Serials Cataloging

Serials Cataloging

Author: Jim E. Cole

Publisher: Psychology Press

Published: 1992

Total Pages: 434

ISBN-13: 9781560242819

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This book provides a comprehensive overview of the landmark developments in serials cataloging over the past few years. Serials Cataloging: Modern Perspectives and International Developments updates and complements the earlier volume Serials Cataloging: A State of the Art. This thorough volume focuses on the areas of education and training, cataloging practice, theory, and current developments, international aspects, and options for change. Thisbook is packed with information for serials catalogers, students, and even other librarians who need insight into the rapidly changing world of serials cataloging. Chapters provide information on international aspects such as ISBD(S) and ISDS outside of North America, and serials cataloging in the United Kingdom, Australia, and Italy. Other subjects covered include the work of the CONSER Subject and Classification Task Force, the need for uniform titles in AACR2, serials records in online public access catalogs like NOTIS, changes in U.S. policy related to the multiple versions question, the relationship of the Linked Systems Project to serials cataloging, and the role of name main-entry headings in online public access catalogs.


Theatre Under the Nazis

Theatre Under the Nazis

Author: John London

Publisher: Manchester University Press

Published: 2000

Total Pages: 372

ISBN-13: 9780719059919

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Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.


Gendering the Crown in the Spanish Baroque Comedia

Gendering the Crown in the Spanish Baroque Comedia

Author: María Cristina Quintero

Publisher: Routledge

Published: 2016-04-15

Total Pages: 283

ISBN-13: 1317129601

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The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a time when there was a concerted effort to contain women's visibility and agency in the public sphere. The comedia's preoccupation with kingship together with its obsession with the representation of women (and women's bodies) renders the question of royal subjectivity inseparable from issues surrounding masculinity and femininity. Taking into account theories of performance and performativity within a historical context, this study investigates how the themes, imagery, and language in plays by Calderón and his contemporaries reveal a richly paradoxical presentation of gendered monarchical power.


Theatre Semiotics

Theatre Semiotics

Author: Fernando de Toro

Publisher: University of Toronto Press

Published: 1995-01-01

Total Pages: 226

ISBN-13: 9780802075895

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Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.


On Art and Painting

On Art and Painting

Author:

Publisher: University of Wales Press

Published: 2016-07-15

Total Pages: 384

ISBN-13: 1783168617

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The only volume on the work of Vicente Carducho in English Analysis of the Dialogues on Painting by international experts Contributors are art historians or hispanists, offering a multi-disciplinary approach


A Companion to Golden Age Theatre

A Companion to Golden Age Theatre

Author: Jonathan Thacker

Publisher: Boydell & Brewer Ltd

Published: 2007

Total Pages: 248

ISBN-13: 9781855661400

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As well as dealing with the lives and major works of the most significant playwrights of the period, this text focuses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship.


Hercules and the King of Portugal

Hercules and the King of Portugal

Author: Dian Fox

Publisher: University of Nebraska Press

Published: 2019-01-08

Total Pages: 335

ISBN-13: 1496212177

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Hercules and the King of Portugal investigates how representations of masculinity figure in the fashioning of Spanish national identity, scrutinizing ways that gender performances of two early modern male icons—Hercules and King Sebastian—are structured to express enduring nationhood. The classical hero Hercules features prominently in Hispanic foundational fictions and became intimately associated with the Hapsburg monarchy in the early sixteenth century. King Sebastian of Portugal (1554–78), both during his lifetime and after his violent death, has been inserted into his own land’s charter myth, even as competing interests have adapted his narratives to promote Spanish power. The hybrid oral and written genre of poetic Spanish theater, as purveyor and shaper of myth, was well situated to stage and resolve dilemmas relating both to lineage determined by birth and performance of masculinity, in ways that would ideally uphold hierarchy. Dian Fox’s ideological analysis exposes how the two icons are subject to political manipulations in seventeenth-century Spanish theater and other media. Fox finds that officially sanctioned and sometimes popularly produced narratives are undercut by dynamic social and gendered processes: “Hercules” and “Sebastian” slip outside normative discourses and spaces to enact nonnormative behaviors and unreproductive masculinities.