Herod the Great, King of Judaea from 444 B.C., is known as one of the world's great villains. This notoriety has overshadowed his actual achievements, particularly his role as a client king of Rome during Augustus's reign as emperor. An essential aspect of Herod's responsibilities as king of Judaea was his role as a builder. Remarkably innovative, he created an astonishing record of architectural achievement, not only in Judaea but also throughout Greece and the Roman east. Duane W. Roller systematically presents and discusses all the building projects known to have been initiated by Herod, and locates this material in a broad historical and cultural context. Bringing together previously inaccessible material, Roller enriches our understanding of the enigmatic Herod and provides new insights into Roman architecture. Herod was instrumental in the diffusion of the Augustan architectural revolution into the provinces and was the first to build outside Italy such Italian architectural forms as the basilica, amphitheater, villa, and Italian temple. Herod's legacy provided a groundwork for the architectural Romanization of the east, influencing the construction of the great temple complexes and palaces so familiar from later Roman architecture. Herod, like Augustus himself, was not only interested in architecture but also in diplomatic and financial contacts among cities of the region. In addition to providing a repertorium of the building projects, this study is also an exploration of international relations in the eastern Mediterranean at the beginning of the Roman imperial period.
The enigma of King Herod as a cruel bloodthirsty tyrant on the one hand, and a great builder on the other is discussed in a systematic modern historical and psychological study. It seeks to unravel the contradictory historic mystery of the man and his deeds. After A. Schalit's König Herodes, this study is a new comprehensive, pioneering study on the intriguing personality of Herod, also using the insights of psychology. Herod's mental state reached an acute level, consistent with the DSM-IV diagnosis for "Paranoid Personality Disorder". He grew up with an ambiguous identity and suffered from feelings of inferiority. Haunted by persecutory delusions, he executed almost any suspect of treason, including his wife and three sons. The Hebrew original text was Winner of the Ya'acov Bahat Prize for Non-Fiction Hebrew Literature for 2006.
An old, bloodthirsty tyrant hears from a group of Magi about the birth of the Messiah, king of the Jews. He vengefully sends his soldiers to Bethlehem with orders to kill all of the baby boys in the town in order to preserve his own throne. For most of the Western world, this is Herod the Great -- an icon of cruelty and evil, the epitome of a tyrant. Adam Kolman Marshak portrays Herod the Great quite differently, however, carefully drawing on historical, archaeological, and literary sources. Marshak shows how Herod successfully ruled over his turbulent kingdom by skillfully interacting with his various audiences -- Roman, Hellenistic, and Judaean -- in myriad ways. Herod was indeed a master in political self-presentation. Marshak's fascinating account chronicles how Herod moved from the bankrupt usurper he was at the beginning of his reign to a wealthy and powerful king who founded a dynasty and brought ancient Judaea to its greatest prominence and prosperity.
A definitive account of the great revolt of Jews against Rome and the destruction of the Jerusalem Temple “A lucid yet terrifying account of the 'Jewish War'—the uprising of the Jews in 66 CE, and the Roman empire’s savage response, in a story that stretches from Rome to Jerusalem.”—John Ma, Columbia University This deeply researched and insightful book examines the causes, course, and historical significance of the Jews’ failed revolt against Rome from 66 to 74 CE, including the destruction of the Jerusalem Temple. Based on a comprehensive study of all the evidence and new statistical data, Guy Rogers argues that the Jewish rebels fought for their religious and political freedom and lost due to military mistakes. Rogers contends that while the Romans won the war, they lost the peace. When the Romans destroyed the Jerusalem Temple, they thought that they had defeated the God of Israel and eliminated Jews as a strategic threat to their rule. Instead, they ensured the Jews’ ultimate victory. After their defeat Jews turned to the written words of their God, and following those words led the Jews to recover their freedom in the promised land. The war's tragic outcome still shapes the worldview of billions of people today.
Nineteen studies illuminating Herod's role in the Augustan client network and his remarkable achievements, as expressed in his extensive building programme. Josephus' record is examined here in the light of the available documentary and archaeological evidence.
Herod: King of the Jews and Friend of the Romans examines the life, work, and influence of this controversial figure, who remains the most highly visible of the Roman client kings under Augustus. Herod’s rule shaped the world in which Christianity arose and his influence can still be seen today. In this expanded second edition, additions to the original text include discussion of the archaeological evidence of Herod’s activity, his building program, numismatic evidence, and consideration of the roles and activities of other client kings in relation to Herod. This volume includes new maps and numerous photographs, and these coupled with the new additions to the text make this a valuable tool for those interested in the wider Roman world of the late first century BCE at both under- and postgraduate levels. Herod remains the definitive study of the life and activities of the king known traditionally as Herod the Great.
Volume One of The Temple Complex at Horvat Omrit presents a detailed examination of the surviving architecture of the three Roman period temple phases at the newly excavated sanctuary at the archaeological site of Omrit in northern Israel. All three temples were built according to the Corinthian order and the author describes and illustrates the state of the remains, proposes reconstructions of each phase, and places each temple in the broader historical context.
This is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems. This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, which explores statues, wall paintings, coins, monuments, and inscriptions, readers learn that these artworks served as something more: they were created to represent the futures that allied rulers and their people foresaw. The pressure of Roman imperialism drove patrons and artists on the empire’s borders to imbue their creations with increasingly sophisticated ideas about the future, as they wrestled with consequential decisions made under periods of intense political pressure. Comprehensively illustrated and providing an important new approach to Roman material culture at the edge of empire, Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE is suitable for students and scholars working on Rome and its frontiers, as well as Roman material culture more broadly, and those studying the aesthetics of time in art and art history.