The Writings Reproduced In This Anthology Make It A Major Historiographical Intervention Which Traces The Colonial Emergence And Nationalist Development Of As Well As Contemporary Advances In The Discipline Of Architectural History Both Within India And In Relation To Art History In The West. Required Reading For General Readers And Scholars Both.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The book is about vastuvidya or architectural theory, the creation of temples, and the role of drawings as an indispensible bridge between the two. It focuses on two worlds attributed to Bhoja, the legendary Paramara rule of Malwa in the first half of the eleventh century. The first of these is his vastly ambitious, but unfinished, royal temple at Bhojpur with its unique set of architectural drawings engraved in the surrounding rocks. These beautiful drawings, documented here for the first time, provide insights into construction processes and glimpses of hitherto unknown temple forms. They also hold the key to the intended design of the Bhojpur temple itself, which would have been by far the biggest Hindu temple in the world.
Through lucid visual analysis, accompanied by drawings, this book will allow readers to appreciate the concepts underlying designs that at first sight often seem bewilderingly intricate. The book will be divided into six parts that cover the history and development of the design and architecture of Indian temples.
Contents: Introduction, Studies in Indian Architecture, Fort Architecture in Ancient and Medieval India, Art and Architecture: Northern India, Art and Architecture: South India, The Aspect and Orientation in Hindu Architecture, Kalinga Style of Architecture, Symbolism of the Dome, Art and Architecture, Muslim Architecture in India, A Plea for Indian Architecture.
This Book Deals With The Medieval Period Of Indian History. Most Of The Historians Consider This Period As The Dark Period Of Indian History. According To Them, Ancient Period Was The Glorious Period Of Indian History. During This Period Foundation Of Indian Culture And Of Social Structure Was Laid; But During Medieval Period India Did Not Make Much Progress. In Spite Of Historians' Opinion, It Can Be Said That During Medieval Period Also Progress Was Made And Several Buildings Were Constructed During This Period. Great Development Was Made In Art, Painting And Literature. Hindi Literature Made Great Progress During This Period, As Such, Kabir, Tulsi, Surdas, Jayasi, Rahim And Raskhan Are Still Considered Among The Greatest Writers Of Hindi Literature.Urdu, Punjabi And Other Regional Literatures Made Great Progress During This Period. Sikh Religion, Bhakti Cult And Sufism Also Made Great Progress During This Period.This Book Deals With All Aspects Of Medieval Indian History In Detail To Meet The Requirements Of The Students And The Common Readers.The Book Is Divided Into Three Parts. First Part Covers Saltanat Period From 1206 To 1526. Second Part Deals With The Mughal Period From 1526 To 1760 A.D. In Detail. Third Part Covers Period Upto 1857 In Brief. Bhakti Movement, Society And Culture, Art And Architecture, And Economic Aspects Have Been Described In Details In A Very Simple And Lucid Style.
This pioneering book is the first full-length study of the matha, or Hindu monastery, which developed in India at the turn of the first millennium. Rendered monumentally in stone, the matha represented more than just an architectural innovation: it signaled the institutionalization of asceticism into a formalized monastic practice, as well as the emergence of the guru as an influential public figure. With entirely new primary research, Tamara I. Sears examines the architectural and archaeological histories of six little-known monasteries in Central India and reveals the relationships between political power, religion, and the production of sacred space. This important work of scholarship features scrupulous original measured drawings, providing a vast amount of new material and a much-needed contribution to the fields of Asian art, religious studies, and cultural history. In introducing new categories of architecture, this book illuminates the potential of buildings to reconfigure not only social and ritual relationships but also the fundamental ontology of the world.
The Deccan sultans left a grand architectural and artistic legacy. They commissioned palaces, mosques, gardens and tombs as well as decorative paintings and coins. Of these sultanates, the Nizam Shahs (r. 1490-1636) were particularly significant, being one of the first to emerge from the crumbling edifice of the Bahmani Empire (c. 1347-1527). Yet their rich material record remains largely unstudied in the scholarly literature, obscuring their cultural and historical importance. This book provides the first analysis of the architecture of the Nizam Shahs. Pushkar Sohoni examines the critical relationship between architectural production, courtly practice and royal authority in a period when the aspirations and politics of the kingdom were articulated through architectural expression. Based on new primary research from key sites including the urban settlements of Ahmadnagar, Daulatabad, Aurangabad, Junnar and the port city of Chaul, Sohoni sheds light on broader Islamicate ideas of kingship and shows how this was embodied by material artefacts such as buildings and sites, paintings, gardens, guns and coins. As well as offering a vivid depiction of sixteenth-century South Asia, this book revises understanding of the cultural importance of the Nizam Shahs and their place in the Indian Ocean world. It will be a vital primary resource for scholars researching the history of the medieval and early modern Deccan and relevant for those working in Art History, Islamic Studies, South Asian Studies and Archaeology.