Fascist Visions

Fascist Visions

Author: Matthew Affron

Publisher: Princeton University Press

Published: 2022-02-08

Total Pages: 296

ISBN-13: 0691241961

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Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany. The eight essays in this book investigate the intersection of fascist ideology and aesthetics through a wide range of historical examples. Topics include: theories of cultural regeneration in Italy from the Risorgimento to fascism; the impact of fascism upon the work of such artists and art critics as Ardengo Soffici, Mario Sironi, Valentine de Saint-Point, and Waldemar George; the theories of modernist urbanism developed by Georges Valois's Faisceau; and official sponsorship of painting and the decorative arts in Mussolini's Italy and in Vichy France. The contributors to this volume include Walter Adamson, Matthew Affron, Mark Antliff, Emily Braun, Michèle Cone, Emilio Gentile, Nancy Locke, and Marla Stone.


Twentieth-century Italian Poetry

Twentieth-century Italian Poetry

Author: Éanna Ó Ceallacháin

Publisher: Troubador Publishing Ltd

Published: 2007

Total Pages: 377

ISBN-13: 1906221006

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Offers a selection of Italian poems, with notes and commentary in English, and critical essays on individual authors and trends. This volume covers the period from the early years of the twentieth century up to the 1970s, and focuses on the work of poets such as Ungaretti and Saba. It is intended for those with a good working knowledge of Italian.


Italian Futurist Poetry

Italian Futurist Poetry

Author: Willard Bohn

Publisher: University of Toronto Press

Published: 2005-01-01

Total Pages: 172

ISBN-13: 0802037836

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Italian Futurist Poetry contains more than 100 poems (both Italian and English versions) by sixty-one poets from across Italy.


Baroquemania

Baroquemania

Author: Laura Moure Cecchini

Publisher: Manchester University Press

Published: 2022-01-11

Total Pages: 281

ISBN-13: 1526153165

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Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.


International Futurism in Arts and Literature

International Futurism in Arts and Literature

Author: Günter Berghaus

Publisher: Walter de Gruyter

Published: 2012-10-25

Total Pages: 660

ISBN-13: 3110804220

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This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.


Modernisms

Modernisms

Author: Peter Nicholls

Publisher: Univ of California Press

Published: 1995-08-24

Total Pages: 386

ISBN-13: 9780520201033

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Introduces the reader to a wealth of literary experiment, beginning in the 19th century.


Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945

Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945

Author: Caterina Bernardini

Publisher: University of Iowa Press

Published: 2021-07-15

Total Pages: 297

ISBN-13: 1609387546

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"This study gauges the effects that Walt Whitman's poetry had in Italy in the period from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. But it also investigates the contexts and causes of Whitman's success abroad, in the lives, backgrounds, beliefs, and imaginations of the people who encountered it. Ultimately, it chronicles the evolution of a literature intent on regenerating itself and moving toward modernity. Bernardini gives particular attention to women writers and noncanonical writers often excluded from previous discussions of Whitman's Italian reception. The book is grounded in archival studies and examination of primary documents, which led to a series of noteworthy discoveries. While the main focus is on the Italian literary scene, the history of the reception retraced here is constantly evaluated in relation to other cultures that were also intent, in those same years, on reading and recreating Whitman. Studying Whitman's reception from a transnational perspective shows how many countries were simultaneously carving out a new modernity in literature and culture. In this sense, Bernardini not only shows the interconnectedness of various international agents in understanding and contributing to the spread of Whitman's work, but, more largely, a constellation of similar pre-modernist and modernist sensibilities. This stands in contrast to the notion of sudden innovation: modernity was not easy to achieve, and most of all, it did not imply a complete refusal of tradition. Instead, a continuous and fruitful negotiation between tradition and innovation, and not a sudden break with the literary past, is at the very heart of the Italian and transnational reception of Whitman"--


Embattled Avant-Gardes

Embattled Avant-Gardes

Author: Walter L. Adamson

Publisher: University of California Press

Published: 2009-08-17

Total Pages: 448

ISBN-13: 0520261534

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This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.


Avant-Garde Fascism

Avant-Garde Fascism

Author: Mark Antliff

Publisher: Duke University Press

Published: 2007-09-03

Total Pages: 380

ISBN-13: 9780822340348

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An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939.


The Cubist Epoch

The Cubist Epoch

Author: Douglas Cooper

Publisher: Metropolitan Museum of Art

Published: 1971

Total Pages: 322

ISBN-13: 0714814482

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Cubism has been one of the most important and influential movements in twentieth-century art. In the eight years between 1906 and 1914, Cubism, and in particular Pablo Picasso and Georges Braque, were to change the technique and form of painting radically and for ever. Originating in Paris, the movement became a truly international force, and one with a profound impact on human visual experience. This book, illustrated with over 300 photographs, presents a vivid evocation of Cubism as a historic and aesthetic force. Copyright © Libri GmbH. All rights reserved.