Italian Architecture
Italian Architecture

Author: Andrew Hopkins

Publisher:

Published: 2002

Total Pages: 222

ISBN-13: 9780500203613

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The years from 1520 to 1630 were crucial in the development of Western architecture, but to label as Mannerist the transition from Michelangelo's "licentious" New Sacristy in Florence to Borromini's innovative S. Carlo alle Quattro Fontane is coming to seem unduly simplistic. In this carefully researched and original study, Andrew Hopkins examines the century's changing functional demands, the political forces, the patronage system, and local traditions. Exploring a wide range of Italian buildings (including those outside the major urban centers), he introduces us to dozens of neglected architects whose works will come as a revelation. By 1630, architecture had taken on a new dynamism that would soon conquer Italy, Europe, and the New World: the baroque. 209 b/w illustrations.

The Architecture of Modern Italy
The Architecture of Modern Italy

Author: Terry Kirk

Publisher: Princeton Architectural Press

Published: 2005-06-02

Total Pages: 288

ISBN-13: 9781568984360

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“Modern Italy”may sound like an oxymoron. For Western civilization,Italian culture represents the classical past and the continuity of canonical tradition,while modernity is understood in contrary terms of rupture and rapid innovation. Charting the evolution of a culture renowned for its historical past into the 10 modern era challenges our understanding of both the resilience of tradition and the elasticity of modernity. We have a tendency when imagining Italy to look to a rather distant and definitely premodern setting. The ancient forum, medieval cloisters,baroque piazzas,and papal palaces constitute our ideal itinerary of Italian civilization. The Campo of Siena,Saint Peter’s,all of Venice and San Gimignano satisfy us with their seemingly unbroken panoramas onto historical moments untouched by time;but elsewhere modern intrusions alter and obstruct the view to the landscapes of our expectations. As seasonal tourist or seasoned historian,we edit the encroachments time and change have wrought on our image of Italy. The learning of history is always a complex task,one that in the Italian environment is complicated by the changes wrought everywhere over the past 250 years. Culture on the peninsula continues to evolve with characteristic vibrancy. Italy is not a museum. To think of it as such—as a disorganized yet phenomenally rich museum unchanging in its exhibits—is to misunderstand the nature of the Italian cultural condition and the writing of history itself.

Architecture in Ancient Central Italy
Architecture in Ancient Central Italy

Author: Charlotte R. Potts

Publisher: Cambridge University Press

Published: 2022-04-07

Total Pages: 225

ISBN-13: 1108845282

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Reconnects ancient buildings with the people who made them, with their surroundings, and with practices in other times and cultures.

Writing Architecture in Modern Italy
Writing Architecture in Modern Italy

Author: Daria Ricchi

Publisher: Routledge

Published: 2020-10-01

Total Pages: 197

ISBN-13: 1000199509

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Writing Architecture in Modern Italy tells the history of an intellectual group connected to the small but influential Italian Einaudi publishing house between the 1930s and the 1950s. It concentrates on a diverse group of individuals, including Bruno Zevi, an architectural historian and politician; Giulio Carlo Argan, an art historian; Italo Calvino, a fiction writer; Giulio Einaudi, a publisher; and Elio Vittorini and Cesare Pavese, both writers and translators. Linking architectural history and historiography within a broader history of ideas, this book proposes four different methods of writing history, defining historiographical genres, modes, and tones of writing that can be applied to history writing to analyze political and social moments in time. It identifies four writing genres: myths, chronicles, history, and fiction, which became accepted as forms of multiple postmodern historical stories after 1957. An important contribution to the architectural debate, Writing Architecture in Modern Italy will appeal to those interested in the history of architecture, history of ideas, and architectural education.

Architecture and the Senses in the Italian Renaissance
Architecture and the Senses in the Italian Renaissance

Author: David Karmon

Publisher: Cambridge University Press

Published: 2021-05-27

Total Pages: 490

ISBN-13: 1108808476

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This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.

Architecture and the Novel under the Italian Fascist Regime
Architecture and the Novel under the Italian Fascist Regime

Author: Francesca Billiani

Publisher: Springer Nature

Published: 2019-09-14

Total Pages: 238

ISBN-13: 3030194280

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Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.

Moderns Abroad
Moderns Abroad

Author: Mia Fuller

Publisher: Routledge

Published: 2007-01-24

Total Pages: 529

ISBN-13: 1134648308

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This volume studies the architecture and urbanism of modern-era Italian colonialism (1869-1943) as it sought to build colonies in North and East Africa and the eastern Mediterranean. Mia Fuller follows, not only the design of the physical architecture, but also the development of colonial design theory, based on the assumptions made about the colonized, and also the application of modernist theory to both Italian architecture and that of its colonies. Moderns Abroad is the first book to present an overview of Italian colonial architecture and city planning. In chronicling Italian architects' attempts to define a distinctly Italian colonial architecture that would set Italy apart from Britain and France, it provides a uniquely comparative study of Italian colonialism and architecture that will be of interest to specialists in modern architecture, colonial studies, and Italian studies alike.

Art and Architecture in Italy, 1600–1750
Art and Architecture in Italy, 1600–1750

Author: Rudolf Wittkower

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 144

ISBN-13: 9780300079395

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This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition will also include color illustrations for the first time. This is the first book in the three volume survey.

Some Reasons for Traveling to Italy
Some Reasons for Traveling to Italy

Author: Peter Wilson

Publisher: MIT Press

Published: 2022-12-06

Total Pages: 273

ISBN-13: 0262047268

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An idiosyncratic guidebook to architectural (and other) wonders of Italy, accompanied by the author’s own witty illustrations. In Some Reasons for Traveling to Italy, architect Peter Wilson offers a Grand Tour of Grand Tours, providing an idiosyncratic guidebook to architectural (and other) wonders of Italy, illustrated by his own witty watercolors and sketches. Wilson chronicles the reasons that people throughout history have traveled to Italy—ranging from “To Be the Subject of an Equestrian Painting by Uccello in Florence Cathedral” to “To Rebuild Herculaneum in Malibu” (the desire of oil tycoon J. Paul Getty in the 1970s)—while giving readers a deeper understanding of Italy’s architectural habitat and cultural mythology. In Wilson’s narratives and anecdotes, place names function as talismans; the events may not tally with recorded history, or with the exact topographies of actual places. Wilson offers historical reworkings, appropriations, and an architect’s scrutiny of certain Italian tropes. He recounts that Edward de Vere, 17th Earl of Oxford, set out “To Flee England Out of Embarrassment” after breaking wind when he bowed to Queen Elizabeth I; French novelist Stendhal went “To Discover an Anti-France”; and an English architect went “To Get Some Ideas for a Mausoleum.” At the first Venice Biennale of Architecture in 1980, a dapper architect found that he had come to Italy “To Fall Overboard in a White Suit,” the artist Cy Twombly went simply “To See,” and Wilson himself found that he was “Captured by the Ospedale Degli Innocenti,” enchanted by the sight of Brunelleschi’s architrave.