticated reader-response-based narratology which indicate a keen interest in audience affect and cognition - anticipating the cognitive turn in narratology's most recent postclassical phase.
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
Published: 2017-03-07
Total Pages: 82
ISBN-13: 9781544217574
DOWNLOAD EBOOKIn it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author: Hans Arens
Publisher: John Benjamins Publishing
Published: 1984-01-01
Total Pages: 539
ISBN-13: 9027245118
DOWNLOAD EBOOKThis volume contains a fragment from Aristotle s "Peri Hermeneias" [16a1 17a7], with a translation into English and a commentary. This fragment is crucial to the understanding of Aristotle s thinking about language. It is followed by (translations of) commentaries on Aristotle s text by scholars between 500 and 1750, showing how his text was perceived over time. The commentaries are by Ammonius, Boethius, Abelaerd, Albertus Magnus, Thomas Acquinas, Martinus de Dacia, Johannes a S. Thoma, and James Harris. Each commentary is in turn commented upon by the compiler of this volume.
Author: Melpomeni Vogiatzi
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2019-07-08
Total Pages: 276
ISBN-13: 3110630699
DOWNLOAD EBOOKAnonymous’ and Stephanus’ commentaries, written in the 12th century AD, are the first surviving commentaries on Aristotle’s Rhetoric. Their study, including the environment in which they were written and the philosophical ideas expressed in them, provides a better understanding of the reception of Aristotle’s Rhetoric in Byzantium, the Byzantine practice of commenting on classical texts, and what can be called “Byzantine philosophy”. For the first time, this book explores the context of production of the commentaries, discusses the identity and features of their authors, and reveals their philosophical and philological significance. In particular, I examine the main topics discussed by Aristotle in the Rhetoric as contributing to persuasion, namely valid and fallacious rhetorical arguments, ethical notions, emotional response and style, and I analyse the commentators’ interpretations of these topics. In this analysis, I focus on highlighting the value of the philosophical views expressed, and on creating a discussion between the Byzantine and the modern interpretations of the treatise. Conclusively, the two commentators need to be considered as independent thinkers, who aimed primarily at integrating the treatise within the Aristotelian philosophical system.
Author: Ian Huffam
Publisher:
Published: 2018
Total Pages:
ISBN-13:
DOWNLOAD EBOOKIn Poetics, Aristotle defines lexis as being the "language" of tragedy, and this language is one of the elements of tragedy that creates the mimetic representation. As Aristotle literally describes of the words of tragic composition as "doing" something, I consider lexis as an equivalent to J.L. Austin's locutionary function of language, and the creation of the mimetic representation as the illocutionary. Aristotle's conception of tragic composition requires a rigid understanding of the tragic form and its proper deployment as he leaves no room for perlocution, and so I also employ Jan Mukarǒvsky'́s theory of intentionality/unintentionality in art to explain how a play such as Euripides's Electra may be understood as a product of the literary culture in which it arose. I then review historical trends of translating Greek tragedy into English to establish how modern translation is moving further away from reverence to the lexis of tragedy. Finally I address the various sections of Electra, a play with an almost non-existent performance record in English, to establish how I may respect the original lexis in my own translation, thereby imparting a (hopefully) similar effect on a modern audience.
