This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Architecture, Islam, and Identity in West Africa shows you the relationship between architecture and Islamic identity in West Africa. The book looks broadly across Muslim West Africa and takes an in-depth study of the village of Larabanga, a small Muslim community in Northern Ghana, to help you see how the built environment encodes cultural history through form, material, and space, creating an architectural narrative that outlines the contours of this distinctive Muslim identity. Apotsos explores how modern technology, heritage, and tourism have increasingly affected the contemporary architectural character of this community, revealing the village’s current state of social, cultural, and spiritual flux. More than 60 black and white images illustrate how architectural components within this setting express the distinctive narratives, value systems, and realities that make up the unique composition of this Afro-Islamic community.
In the West, much attention is paid to the quality of housing in terms of material comfort and durability. However, houses no longer grow organically, and are no longer layered by time, or embedded in a social community and intertwined with the natural environment. The house, and even more the interior of the house, has become an expression of the individuality of the inhabitant (witness the whole marketing of lifestyle, design, interior decoration, cocooning, etcetera). Paradoxically, though, this goes hand in hand with the erosion of the house as a signifier. Houses are becoming almost generic realities, without a memory or a past, the anonymous results of mass-production, or the interchangeable, standardized products of a globalised Ikea and turnkey culture. In contrast to the poor signifier that the Western house has become, the chapters in this books analyze the rich meanings embedded in the processes of dwelling in rural West African worlds, with an emphasis on Ghana and Burkina Faso--P. 4 of cover.
This volume examines the complex technique of wet earth construction, as practised in parts of West Africa. It includes a variety of structures, ranging from small huts to mosques, including the mosque at Dougoumba which dates from the 12th century.
Vernacular architecture in general and earthen architecture in particular, with their rich variety of forms worldwide, are custodians of the material culture and identity of the peoples who built them. In addition, they are widely recognized as ancestral examples of sustainability in all their variants and interpretations, and the architecture of the present ought to learn from these when designing the sustainable architecture of the future. The conservation of these architectures – seemingly simple yet full of wisdom – is to be undertaken now given their intrinsic value and their status as genuine examples of sustainability to be learnt from and interpreted in contemporary architecture. Vernacular and earthen architecture: Conservation and Sustainability will be a valuable source of information for academics and professionals in the fields of Environmental Science, Civil Engineering, Construction and Building Engineering and Architecture.
Architecture, Islam, and Identity in West Africa shows you the relationship between architecture and Islamic identity in West Africa. The book looks broadly across Muslim West Africa and takes an in-depth study of the village of Larabanga, a small Muslim community in Northern Ghana, to help you see how the built environment encodes cultural history through form, material, and space, creating an architectural narrative that outlines the contours of this distinctive Muslim identity. Apotsos explores how modern technology, heritage, and tourism have increasingly affected the contemporary architectural character of this community, revealing the village’s current state of social, cultural, and spiritual flux. More than 60 black and white images illustrate how architectural components within this setting express the distinctive narratives, value systems, and realities that make up the unique composition of this Afro-Islamic community.
In this rapidly globalizing world, any investigation of architecture inevitably leads to considerations of regionalism. But despite its omnipresence in contemporary practice and theory, architectural regionalism remains a fluid concept, its historical development and current influence largely undocumented. This comprehensive reader brings together over 40 key essays illustrating the full range of ideas embodied by the term. Authored by important critics, historians, and architects such as Kenneth Frampton, Lewis Mumford, Sigfried Giedion, and Alan Colquhoun, Architectural Regionalism represents the history of regionalist thinking in architecture from the early twentieth century to today.
This book is the first comprehensive synthesis on mosques in sub-Saharan Africa, bringing together sites from more than twenty states from sub-Saharan Africa; and more than 285 monuments, from the IXth to the XIXth centuries.
Without question, inter-religious relations are crucial in the contemporary age. While most dialogue works on past and contemporary matters, this volume takes on the relations among the Abrahamic religions and looks forward, toward the possibility of real and lasting dialogue. The book centers upon inter-faith issues. It identifies problems that stand in the way of fostering healthy dialogues both within particular religious traditions and between faiths. The volume's contributors strive for a realization of already existing common ground between religions. They engagingly explore how inter-religious dialogue can be re-energized for a new century.
