Richard Janko's acclaimed translation of Aristotle's Poetics is accompanied by the most comprehensive commentary available in English that does not presume knowledge of the original Greek. Two other unique features are Janko's translations with notes of both the Tractatus Coislinianus, which is argued to be a summary of the lost second book of the Poetics, and fragments of Aristotle’s dialogue On Poets, including recently discovered texts about catharsis, which appear in English for the first time.
Richard Janko's acclaimed translation of Aristotle's Poetics is accompanied by the most comprehensive commentary available in English that does not presume knowledge of the original Greek. Two other unique features are Janko's translations with notes of both the Tractatus Coislinianus, which is argued to be a summary of the lost second book of the Poetics, and fragments of Aristotle's dialogue On Poets, including recently discovered texts about catharsis, which appear in English for the first time.
Richard Janko's acclaimed translation of Aristotle's Poetics is accompanied by the most comprehensive commentary available in English that does not presume knowledge of the original Greek. Two other unique features are Janko's translations with notes of both the Tractatus Coislinianus, which is argued to be a summary of the lost second book of the Poetics, and fragments of Aristotle's dialogue On Poets, including recently discovered texts about catharsis, which appear in English for the first time.
The bibliography of Aristotle's Poetics by Cooper and Gudeman, most welcome in 1928, has now become antiquated, even for the period it covers. The present one registers all editions, translations, commentaries and studies bearing on the Poetics or the major concepts that have been associated with it, correctly or incorrectly, from 1481 up till 1996. Moreover, a survey is given of the medieval translations and commentaries written in the Orient and in Europe. Special attention has been given to the reviews. The oldest one registered dates from 1697. The second book of the Poetics being lost, publications related to the Tractatus Coislinianus, which partly rests on Poetics II, have been included. There are seven indices. Especially those on passages and subjects should prove to be useful instruments. In the author's text Greek nouns and adjectives have been transliterated.
This bibliography registers all editions, translations and studies bearing on Aristotle's "Poetics" and the "Tractatus Coislinianus," a treatise partly based on "Poetics II." Among the indices, those on passages and subjects should be particularly useful. Most Greek has been transliterated.
Dionysius of Halicarnassus has long been regarded as a rather mediocre critic. This book rehabilitates the Greek rhetorician by demonstrating the creative ways in which he integrated theories from different linguistic disciplines into a coherent programme of rhetoric.
At the beginning of the second century C.E., Plutarch of Chaeronea wrote a series of pairs of biographies of Greek and Roman statesmen. Their purpose is moral: the reader is invited to reflect on important ethical issues and to use the example of these great men from the past to improve his or her own conduct. This book off ers the first full-scale commentary on the Life of Alcibiades. It examines how Plutarch's biography of one of classical Athens' most controversial politicians functions within the moral program of the Parallel Lives. Built upon the narratological distinction between story and text, Simon Verdegem's analysis, which involves detailed comparisons with other Plutarchan works (especially the Lives of Nicias and Lysander) and several key texts in the Alcibiades tradition (e.g., Plato, Thucydides, and Xenophon), demonstrates how Plutarch carefully constructed his story and used a wide range of narrative techniques to create a complex Life that raises interesting questions about the relation between private morality and the common good.
Since the Romantic period, the critical thinker's enthusiasm has served to substantiate his or her agency in the world. Blake’s Agitation is a thorough and engaging reflection on the dynamic, forward-moving, and active nature of critical thought. Steven Goldsmith investigates the modern notion that there’s a fiery feeling in critical thought, a form of emotion that gives authentic criticism the potential to go beyond interpreting the world. By arousing this critical excitement in readers and practitioners, theoretical writing has the power to alter the course of history, even when the only evidence of its impact is the emotion it arouses. Goldsmith identifies William Blake as a paradigmatic example of a socially critical writer who is moved by enthusiasm and whose work, in turn, inspires enthusiasm in his readers. He traces the particular feeling of engaged, dynamic urgency that characterizes criticism as a mode of action in Blake’s own work, in Blake scholarship, and in recent theoretical writings that identify the heightened affect of critical thought with the potential for genuine historical change. Within each of these horizons, the critical thinker’s enthusiasm serves to substantiate his or her agency in the world, supplying immediate, embodied evidence that criticism is not one thought-form among many but an action of consequence, accessing or even enabling the conditions of new possibility necessary for historical transformation to occur. The resulting picture of the emotional agency of criticism opens up a new angle on Blake’s literary and visual legacy and offers a vivid interrogation of the practical potential of theoretical discourse.
